First Date

The writing and directing remind me of Kevin Smith and Clerks, in that this is the first big film that is coming from a great talent with very little to work with. I have no doubt that the people involved with this project will get another, much larger, round of funding for their next piece, and that this will remain a solid classic for years to come. As with most comedies, I'm expecting my second watch to contain more laughs, but the first run through didn't disappoint. While there are the typical "faux pas" that come from low budget comedy acting, there are many great characters and moments that make this excellent little story shine.

Fun. So worth watching.

Of course you know a first date in a movie called First Date isn't going to go exxxxxactly as planned right? But it goes beyond hijinx and defies expectations.

This combines aspects of several genres so you don't have to be super into this "type" of movie and still have a great time. It's solid, unexpected writing for a quirky indy. For whatever small budget they had to do this it's well executed, directed, etc. Good actors we're surely going to see in other things soon.

Will you have a good time watching this film? Yes.

FIRST DATE is a movie that impressively walks the fine line between laugh out loud coming of age comedy, and anxiety inducing thriller. A small town full of oddball characters cause a teenage date night to go horribly awry: ruthless, crooked cops, a vicious drug ring (with a book club), and a crazed, trigger happy woman all cross paths with hilarious and violent results. A comical, double crossing, trust-no-one, crime spree mystery with a charasmatic lead (keep an eye on Tyson Brown, he could be a star). The action keeps the 2 young lovebirds apart for most of the film, and their strong chemistry makes you cheer for them to get together. Perhaps it feels a touch too long, but FIRST DATE is funny, sweet, erratic, and violent. Lively entertainment from start to finish.

"First Date", I am particularly fond of this film! It leaves a long lasting impression with some remarkable scenes and relatable characters. Its easy to get involved in the story as the plot unfolds and the action heats up. I really enjoyed the dialogue in the film and the genuine laughs. For an independent film, there are some scenes that truly shine with brilliance.

Greetings again from the darkness. This is the first feature film for co-writers and co-directors Manuel Crosby and Darren Knapp. Despite mixed reactions from its Sundance Film Festival premiere, it's safe to say that this madcap action-comedy-romance-crime drama provides enough to set the stage for additional projects from the filmmakers. It likely works best as midnight fare, but the film juggles multiple genres and tonal shifts well enough that most will find it at least watchable, if not quite entertaining.

Tyson Brown (his first feature film) stars as Mike, a meek teenager too shy to ask his kickboxing neighbor Kelsey (Shelby Duclos, also her first feature film) on a date. When Mike's boisterous good friend Brett (Josh Fesler) forces his hand, Mike is surprised when Kelsey accepts ... setting off a wild chain of events and comedy of errors featuring a whole host of looney characters. But first, Mike has to find a car to drive, or there will be no picking up Kelsey at 7pm.

Mike buys a $300 1965 Chrysler from a shady dude named Dennis (Scott Noble). Now, Dennis is a natural scammer, but there is another reason Mike's newly purchased clunker is attracting the attention of drug dealers and corrupt cops. Mike and Kelsey's first date gets delayed a bit due to all the chaos, and Kelsey briefly ends up in the front seat of the Porsche belonging to local stud Chet (Brandon Kraus). Two local cops played by Nicole Berry and Samuel Adamola have multiple run-ins with Mike, each with terrific comic flair courtesy of Ms. Berry. Walking the line between comedy and danger is the crime gang who spend less time chasing Mike's car and more time on their book club - "Of Mice and Men" generating quite the debate. It's like a bumbling character convention came to town.

Filmmakers Crosby and Knapp deliver a frenzied opening scene to try and prepare us for what's coming. There are a few scenes that drag a bit, but for the most part, the pacing is pretty solid and the mixture of laughs and danger is well managed. Calling 8-tracks the vinyl of car radio is pure genius, and once things go awry, it's no-holds-barred. The big shootout reminds of FREE FIRE (2016), while the zaniness recalls such films as ADVENTURES IN BABYSITTING (1987), AFTER HOURS (1985), and TRUE ROMANCE (1993).

The supporting cast includes Jesse Janzen, Ryan Quinn Adams, Jake Howard, and Samantha Laurenti, and Nicole Berry is quite the scene stealer as Police Sgt Davis. Tyson Brown is spot on as the deadpan Mike whose only talents seem to be misplacing his phone and staying alive, while Shelby Duclos leaves us wishing her Kelsey had significantly more screen time. We can debate whether it's best to get caught by drug dealers or corrupt cops, and the comedy of errors is sometimes less funny and more dangerous, but that pinch of teen romance keeps the film grounded and personal.

In theaters and On Demand beginning July 2, 2021.