Rosso

Set in the 1970's in Argentina, this psychological thriller maintains an air of suspense throughout. Superb performances by Dario Grandinetti and Alfredo Castro, along with excellent writing and direction from Benjamin Naishtat.

Overall, I wasn't really thrilled with the ending here, but was very much engrossed in the film and interested as to how it was all going to turn out as the drama deepened.

This film take me by surprise, original and captivating. Usually I read something about the film before heading to the cinema but in this case I saw the trailer and read the quickly description. I'm mentioning this because affects yours/my mood and expectatives about the film, before even seeing the film, and your opinion of it. This films plays with different styles and the narrative is a metaphorical one. The beginning of the film set the pace and there is some humour there when you least expected. However all this funny bit and pieces that I enjoyed are related to the fact that I speak spanish, and the rhythm of the conversations, the tone of how things are said, can lead to laugh and enjoy the absurd moment or see it as a truly dramatic one. There is a another layer that talk about how we "slowly get used to" corruption and crime as far as we don't get our benefits taken away and our placid lives interrupted... too much. If you wanna see a film about a crime and a mystery, this film may disappoint you... if you go with a good open mood, you may have a great time!

The beginning is awesome, there is a fantastic noir atmosphere, cinenatogphy is inspired, script is very wrll written (at least most of the time). However, the end is not in the same level of the film's development, and perhaps sone open parallel stoties should have had an end. Though, it is a good layered film and deals seriously with a horrible time in Latin American history.

I saw this at MOMA this past January and as I see it is up on video now I thought I'd summarize. The period in question is the nasty Isabel Peron dictatorship and the equally nasty dictatorship that replaced it. Disappearing people had been occurring in Latin America for hundreds of years and this period was no different. That is one of the underlying themes, and one of the few scenes that worked is a scene of local people going to a home and emptying it of anything of any value. It reminded me of a scene in Kazantzakis' Zorba where the moment the ageing widow dies, all of the town turns up to calmly steal everything not nailed down. The film also has some brief moments of great cinematography. It also is clearly influenced by Fargo, True Detective and some aspects of Scandinavian noir, although wihtout the depth, dark humor, or coherence.

Ultimately though. Rojo. is entirely incoherent. it not only fails to tell a meaningful story, it fails to tell an intelligible one. it is a tedious experience to watch it, with no reward at all for the audience.

Summer movie season has arrived in NYC. I can always tell by the higher quality of the foreign films that come to town (you can bet none of the Hollywood films are of high quality). "Rojo" is the best film I've seen since at least the winter and I can't remember which one that was. This one features good acting and camera work and with some thought-provoking allegory and symbolism.

Nutshell: An influential lawyer is slowly losing his ethical footing after a confrontation with an unbalanced patron at a restaurant, leading to a visit from an amateur detective investigating the disappearance of the patron. Give it a chance, because it is slow to get underway. But if you appreciate superior filmmaking there is always a reward with a good motion picture, and this is one example.

******** 8/10 - Website no longer prints my star rating.