Deutschland 89

Well what a series this is, interesting, light hearted, complex, captivating and truly a must see for anyone interested in Cold War, 80s music and some damn fine acting.

I can honestly say, the scenes with Sylvester Groth and Neil's Borman were excellent, and they had me play them over and over again. Outstanding actors and simply owned the screen when on.

It's a series that you should not miss, and do not view a dubbed version, watch with subtitles if you don't understand German.

Hoping there's gonna be more.

The first part Deutschland 83 i watched withing 2 days. Brillant regisseur, the actors and the story. I was waiting of the other parts of story and I wasn't disappointed.

Sure, it's a different tone to '83 and '86 but it hits the mark. It also manages to highlight the chaos of the times and the hypocrisy of all parties and ideologies. Good fun.

After a tank full of red herrings, the series comes to a deserved conclusion. It is nicely worked through, although some might say a little on the cheesy side.

Looking back at the production in its totality, almost every good quality that we could have wished for was there in abundance. A dynamite script, a relentless pace, and some very classy acting ... to mention just a few.

And almost as the credits begin to roll, we are served up one final treat. Footage of President Trump extolling the virtues of his wonderful new wall. History repeats, and lessons are not always learned. In such cases, poking fun is the prerogative of the filmmaker. - 8.8/10.

Due to the dynamism of the era and rapidly changing events (often chaotic) this Series may seem more hectic / less profound, but both BRD and DDR had such times in 1989... Decisions had to be taken rapidly, background information was limited, nobody knew how the USSR and West would react... I am sure there are no exaggerations in the script. Families, friends, relatives became involved in different opinions and activities plus the shadow of Stasi was around anyone - in spite of his or her former or current views.

The cast is strong here again, mostly familiar faces, with new angles and approaches. Again the mail characters and performers are more versatile here (as DDR was in fact a "male" society as all socialist countries - in spite of slogans), with Jonas Nay and Sylvester Groth most to my liking.

The ending scenes are somewhat peculiar, and it seems that Deutschland ´92 is not envisaged... Although I would not mind to see what happened to all these surviving personas in the unified Germany.