Surprised by Oxford

Carolyn was an agnostic when she first went to Oxford. She learned, however, over time there, that faith and intellect are not oppositional, antithetical, or contradictory. As she experienced longing to be fully known, which no human could satisfy, God pursued her as He had C. S. Lewis. As she resisted faith, finding it inconvenient and an impediment to her longing, she, like C. S. Lewis, was a most reluctant convert. Like C. S. Lewis, she found that real life and God were in paradoxes, as we see throughout the Bible and the life of Christ. She learned that paradoxes are only seeming contradictions. She found that faith and intellect can coexist richly. She found that God could fulfill her longing to be fully known. This is a good movie for those interested in how faith and intellect can be "held in the same hand," as Carolyn learned.

This movie was... weird. It seemed to have promise with the premise of "girl finds herself abroad," but it just didn't land. It very confusingly seemed to have a religious undertone that never explained herself-did she end up believing in God? We never found out even though the majority of the movie seemed to lead to the possibility. The main character was simply NOT likable, not nice, not interesting and her outfits were so boring. I also found the constant debating of what classic writers meant very aggravating. They didn't sound smart, they sounded full of themselves. The guy was likable and I honestly just wanted him to meet someone else.

This is the worst movie I've seen in years. The only positive aspect is the setting and cinematography.

Girl goes to Oxford; pretentious people talk about literature to impress one another; girl flip-flops between b*tch and wallflower yet somehow everyone adores her. Despite no romance or chemistry, she wakes up one random day hopelessly in love with the man she's shunned for a year.

There. Now that you've read my summary, there's no need to watch the movie because the film offers no further character development, insight into humanity, nor entertainment. Whatever philosophical or theological discussions the book might contain have not been well represented on film.

This movie is based on a memoire of her life by Caro Weber who was born in the 1970s, so being a college age student the story would have taken place in the 1990s. The main character in this movie is Caro Drake. Some of it was filmed in Nashville but most of it in Oxford, England.

Caro is a very serious student who always seems to be more prepared than the other students, even in middle school. When philosophical concepts arise in the classroom she is never shy to challenge the teacher. When she is graduating she is surprised with a full-ride scholarship to Oxford, she plans to get her PhD in Early English Literature.

She quickly encounters an American student there (played well by an Irish actor) and he takes a keen interest in her. She is different from the other female students, her efforts to get rid of his attention only seems to energize him more.

Not a lot happens in this movie, the more interesting scenes are philosophical exchanges, some with other students, some with professors or administrators. All the while Caro is trying to sort ot her confusion about what is really important in life. There is a mild faith element but it isn't pushed, mainly to put your faith forward, believe in things, figure out what your life is about.

My wife and I watched it at home, streaming. We enjoyed it but it is not a candidate for a re-watch.

This film keeps touching on some fairly powerful possibilities but then presents them in such an allusive way that the sudden bursts of emotion or reference to strong feelings and dilemmas come a bit out of nowhere. The protagonist is a pretty unique person and has a strong back story, but her interactions with her love interest hover between predictable and unmotivated and what is apparently meant to be a spiritual crisis seems like dilettantism more than profound exploration. Never mind that her main crisis here makes no particular sense given the unanchored quality of both her romantic and her spiritual questings. Really, the best part of the film is glimpses of Oxford and the excellent older British character actors playing the dons.