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Arkansas, 1875, Dopo aver sparato a cinque uomini per salvare un giudice ed essere entrato nel territorio indiano dopo un fuorilegge letale, Bass Reeves diventa il primo vice maresciallo ner... Leggi tuttoArkansas, 1875, Dopo aver sparato a cinque uomini per salvare un giudice ed essere entrato nel territorio indiano dopo un fuorilegge letale, Bass Reeves diventa il primo vice maresciallo nero a ovest del Mississippi.Arkansas, 1875, Dopo aver sparato a cinque uomini per salvare un giudice ed essere entrato nel territorio indiano dopo un fuorilegge letale, Bass Reeves diventa il primo vice maresciallo nero a ovest del Mississippi.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 7 candidature totali
Michael Aaron Milligan
- Jim Bruce
- (as Michael Milligan)
Marshall R. Teague
- Senator Smith
- (as Marshall Teague)
David William Arnott
- President Grant
- (as David Arnott)
Recensioni in evidenza
Despite the obvious b-grade quality, Ron Perlman, Frank Grillo and the genre of western was enough for me to give it a try - I do occasionally enjoy the little movies with good ol' actors just having a fun time. Well, "Hell on the Border" is probably the lousiest western I've seen so far, but, thankfully, not entirely without a heart.
In the most aspects of filmmaking, "Hell on the Border" is weak and painfully cliché. The plot, based on the true story of Bass Reeves, the first black U.S. marshall, is stitched together from arcs that we've seen a hundred times before & in a hundred better movies. I mean, there's literally not one hint of originality in "Hell on the Border". Same applies to the characters, though the duo of David Gyasi and Ron Perlman was at least mildly entertaining to watch. Frank Grillo, the villain, did a fine job. In portraying a mostly boring character. A pacing that drags constantly & a high predictability factor - these are a few additional "qualities" this movie possesses. Most frustratingly, "Hell on the Border" is also a mess regarding all technical and aesthetical means - the cinematography is boring, even sketchy, the lighting & color grading's effortless and way too amateur, the whole movie has a drab, grey-ish, even ugly look. Some random shots are extra grainy. To make it all worse, the original score was massively overused & it was as cheap as everything else in this flick. Most of the action sequences were wack and unrealistic. For a 2019 movie with such actors, even for the usual b-movie, "Hell on the Border" is technically embarrassing.
When I said it has a heart, I meant only the aforementioned acting duo of David Gyasi and Ron Perlman, plus the extremely conventional story line - yes, conventional, not entirely useless. Nevertheless, I recommend "Hell on the Water" to absolutely no one, except if you're sold on the same things I was. You have been warned though. My rating: 3/10.
In the most aspects of filmmaking, "Hell on the Border" is weak and painfully cliché. The plot, based on the true story of Bass Reeves, the first black U.S. marshall, is stitched together from arcs that we've seen a hundred times before & in a hundred better movies. I mean, there's literally not one hint of originality in "Hell on the Border". Same applies to the characters, though the duo of David Gyasi and Ron Perlman was at least mildly entertaining to watch. Frank Grillo, the villain, did a fine job. In portraying a mostly boring character. A pacing that drags constantly & a high predictability factor - these are a few additional "qualities" this movie possesses. Most frustratingly, "Hell on the Border" is also a mess regarding all technical and aesthetical means - the cinematography is boring, even sketchy, the lighting & color grading's effortless and way too amateur, the whole movie has a drab, grey-ish, even ugly look. Some random shots are extra grainy. To make it all worse, the original score was massively overused & it was as cheap as everything else in this flick. Most of the action sequences were wack and unrealistic. For a 2019 movie with such actors, even for the usual b-movie, "Hell on the Border" is technically embarrassing.
When I said it has a heart, I meant only the aforementioned acting duo of David Gyasi and Ron Perlman, plus the extremely conventional story line - yes, conventional, not entirely useless. Nevertheless, I recommend "Hell on the Water" to absolutely no one, except if you're sold on the same things I was. You have been warned though. My rating: 3/10.
The background score completely screwed this film up, I couldn't hear dialogues in parts cause the music overpowers it, QC there Netflix???
This movie had the potential to be amazing. I mean it was acted well but with WAY too many music scenes over riding and long drawn out moments of boredom.
Somebody should take this idea up again and make it great!! This was just too bland.
Somebody should take this idea up again and make it great!! This was just too bland.
The script is so poorly written the actors talents are wasted. All the actors are seem as if they are in a high school play. The Entire production is poor quality. The music is ridiculous
Where to start with the issues? Buildings with beautifully fresh and smoothly sawn walls, houses with aluminium roofs, six shooters that didn't need reloading, disjointed action sequences moving at glacial speeds......
Camerawork was crude, used jerkiness and lens flare etc to no benefit.
One of the worst films I've seen in the last year, this was inconsistent, uneven, unrealistic and frankly has nothing to commend it except that it chose a story that should be told. Avoid.
Lo sapevi?
- QuizSome have postulated that Bass Reeves was an inspiration for The Lone Ranger, the fictional (white) hero who was first created in the 1930s for a long-running radio serial and who continued via popular TV shows, movies, and comic books. This notion was largely promulgated by a single historian, Art T. Burton; in his Reeves biography "Black Gun, Silver Star," Burton wrote, "Bass Reeves is the closest real person to resemble the Lone Ranger" and listed a number of similarities between the real-life Reeves and the Lone Ranger character. However, many other historians have since argued that the similarities between them are too generalized and circumstantial to authoritatively state that the Lone Ranger was definitively based on Reeves. For example, a 2019 Texas Monthly article by Sean O'Neal says that Burton's argument rested on only a few similarities, but "it remains pure speculation; there's never been any conclusive evidence linking the two." O'Neal also argued that the insistence on a possibly spurious folk linkage between Reeves and the Lone Ranger also condescends to Reeves by "eclipsing" Reeves's real-life accomplishments with "the tall tales of an imaginary white man."
- BlooperAs Bass carries Ron Perlman out of the mud pool and hand can be seen feeding the horse to keep it standing still in the mud.
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- Tempo di esecuzione
- 1h 46min(106 min)
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