The Obituary of Tunde Johnson

I've seen a lot of "groundhog" day movies. Some I really liked, some not and some of them I just liked the first time. Most of them were funny and I surely mourned the dead.

But I was never so attached. I've never been as distressed and sad about every single dead and I've never been so scarred for the upcoming even I knew it comes.

I'm shocked and I'm so so sorry.

This timely film courageously addresses multiple issues: racial profiling, homophobia, police brutality, drug addiction, mental health and more. The 'time loop' structure can seem tiresome after awhile, however, each time we come back to a familiar scene it is presented in a refreshing way. I highly recommend this film!

Bits and pieces of this movie, very vital pieces of this story I strongly connected with on a personal level. When my ex and I were going through these issues back in the early 2000's, we always questioned to whom could we reach out to for answers? We had no one and no where. No we do.

I'm finally seeing a piece of my life being told how I see it. How I experienced it. Thank you everyone who put their lives and breathe into this work. I appreciate this gesture more than you know. I have been inspired. Well done. You did the damn thing.

I normally don't write reviews, but after watching this one I felt like I needed too. To begin, this movie was very well done from the soundtrack to the shooting of the many different prospectives that revolved around the same scene. The actor Steven Sliver does an amazing job playing tunde, being black in America can be a horrific and an anxiety filled mess. I know from personal experience. That fact that he plays a gay man further brings it home for me. I felt every interaction. His co stars Spencer Neville and Nicola Peltz really make a well rounded cast each actor providing a different layer to the story that is very well woven into the experience. If your reading this review, give the movie a chance to speak to you, it gives an unbiased perspective, that is not easy to forget.

In the account of Tunde Johnson, a wealthy Nigerian-American youth, tragedy strikes when he is fatally shot by the police during a routine traffic stop. Yet, his demise is not final, as he finds himself ensnared in a perplexing time loop, condemned to relive the day of his untimely demise repeatedly. This ordeal compels Tunde to confront profound truths about his existence and grapple with the complexities of his identity.

Despite the weighty themes of racism and police brutality, the narrative execution falls short of its potential. While the portrayal of the interracial gay relationship between Tunde and Soren is commendable, the story's delivery lacks the gripping tension necessary to convey its message effectively. The cast, including Spencer Neville as Soren and Nicola Peltz as Marley, delivers solid performances, but the overall impact of the film feels somewhat squandered.