tick, tick... Boom!

For me this movie doesn't take any time to hook the viewer. As soon as Andrew Garfield start singing, i already got in to the movie.

The story was quite fast to catch but give it more effort and you'll be there. Me personally got a little loose in the middle of the movie, but doesn't take to much time to get back at it again.

All i can say that Andrew Garfield is in his element, and you're gonna see a really great performance.

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"tick, tick...BOOM! Is one of my favorite movies of the year! Boasting memorable, addictive, first-rate music performed by astonishingly talented actors, Lin-Manuel Miranda delivers one of the best musical films of the century.

From the absolute standout, "30/90", to the highly satisfying payoff, "Louder than Words", the vast majority of songs serve a necessary purpose, moving the plot forward in an entertaining manner while also developing the compelling characters.

Andrew Garfield delivers one of the best performances of his career, demonstrating his impressive emotional range and artistic skills, both as an actor and a performer. Technically, no fault to point out whatsoever.

Do NOT miss this work of art!"

Rating: A.

I liked this movie a lot more than I thought it would.

I find that Netflix movies are hard to predict normally they are let downs but this one broke the cycle for me.

It was thoughtful. There was obviously research done by everyone involved.

Considering this is his directorial debut I do think that he does a good job for the most part. I think some scenes are amazing and will stick but others can be a little plainer.

Andrew Garfield is the star of the show though. His performance was fantastic. He really gave into the role. The pretentiousness, the heart, the sadness. He played the typical "musical theatre nerd" perfectly. It was so theatrical and over the top which worked. But the moments that called for more depth were also amazing. He was about to really capture the sadness.

I was really impressed. The music is as great too. The majority of the songs had a life of their own and felt original. They felt fresh even though this play was wrote in 1990.

"I'm the future of musical theater." Jonathan Larson (Andrew Garfield)

Director Lin-Manuel Miranda (Tony and Pulitzer-winning creator of Hamilton) shows his genius was not a just one-off. In tick, tick . . .Boom! Hamilton revives the memory of Jonathan Larson (Andrew Garfield), the creator/composer of Rent, a contemporary rock musical that inspired a new generation of shows for Broadway.

That Larson should die at 35, the night before the preview of Rent, lends a melancholy air to this adaptation of his autobiographical musical and this film's influence by his first failure, Suburbia, inspired by Orwell's 1984.

Tick shows the evolution of Larson's signature realism, a fulfillment of his agent Rosa Stevens's (Judith Light) exhortation to write about what he knows. Poverty, paying rent, facing down rejection, protesting for justice, and HIV friends dying in droves are issues he knows and will exploit in his iconic musical.

Yet for this film, he is promoting his tick . . ., and while the lyrics are uneven and scattered but generally first-rate, it involves a too-large cast including aliens. Although Garfield is gawky and endearing in equal measure, Larson's work has the mentoring of Stephen Sondheim (Bradley Whitford), who I understand, knows something about musicals. Whitford, by the way, does a credible, impressive imagining of Sondheim.

The ticking boom of time in the title has several reference points, not just Larson's impending death but the dynamic change of Broadway Larson ignited. Andrew Garfield does a yeoman's job of giving life to Larson, who has a naivete, energy, and self-centeredness that bespeak the lasting influence he has had on the modern musical.

In some ways, Miranda has done that himself with this exciting, melancholic musical about musicals and the geniuses who lose their lives creating them. Netflix.

I love Andrew Garfield and this was the main motif, for me, to see this film. And real, he did a great role. And , real, my appreciation for him becomes more intense. And the admiration for great job of Lin Manuel Miranda. The film can be seen as hommage to Jonathan Larson. In same measure, it works very well as nice sketch for many anonimous lives, not very different by the lead character, between love, friendship, self acceptance, ambitious projects and need to be remarked as fair result of not doubts vocation. And a nice kick to they far to have opportunity of courage to become a real name. That last thing , the mix of confrontations, desires and dreams and frustrations , well used, well served represents the great good point of this movie. And, sure, fine exploration of the universe of shows and expressions of pure freedom. It can be perceived as a sketch about truth in its complex nuances , off course, but, in same measure, it is a magnificent musical, impressive not only for familiar ingredients of genre, for admirable energy of Andrew Garfield, for beautiful acting for supporting roles , but for high honesty. It is a very, very, very honest film, thing so rare today. And that transforms it in a personal story, easy as kick to remind the transition from 29 years old to 30, the round crisis, the decision to begin real life. Few scenes in this film are just gorgeous. So, must see it ! Not for be seduced. But for a great, profound useful perspective about life.