The Climb - La salita

Saw this at fhe Film Festival Munich 2019 (in German: Film Fest München). An intriguing collection of nice finds, augmenting the at-first-sight downthrodden path of triangle relationships where two men compete for one woman, but there is so much more at that. A parallel topic is male bonding, said to be stronger than between man and wife but even so often falsified, but nevertheless working out surprisingly here in a very original way. We watch a series of separate stories, mostly some time passed in between, each having the same two men as center of attention. Each chapter carries a specific title, foreshadowing what we are going to see as dramatic development(s). For instance, in the first chapter with the title "I'll kill you!" comes to light that one of the men had a sexual relationship with the fiancée of the other one (no fatalities, however, despite the title of this chapter).

That said, I would have preferred that each of the chapters was introduced not only with an intriguing title but also with some context and a time frame. A spoiler-free example of the latter is the start of chapter 2. We obviously attend a funeral, but I was left too much time wondering who and why. Th "who" question is answered implicitly when the funeral leader invites "her husband" to say something. The "why" remains unanswered, and ditto how much time elapsed between chapter 1 and 2. The chapter ends in a very unusual way, when the husband gets into a fight with churchyard personnel around a shovel. Expect more such unexpected turns of events in this movie. This is one of its trademarks.

My feeling that I had to grasp for context happened similarly with subsequent chapters, where new protagonists were thrown on us without telling who-was-who. Nevertheless, the respective stories become clear after some time to get acquainted. Most important aspect of this movie is that the turns of events are unexpected and ample humor is included, contrasting with the also prevalent sadder moments. It all makes up a perfect mix. In other words, just like real-life outside the cinema runs its course, with ups and downs, and for better or for worse.

When ignoring the flaws in storytelling (assuming these flaws are real and not just my fault), watching this movie is a rewarding experience, not the least of the humor-riddled dialogs. Take for instance a "how long" question in the opening chapter, that was answered "still 2 miles", obviously not the assumed answer how long the offending sexual relationship had lasted. And the "I'll kill you!" exclamation was not to be taken literally, as we can see when the front cyclist hits a passing car, triggering its driver to leave the car and tries to attack him. The ranks are closed very fast in their combined effort to contain the angry car driver, and the earlier death threat is forgotten on the spot.

All in all, each of the chapters has its own merits, are well written and treat relevant situations and real people with real attitudes and opinions. The stories are diverse in topic and show different people in different circumstances, sharing our two main protagonists as common denominator. Indeed, their connection and their chemistry remain the central theme throughout the running time. Seeing them go through all these phases and events makes watching this movie a memorable experience.

Michael Angelo Covino's directorial debut is a small indie dramedy about two friends, Mike (whom he plays) and Kyle. They have a lasting friendship and a variety of shared interests including cycling, but things start to get dicey right off the bat in the film's opening chapter when Mike reveals that he's having an affair with Kyle's fiancee. The rest of the film is essentially a bunch of vignettes of their personal, and evolving romantic lives. It's cut in several chapters, most of which have very few takes. While this creates some moderately engaging cinematography within the context of a very low-budget indie dramedy, the rest of the film is sadly rather bland and forgettable.

As leading characters, Kyle and Mike aren't especially all that interesting. Kyle is the more redeeming one, with a more impactful yet still modest home and familial life; whereas Mike's flaws are abundantly clear even well past his affair. While they both are developed, they're not especially that interesting. The chemistry between them on screen is fine, but it's not too engaging. Their characterizations don't feel especially original, much less anything we haven't seen before. It seems that Covino's message is that viewers should understand that even their close friends can make major mistakes and are very flawed, but he doesn't do an especially unique or original job trying to get this point across over the course of the story. While we know that Mike is not trustworthy, the plot doesn't end up really reflecting this in the way it should on how Kyle's personality evolves over the course of the story. The film's down-to-earth script has a few mildly funny moments here and there as well as a more serious side, but the effectiveness of the various situations the characters find themselves in (biking together, a funeral, celebrating Thanksgiving and Christmas with family, a wedding, and so forth) aren't really made more impactful by the dialogue. The film is paced briskly and edited well, but its formulaic character development and not-completely-engaging plot makes the film's narrative run out of gas a bit before the credits roll. Since the film is a character-driven piece, it doesn't really captivate the viewer at all since we're never especially captivated by the characters or how the writing defines them to be. Overall, this was a fine and passable independent comedy-drama, but it doesn't quite justify the acclaim it received from Sundance back in January. 6/10

The Climb is in some way a pessimistic looking at some friendships, but showing that the most important element in it can be just trustworthiness. Someone's best friend can be a cheater, but when you need him/her you can count on him/her without doubt. It is very refreshing American comedy and for sure you can enjoy in those 94 min with lot a laugh and music. If I may notice, the author adores French songs. Also, it is nice to see a dynamic camera movement and unforgettable is the scene where Kyle is performing a pole dance to the song "Lullaby". It's brilliant!

Was looking forward to this based on the plot and reviews. You don't get hugely invested in the characters. It has some good moments but tried pretty hard to be Coen Brothers esque.

I greatly enjoyed the way "The Climb" was filmed, with its complicated tracking shots and eccentric musical interludes. But I couldn't stand the characters in it and I didn't care at all about their story, so it's a shame so much style was wasted on lame material.

The movie examines the relationship between two buddies and ponders why one of them, Kyle (played by Kyle Marvin), puts up with the other, Mike (played by Michael Angelo Corvino), despite the fact that he is a complete jerk and ruins moment after moment of Kyle's life. The answer to that question, as the movie disingenuously concludes, is that Mike is the only person who knows what's best for Kyle, and though he's been nothing but a toxic presence for the entire length of the film, he's been right all along. Ugh, give me a break.

I don't have any patience at all for the man children Marvin and Corvino bring to life in this movie. Corvino especially, doing his best Casey Affleck impersonation, is intolerable. Clearly we're supposed to find him maybe at times frustrating but overall charming, which justifies woman after woman finding him irresistible even though he's repulsive, and which is why Marvin's doormat character can't tell him to take a flying leap. The problem is that Corvino is never as funny and charming to us as he thinks he is to himself. It's no surprise that he co-wrote the film with Marvin and directs it. Someone with more distance from the character needed to take the reins of this movie if we were to have any sympathy for him.

I actually liked quite a few moments in this movie, but more because of how they were staged than because of what was happening in them. It's a movie full of wasted potential.

Grade: B-