VALUTAZIONE IMDb
7,8/10
6376
LA TUA VALUTAZIONE
La storia di Ron e Russell Mael, i creatori del gruppo pop e rock Sparks.La storia di Ron e Russell Mael, i creatori del gruppo pop e rock Sparks.La storia di Ron e Russell Mael, i creatori del gruppo pop e rock Sparks.
- Premi
- 5 vittorie e 26 candidature totali
Sparks
- Themselves
- (filmato d'archivio)
Meyer Mael
- Self
- (filmato d'archivio)
The Beatles
- Themselves
- (filmato d'archivio)
The Who
- Themselves
- (filmato d'archivio)
The Kinks
- Themselves
- (filmato d'archivio)
Recensioni in evidenza
"How can a band be successful, underrated, hugely influential, and overlooked all at the same time?" Edgar Wright (director)
Although the cult art-pop band Sparks has been playing its idiosyncratic music for fifty years, you may never have heard about the two brothers or their music. Be prepared to remember them forever after seeing Edgar Wright's loving and comprehensive documentary covering their zany years of performance.
The two boys, Ron and Russ Mael, were born in California with the creative influence of the Beach Boys but a definite affinity for Brit bad boys like the Beatles and The Stones and touches of Queen. In fact, Ron and Russell Mael may have been a major influence on British synthpop.
Wright skillfully shows their emerging theatrics of Ron's culturally-sharp lyrics and Russell's stagey falsetto gyrations evocative of Mick and Freddie. They have their career careening from high on the charts to being absent from them, but never stopping the two from inventing themselves over and over again.
If you don't believe me, listen to persuasive talking heads who know what they're talking about, like Duran Duran, Weird Al Yankovic, Patton Oswalt, Sonic Youth, et al. However, just listen to their sometimes-inscrutable lyrics and watch Russell gyrate around the implacable Ron, and you will experience music in all its forms, wild and expressive.
As Ringo was alleged to say while watching Top of the Pops, "Marc Bolan is on the tele playing a song with Adolph Hitler" (Ron wore a Hitler-like stache much of the time). In the course of their half century, they went from glam-rock to orchestral art-pop to their take on Sgt Pepper and everything in between. It's exhausting just to try to catalogue their phases.
In Theaters.
Although the cult art-pop band Sparks has been playing its idiosyncratic music for fifty years, you may never have heard about the two brothers or their music. Be prepared to remember them forever after seeing Edgar Wright's loving and comprehensive documentary covering their zany years of performance.
The two boys, Ron and Russ Mael, were born in California with the creative influence of the Beach Boys but a definite affinity for Brit bad boys like the Beatles and The Stones and touches of Queen. In fact, Ron and Russell Mael may have been a major influence on British synthpop.
Wright skillfully shows their emerging theatrics of Ron's culturally-sharp lyrics and Russell's stagey falsetto gyrations evocative of Mick and Freddie. They have their career careening from high on the charts to being absent from them, but never stopping the two from inventing themselves over and over again.
If you don't believe me, listen to persuasive talking heads who know what they're talking about, like Duran Duran, Weird Al Yankovic, Patton Oswalt, Sonic Youth, et al. However, just listen to their sometimes-inscrutable lyrics and watch Russell gyrate around the implacable Ron, and you will experience music in all its forms, wild and expressive.
As Ringo was alleged to say while watching Top of the Pops, "Marc Bolan is on the tele playing a song with Adolph Hitler" (Ron wore a Hitler-like stache much of the time). In the course of their half century, they went from glam-rock to orchestral art-pop to their take on Sgt Pepper and everything in between. It's exhausting just to try to catalogue their phases.
In Theaters.
Edgar Wright always does great work, and when it was announced that he would be at the helm of a Sparks documentary, I was ecstatic.
I was of course excited to see the movie, but more than that I was excited that a big name director would be exposing the world and some of my fellow Americans (hopefully) to Sparks.
The band is not easy to find, and it is absolutely criminal. I myself only discovered the band 2 or so years ago and fell in love immediately, listening to the then 24 studio albums over a course of about a month for hours a day. I implore you to do the same, I really don't think you'll regret it.
The documentary really was true to Sparks sensibilities too, as Edgar promised he would try to do. The artists were not the center of attention, but rather the art was the center of attention. The dedication to their craft, along with an immense amount of wit and talent is what has sustained them as a band for 50 years.
The two are just so easily lovable guys, and immense talents with a one of a kind sound. As a fan, it made me happy to see the two in the limelight where they should be, taking a quick break to reflect after 50 years of innovating in the field. Here's to 200 more Sparks albums!
I was of course excited to see the movie, but more than that I was excited that a big name director would be exposing the world and some of my fellow Americans (hopefully) to Sparks.
The band is not easy to find, and it is absolutely criminal. I myself only discovered the band 2 or so years ago and fell in love immediately, listening to the then 24 studio albums over a course of about a month for hours a day. I implore you to do the same, I really don't think you'll regret it.
The documentary really was true to Sparks sensibilities too, as Edgar promised he would try to do. The artists were not the center of attention, but rather the art was the center of attention. The dedication to their craft, along with an immense amount of wit and talent is what has sustained them as a band for 50 years.
The two are just so easily lovable guys, and immense talents with a one of a kind sound. As a fan, it made me happy to see the two in the limelight where they should be, taking a quick break to reflect after 50 years of innovating in the field. Here's to 200 more Sparks albums!
'The Sparks Brothers (2021)' is a behemoth of a documentary that charts the entire, six-decades-spanning career of 'Sparks', an intermittently successful and always experimental band who've reinvented themselves more times than you could possibly imagine. Prior to hearing of this film, I'd never heard of the Mael brothers or their band; the only reason I (and I highly doubt I'm the only one) elected to watch the piece is because of its director, Edgar Wright. This directly relates to both the strength and weakness of the piece: its adamant desire to explore every single 'Sparks' album ever released. With a runtime just shy of two-and-a-half hours and a structure that basically repeats itself twenty-five times, it certainly isn't the most audience friendly of affairs. This would imply that its target audience is almost exclusively people already familiar with and fond of the band's work, but this actually isn't the case - at least, not as obviously as it may seem. See, the documentary doesn't really go into any depth when it comes to its eponymous brothers, their musical process or how they perceive the events the movie depicts. Instead, it essentially focuses on the reception of their music, conveyed primarily via an impressively eclectic array of talking heads who wax lyrical about the under-appreciated brilliance of 'Sparks'. Therefore, fans of the band will likely already be familiar with most of the stuff that the movie covers. At the same time, newbies like myself are likely to feel slightly overwhelmed at the amount of surface-level information that the flick throws at its viewers. After a certain point, it all starts to blend into itself and wash over you to an extent. Despite this issue, the movie is still quite a bit of fun. Sure, it starts to run out of steam at points, but it often shakes things up just enough to feel fresh - much like the Mael brothers themselves. Though its presentation is mostly rather standard (albeit impressive), it does have a cheeky sensibility to it and imbues many of its more expected elements with some subtle yet successful humour. The enthusiasm of everyone on screen is also evident and infectious. Sadly, I can't say that I recall more than a couple of 'Sparks' songs now and they play for pretty much the entire affair. This is likely a testament to the eclectic nature of their discography, which is consistently inconsistent in terms of style and tone. Still, the music is enjoyable, despite not being all that memorable. Ultimately, this documentary is slightly too long and almost too comprehensive for its own good, yet it has quite a bit of charm to it and remains entertaining pretty much for its entire duration. It's a solid effort. 7/10.
"All pop music is rearranged Sparks. And that's the truth."
The Sparks Brothers is a musical odyssey through five weird and wonderful decades with Ron and Russell Mael celebrating the inspiring legacy of Sparks. I had no idea who Sparks were going in. I knew by the end of the documentary I would have some reason to care about them, but it's hard watching a documentary about something you don't have much interest in- especially if it's about a person or people. Not that I didn't want to see this, but if I had no intentions to seek out this band before, I think it would be harder to get me to watch it. The one thing that actually got me to watch this is the fact that it was at Sundance earlier this year, and Edgar Wright was in the directors chair for this. Edgar Wright has yet to make a movie that is just decent. Everything he makes is fun and full of energy, and his first documentary is no exception. The Sparks Brothers is such a blast. It's the ultimate crowd pleasing music doc. Wright manages to incorporate his distinct style with every scene. He and Sparks were born to collaborate together. What we learn about the Sparks brothers is exactly what you'd want to know knowing Wright's previous films. They are a strange group and have a mysterious sort of quality. Watching their story unravel is just good fun.
The way the documentary is setup is sort of different from the rest. As usual, there's interviews and fun animations throughout like most. What's strange is how everything progresses. Usually we get stories of people trying to make it big, but they face challenges and defeats that make them grow as a group. The Sparks Brothers just focuses on their success. Sometimes things didn't always work out, but there's always a comeback and those defeats are still celebrated today. The film is always on a high and soars all the way through. I think the runtime could've been cut down a bit. With it running close to two and a half hours, it's pretty long for a doc. It never feels slow and the runtime doesn't feel long at all. But by the end, I looked at the clock surprised at the length. I think it's a bold move to make it this long and cover every album and a surplus of their songs. The Sparks Brothers is probably the most fun you'll have with any documentary. I left extremely glad to know just about everything there is to know about each Sparks album and how it all came to be. Also, you'll probably catch a few songs every now and then that you didn't realize was by them. If you get the chance to see this, I would highly recommend!
The Sparks Brothers is a musical odyssey through five weird and wonderful decades with Ron and Russell Mael celebrating the inspiring legacy of Sparks. I had no idea who Sparks were going in. I knew by the end of the documentary I would have some reason to care about them, but it's hard watching a documentary about something you don't have much interest in- especially if it's about a person or people. Not that I didn't want to see this, but if I had no intentions to seek out this band before, I think it would be harder to get me to watch it. The one thing that actually got me to watch this is the fact that it was at Sundance earlier this year, and Edgar Wright was in the directors chair for this. Edgar Wright has yet to make a movie that is just decent. Everything he makes is fun and full of energy, and his first documentary is no exception. The Sparks Brothers is such a blast. It's the ultimate crowd pleasing music doc. Wright manages to incorporate his distinct style with every scene. He and Sparks were born to collaborate together. What we learn about the Sparks brothers is exactly what you'd want to know knowing Wright's previous films. They are a strange group and have a mysterious sort of quality. Watching their story unravel is just good fun.
The way the documentary is setup is sort of different from the rest. As usual, there's interviews and fun animations throughout like most. What's strange is how everything progresses. Usually we get stories of people trying to make it big, but they face challenges and defeats that make them grow as a group. The Sparks Brothers just focuses on their success. Sometimes things didn't always work out, but there's always a comeback and those defeats are still celebrated today. The film is always on a high and soars all the way through. I think the runtime could've been cut down a bit. With it running close to two and a half hours, it's pretty long for a doc. It never feels slow and the runtime doesn't feel long at all. But by the end, I looked at the clock surprised at the length. I think it's a bold move to make it this long and cover every album and a surplus of their songs. The Sparks Brothers is probably the most fun you'll have with any documentary. I left extremely glad to know just about everything there is to know about each Sparks album and how it all came to be. Also, you'll probably catch a few songs every now and then that you didn't realize was by them. If you get the chance to see this, I would highly recommend!
This was superbly made, very funny, and surprisingly uplifting.
I've watched a lot of music documentaries that have interesting content but pretty boring presentation, and so to have one come along that's this entertaining and this well edited was a real treat.
Sparks have had an incredibly interesting history to the point where you could use stock standard documentary techniques and still make something watchable, but Wright's passion for this duo really shines through and makes for a documentary that will make any viewer see the weird, funny and captivating appeal of Sparks.
It makes me feel like I've got a lot of catching up to do, as I'd only listened to four Sparks albums before watching this, and there are at least several more covered here that I feel I should check out.
Only complaint I'd have is that it gets a little long winded near the end, with an epilogue that stretches on forever, with so many points where you think it's about to finish but doesn't. It's like the Lord of the Rings: The Return of the King ending but for documentaries.
Maybe Wright just didn't want to finish making this movie about a band he clearly loves, so for that I can't blame him too much.
I've watched a lot of music documentaries that have interesting content but pretty boring presentation, and so to have one come along that's this entertaining and this well edited was a real treat.
Sparks have had an incredibly interesting history to the point where you could use stock standard documentary techniques and still make something watchable, but Wright's passion for this duo really shines through and makes for a documentary that will make any viewer see the weird, funny and captivating appeal of Sparks.
It makes me feel like I've got a lot of catching up to do, as I'd only listened to four Sparks albums before watching this, and there are at least several more covered here that I feel I should check out.
Only complaint I'd have is that it gets a little long winded near the end, with an epilogue that stretches on forever, with so many points where you think it's about to finish but doesn't. It's like the Lord of the Rings: The Return of the King ending but for documentaries.
Maybe Wright just didn't want to finish making this movie about a band he clearly loves, so for that I can't blame him too much.
Lo sapevi?
- QuizNone of Ron's snow globes were harmed during the making of this documentary.
- Citazioni
Jack Antonoff: All pop music is rearranged Vince Clarke or rearranged Sparks. That's the truth.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Los hermanos Sparks
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 648.665 USD
- Fine settimana di apertura Stati Uniti e Canada
- 273.530 USD
- 20 giu 2021
- Lordo in tutto il mondo
- 1.249.115 USD
- Tempo di esecuzione2 ore 20 minuti
- Colore
- Proporzioni
- 1.85 : 1
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