Upright

I can't imagine what is going on in the minds of the few low rating reviews. This is top-notch TV. It is, as intended, frequently comedic and in places hilarious, but the unfolding of the three main characters (including the piano) and their secrets and histories is delightful, done via odd but believable encounters with various groups of quirky incidental characters which occur in mostly remote, often amusing and sometimes quite stunning locations. The direction and camera work is great too, infusing the austerity of Australian outback with colour and life.

I have never taken the time to write a review for a show. But this one truly touched me. I'm in the U.S. and was able to see it and its sad to think that I could have missed it. Milly blew my mind with her performance, for someone her age to project such a range of emotions it was just incredible, She has such a bright future. And Tim, I expected good, but damn. Excellent job sir, an amazingly complex character that you couldn't help but love. The two of you are an excellent duo. Thank you.

Superb. Compelling. Funny. Emotional. Just got better and better with every episode. The best of Oz filming. Tim Minchin and Milly were absolutely absolutely absolutely superb.

This show is nothing new in terms of format. Your typical getting from a to b with some hyjinx along the way. However the onscreen chemistry between lucky and Meg are what elevates this show to deeply funny and emotional ride across the breathtaking aus outback.

I didn't do any research before watching and went in blind but I was not disappointed. Equal parts hilarity and pure emotion and the season finale had me in bits.

Highly recommend and the soundtrack is suitably stunning.

The road movie is a rich and often mined creative seam. Think Easyrider, Thelma and Louise and even Katherine Hepburn and Humphrey Bogart in African Queen. In Upright we have the classic formula of two misfits with different and sometimes competing agendas thrown together. While this could easily have descended into cliché, this is far from the case here. Tim MInchin, is brilliant and moving in portraying a character falling apart psychologically as he endeavours to face his demons. Milly Alcock is a mini powerhouse of kickass attitude whose drive and stickability as she warms to the task of ensuring the piano reaches its goal is both endearing and poignant. The final episode is moving but not in a maudlin way as it draws together the points that have been alluded to by means of flashbacks throughout the earlier scenes. The metaphor occupied by the piano as the central point of the series is a brilliant piece of writing. Some of the scenes, without giving too much away, for example the horse being replaced by the piano in the horse box, is priceless. R H Young (Dhanmondi Road 2019)