Recensioni degli utenti

... because you never learn! The despicable, diabolical and disgusting events from Srebrenica, replayed many times before, currently playing out in several countries now, and quite probably for the foreseeable future while we continue to turn a blind eye, ignore, disengage or perhaps don't care. Jasna Djuricic as Aida, immense!

It was an ongoing debate in my family if we should watch the movie or not. My mother is from Srebrenica and we lost a huge part of our family and amongst them my grandpa. The wounds are still open and will be no matter how long time passes and my mother's memories are still as vivid as if it was yesterday. Having seen a few bad movies left us not wanting to se another one on that subject because directors ( particularly Jolie) tried in a way to romanticize the war even though there is NOTHING ROMANTIC about that war. A huge loss, suffering and vivid memories of near friend and family being killed and tortured is something that my mother lives with daily. So I watched the movie first and later we saw it together. And it hits you to the core. I think that Jasmila Zbanic accomplished something great by leaving out horror scenes and making us just imagine. Because no scene can ever compare with the reality of crime and horrors that happened. In a few segments of the movie we had to pause because they felt so real to my mother that she started to look for my grandpa in the scenes with people outside the UN zone hq. We highly recommend everyone to see this movie and to never forget about Srebrenica.

The main actress Jasna Djuricic deserves an Oscar. She gave such a great portrayal of a mother and a wife who's traying her best in the worst of situation. God forbid anyone finds themselves in that situation.

Nominated for Best International Feature Film at the last Oscars, Quo vadis, Aida follows a UN translator's plight to save her family from imminent death in the wake of Bosnian War and also covers the events that led to the Srebrenica massacre. A powerful, heartbreaking & devastating account of human injustice & global apathy, this Bosnian war drama is one of the best films of its year.

Written & directed by Jasmila Zbanic, the drama centres around a fictional family in the middle of a real-life conflict but through their predicament, it effectively captures the utter despair & helplessness the refugees faced, not only from their persecutors but also from their supposed saviours. Zbanic lays bare the grave incompetence of United Nations whose lack of action only ended up enabling the wholesale killings.

Zbanic makes sure the family the story focuses on looks & feels as real & authentic as possible, and the drama she conjures around them is compelling throughout. It's disturbing to watch UN delegates failing to do the one thing their organisation exists for and how they simply stood aside as mere spectators after letting the fox into the henhouse. Jasna Duricic leads from the front with an outstanding performance and she is strongly supported by the rest.

Overall, Quo vadis, Aida is a brutal, harrowing & profoundly upsetting example of its genre that provides a scorching account of the lifetime of pain & trauma that warfare leaves behind and also exposes the failure & indifference of the international council that indirectly pave the way for such atrocities. Bringing the horrors of Srebrenica to screen with cut-throat intensity and leaving us shattered with its gut-punching finale, this Bosnian war film is essential viewing by all means. In a word, unforgettable!

I am a guy from Serbia and I gave this movie 10/10 because it has really good script and it is true work of art. I wish directors from Serbia would make more films which are as good as this one.

"Quo Vadis, Aida?" is a powerful film that tells the story of the Srebrenica massacre during the Bosnian War. The impressive framing of the story, coupled with the excellent acting and direction, make for an engaging but depressing experience.

The movie's narrative is straightforward, and it follows Aida, a translator for the United Nations, as she tries to keep her family safe from the atrocities taking place around them. The film powerfully demonstrates the impact of war, and the choices it forces people to make in order to survive, which is a stark reminder of the horrors that humanity is capable of.

The direction by Jasmila Zbanic is brilliant, with impactful visuals and perfect pacing throughout the movie, which combines to create an immersive experience. The subdued cinematography perfectly captures the film's intense emotions, and the lack of melodrama enhances the authenticity of the visuals.

The acting by the entire cast is impressive, with Jasna Duricic's portrayal of Aida being the standout performance. She brings sincerity to the emotions of the character, making Aida a relatable and likable character despite the traumatic events that unfold in front of her.

The only flaw of "Quo Vadis, Aida?" is that the heavy subject matter and the bleakness of the story can be overwhelming. However, for those who can stomach it, the movie is a worthy exploration of the effects of war and the toll it takes on individuals.

Ultimately, "Quo Vadis, Aida?" is an impactful film, well-deserving of its critical acclaim.

This movie is about genocide in Bosnia, everybody should watch it.

I would recommend watching a movie, then visiting International Crimes Tribunal for Former Yugoslavia website, especially Srebrenica Genocide.

Chronicle of the Srebrenica massacre, is a film that has no nuances, and in this sense it can be Manichean and somewhat crude. The director adopts a look full of anger that is transmitted to the screen, at the representation of the defenselessness in the face of the inability of the international community to prevent a massacre. It is a resounding film, necessary to understand the true terror of genocide, which perhaps has an epilogue that seems to want to soften an ending that leaves us petrified.

Where the movie is a very well made document of the Srebrenica genocide, it is weakened by the caricature depiction of the two sides.

All Muslims/Bosniaks are shown as gentle, meek victims. All Serbs are shown as hard men, cruel warriors. This caricature undermines this important movie.

The Bosnian entry for the Best International Feature Academy Award, "Quo Vadis, Aida?" is better than the odds-on favorite to actually win the Oscar, "Druk" (a.ka. "Another Round," 2020), being that it's actually about something that matters and is emotionally devastating--so much so that the eponymous Aida literally begs to make a Sophie's Choice at one point. The protagonists in both are teachers, and neither one ultimately affects any real change, but one is living history while the other rambles to high-schoolers about his famous favorite fellow drunkards. Both pictures are alienating: this one forcing us to witness the horrific Srebrenica massacre that we're unable to alter, and the other makes one feel like the designated driver to a bunch of binge-drinking dolts whining about their so-called mid-life crises. As opposed to waiting impatiently to drive the inebriated teachers home, however, "Quo Vadis, Aida?" does well to pull the spectator into the chaos. There's nary a dull moment in following Aida (as played rivetingly well by Jasna Duricic--seriously, Academy, you missed a nominee) around a makeshift UN refugee camp as she frantically tries to save the lives of her husband and two sons from the approaching slaughter by Ratko Mladic's Bosnian Serb Army and as the United Nations and their so-called, shorts-wearing peace keepers impotently stand by and refuse to help.

I want to note, too, that Aida being a translator, or interpreter, as the case may be (that "piano player" as "messenger" part early on, e.g.), makes for an interesting dynamic in the subtitling of the picture, among other things--much of it disregarded as unnecessary because of it. There's actually a good deal of English here beside other languages. Another good reason for the Oscar category name change from "Foreign Language Film" to "International Feature."

Additionally, amid all that, writer-director Jasmila Zbanic and company also do something reflexively interesting cinematically. While the real war is nothing more than a one-sided genocide slaughtering Bosniak Muslim males, there's another battle here for the cinematic control of the narrative. On one side, there's Mladic with the cameraman he continually tells what to shoot, and who in return reassures the would-be convicted war criminal that he'll fix his inane monotony with montage. We never see that film here, though--only its making from the outside, where its propagandistic lies are all the more apparent. And, on the other side, we have the faces of the people in the outer, film proper that is "Quo Vadis, Aida?" We see this in intermittent series of return gazes--of people looking directly, or close to, at the camera and, thus, us, the audience. They're the victims of the genocide within the narrative and, as the case may be, interpreting the real tragedy onto the screen, but through these return gazes, seize control of the narrative. This is their movie.

This is about events around the Srebrenica massacre in 1995. The UN promised that this would be a safe zone, but doesn't back up its ultimatums with action, leaving the small contingent of UN peacekeepers helpless in the face of stronger Serbian forces, who step-by-step get bolder, take over the town, and eventually the civilians seeking safety at the UN base.

I saw this as a digital screening of the Toronto International Film Festival, with writer / director Q+A. The writer put together the story based on actual transcripts, together with survivor stories. Many were composited into the main character Aida. Aida is a translator for the UN troops, and she also tries to keep safe her husband and 2 teenaged sons,. Thus she could move between the "defenders" and the defended, and tell the stories of both.

The characters are well-played and believable, and there are little touches that are illuminating: some flashbacks to pre-war life, a reference to neighbors turning against neighbors, etc. My one complaint is that, as a composite, some events seem to happen too quickly.

Wonderful movie, it translates the emotions of the mother perfectly, this movie pays homage to all the woman that lost their sons, brothers, husbands and fathers in the genocide, and still stood strong in the face of pure hatred. The movie just like any others, has its limitations, shortcomings, you can't film genocide in 1.5 hours, but the movie language is amazing in this one, all my emotions had been engaged, in one movie!

I remember watching serb soldiers entering Srebrenica on film and this gives a whole perspective on their attempts to "Take revenge on the Turks" only thing it did not show is the Dutch soldiers dancing and drinking with Genocidaires while the Bosniaks were being slaughtered, that is the only minus in this one.

In my humble opinon, this is the closest thing to Schindler's list we will ever get

Highly recommended. Gives a good picture of what happened in Srebrenica.

This film was much needed on the quarter-century anniversary of the massacre of Srebrenica, one of the most bloody pages of the most recent european wars, the Jugloslavian conflicts, that happened so recently yet are unspoken of.

Zbanic's film is better described as a family drama that happens to be set during Srebrenica than a film about Srebrenica alone. Or better, it is a film that is able to portray the events of Srebrenica yet focus on the personal story of a handful of characters.

The main character, Aida, is an interpreter for the UN military unit that was sent to Srebrenica in 1995, and is determined to save his all-male family from the butchery of their invaders. Her character is the center of virtually everything that is depicted, and allows to give a wide glimpse at the most recent genocide occured on european soil. While several of the main characters are invented, they interact at various points with really existing people: Mladic, the "butcher of Bosnia", colonel Karremans of the UN military division, among others.

One element which I found relevant was how the film underlined the fact that the post-jugoslavian conflicts were a conflict between neighbours, between people who belonged to the same communities, and the epilogue depicts this in a most shocking way.

The movie isn't bad, although some scenes are exaggerated and don't correspond to the truth. Acting great, music could have been better.

So horrible so horrible...

A war movie about the Srebrenica massacre in 1995. A mother, who's also an interpreter, tried to get her family to safety while the civilians were being transported by the Serbian force.

Coming in, I didn't know anything about the real life story. However, after watching about 10 to 15 minutes, it was abundantly clear what was going to happen. For the rest of the movie, it became a desperate, maddening, and heartbreaking descend into the inevitable. This was shown through the lens of our main character, and her desperation was relatable, like if you were in her shoes you would do everything she did.

The color and cinematography also heightened the desperation. The movie looked monotonous. The overwhelming color of the ground during the day felt hot, dry, and reflected the dire situation the civilians were in. Even more, the movie felt so raw, making me feel like I'm actually there with the people.

And then the ending hit. I knew it was coming, but still I was in silence as the camera slowly moved away. There's no need for showing actual violence. Just the sound was enough to convey the horror. The last scene was a strong testament of the director about the unjust event.

Overall, a devastating movie that i would not want to see again. 9/10.

This movie was great for showing the scope of the situation. At no point in time did I think to myself "why dont you just do X". It could have been better explained why the UN neglected support of the camp, so the movie could have started a bit earlier in the timeline. But apart from that great representation, and done in a tastefull way. Amazing crowd shots with and use of extras. Sometimes the movie felt a littel campy with its forced imagery of dispair, but it was managable.

Characters felt well performed and motives were clear. Acting was fine, not super great but more than enough to be passable. Some editing was jarring, but not too much that it made it offputting.

All in all, great movie wich handles its subject very well, but as a standalone you can't really praise it the same.

7/10: good good.

Well played movie and a surprise in artistic way but I HIGHLY recommend to those who watched this movie to watch a documentary Srebrenica - Izdani grad by Norvegian documentary film director. There are subtitles in english and its essential to putting pieces together. May all victims rwr in peace and may the real truth be uncovered

A very well portrayed film and the truth about the genocide committed in Bosnia and Herzegowina.