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Lien Binh Phat and Isaac in Song lang (2018)

Notizie

Song lang

15 Brilliant Nostalgia-Inducing Asian Movies
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Cinema is the ideal medium for awakening nostalgia, a sentimental longing or wistful affection for the past, as it seamlessly combines evocative images, sounds, songs, styles, and places that transport viewers to another time. Through its powerful visual and auditory storytelling, films have a unique ability to rekindle memories of past eras, childhood, or simpler moments in life. Nostalgic movies often reflect cultural trends, iconic moments, and heart-warming themes, allowing audiences to emotionally reconnect with their own personal histories or with bygone periods.

This list highlights some nostalgia-inducing films that, through lush productions or skilful era recreation, evoke feelings and memories you might not realize you had. These films romanticize the passage of time and the loss of fleeting moments, using vivid imagery and sound to summon a deep connection to the past—even when this past is a turbulent one, or one you just want to lose yourself in.
Vedi l'articolo completo su AsianMoviePulse
  • 29/09/2024
  • di Adriana Rosati
  • AsianMoviePulse
Lien Binh Phat and Isaac in Song lang (2018)
The Daily Stream: ‘Song Lang’ is an Exquisite LGBTQ Romance Centered Around a Dying Art Form
Lien Binh Phat and Isaac in Song lang (2018)
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they’ve been watching, why it’s worth checking out, and where you can stream it.) The Movie: Song Lang Where You Can Stream It: Amazon Prime The Pitch: In 1980s Saigon, tough and brooding debt collector Dung (Liên Binh Phát) meets Linh Phung (popular […]

The post The Daily Stream: ‘Song Lang’ is an Exquisite LGBTQ Romance Centered Around a Dying Art Form appeared first on /Film.
Vedi l'articolo completo su Slash Film
  • 08/06/2021
  • di Hoai-Tran Bui
  • Slash Film
Interview with An Ton That: Don’t Even Begin to Slip Any Nonsense Because Then You’ll Have to Fight a Tiger!
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Tôn Thất An is a Parisian born Vietnamese composer now based in Taipei, and has been writing for contemporary dance, theatre, film and art projects, and composing instrumental music as well as songs.

In the past four years, he has scored for a string of indie Vietnamese films: ‘The Third Wife’ (2018) and ‘Between Shadow and Soul’ (2019) by Ash Mayfair, ‘Song Lang’ (2018) by Leon Le, ‘Goodbye Mother’ (2019) by Trịnh Đình Lê Minh and ‘Ròm’ (2019) by Trần Thanh Huy. He has also contributed to Naomi Kawase’s ‘True Mothers’ (2020).

He significantly collaborated with Japanese choreographer Jo Kanamori: ‘Nina – materialize sacrifice’ (2005), ‘Play 2 Play’ (2007), ‘Les Contes d’Hoffmann’ (2010), ‘The Dream of the Swan’ (2017) and with Taiwanese dance wunderkind Huang Yi: ‘Symphony Project’ (2010), ‘Double Yellow Line’ (2012) and ‘Special Order’ (2014).

His work as a composer also brought him to the Philharmonie Hall in Berlin where he premiered ‘The Legend of Thánh Gióng’ (2013), a symphonic tale commissioned by The Berlin Symphony Orchestra.
Vedi l'articolo completo su AsianMoviePulse
  • 23/03/2021
  • di Panos Kotzathanasis
  • AsianMoviePulse
Eva Noblezada in Yellow Rose (2019)
‘Yellow Rose’ Takes Grand Jury Prize at Asian Pacific Film Fest
Eva Noblezada in Yellow Rose (2019)
“Yellow Rose,” written, directed, and produced by Diane Paragas, was awarded the Grand Jury Award for outstanding North American narrative feature at the 35th Los Angeles Asian Pacific Film Festival, which ran May 2-10.

Special Jury Awards for cinematography, actress and breakthrough performance went, respectively, to Ante Cheng for “Ms. Purple”; Maya Erskine for “Plus One”; and Eva Noblezada for “Yellow Rose.”

“Seadrift,” directed by Tim Tsai, took home the Grand Jury Award for North American documentary feature, while the jury-panelists gave Special Jury Awards to “Jaddoland,” directed by Nadia Shihab, and “Origin Story,” directed by Kulap Vilaysack.

The Grand Jury Award for international narrative feature went to “House of Hummingbird,” directed by Bora Kim. Jury Awards went to Leon Le for “Song Lang,” and to the directors ensemble of “Vai”: ‘Ofa-Ki-Levuka Guttenbeil-Likiliki, Amberley Jo Aumua, Becs Arahanga, Dianna Fuemana, Marina Alofagia McCartney, Matasila Freshwater, Mīria George, Nicole Whippy.
Vedi l'articolo completo su Variety Film + TV
  • 11/05/2019
  • di Tim Gray
  • Variety Film + TV
Spotlight on South and Southeast Asia at the 9th annual San Diego Asian Film Festival Spring Showcase
Film programs include one of the first lesbian Bollywood films (“Ek Ladki Ko Dekha Toh Aisa Laga”), a film with the backdrop of 80’s Saigon and its Vietnamese folk opera (“Song Lang”) and an Indonesian culinary journey through film (“Aruna and her Palate”)

The special series “From The Claws of Darkness: Restoring Philippine Cinema” brings the second golden age of Philippine film to the big screen for audiences to enjoy once again, including “Moral,” “Himala,” and “Batch ‘81”and “Manila In The Claws of Light”

San Diego, California – March 26, 2019 – The 9th Annual San Diego Asian Film Festival (Sdaff) Spring Showcase, presented by Pacific Arts Movement (Pac Arts) will be taking place on April 11-18 at the UltraStar Mission Valley. This year, a majority of the showcased films highlight South Asian and Southeast Asian stories.

There will also be a special collection of milestone Filipino films shown as a part of the...
Vedi l'articolo completo su AsianMoviePulse
  • 28/03/2019
  • di Rouven Linnarz
  • AsianMoviePulse
Helsinki Cine Aasia 2019 Programme is Out
Helsinki Cine Aasia 2019 gives a Finnish premiere to 18 East and Southeast Asian films

Helsinki Cine Aasia (14.–17.3.2019) is the only festival of contemporary Asian cinema in Finland. It has been organised annually since 2013. This year’s festival presents a wide-range of high quality films from 11 countries.

The opening filmat Helsinki Cine Aasia 2019 is Mori, The Artist’s Habitat by the Japanese director Shuichi Okita. The film is based on the late artist Morikazu Kumagai, who remains highly valued in his home country. Okita draws a slow paced and perceptive portrayal of the artist, tinged with soft comic touches typical for the director. Shuichi Okita will also be visiting the festival and will attend the screenings of his film.

The other portrait of an artist at the festival is Dare to Stop Us by Kazuya Shiraishi based on the enfant terrible of Japanese cinema Koji Wakamatsu (1936–2012) and his disciples during a period when Wakamatsu’s production company,...
Vedi l'articolo completo su AsianMoviePulse
  • 27/02/2019
  • di Rouven Linnarz
  • AsianMoviePulse
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