Durante la prima guerra mondiale ai giovani soldati britannici Schofield e Blake viene affidata un'ardua e rischiosa missione, dovranno consegnare un messaggio per avvisare il secondo battag... Leggi tuttoDurante la prima guerra mondiale ai giovani soldati britannici Schofield e Blake viene affidata un'ardua e rischiosa missione, dovranno consegnare un messaggio per avvisare il secondo battaglione dell'imminente pericolo.Durante la prima guerra mondiale ai giovani soldati britannici Schofield e Blake viene affidata un'ardua e rischiosa missione, dovranno consegnare un messaggio per avvisare il secondo battaglione dell'imminente pericolo.
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- Vincitore di 3 Oscar
- 135 vittorie e 200 candidature totali
Riepilogo
Recensioni in evidenza
Filmed and edited as if it was one long take, the camera never leaves our main protagonists, Blake (Dean-Charles Chapman) and Schofield (George MacKay), out of its sight. Mendes (Skyfall) and co-writer Krysty Wilson-Cairns (Penny Dreadful) therefore corner themselves by relying on this kind of linear storytelling, to tell a very focused but at times a somewhat thin tale. Some of the scenes are so empty, it will for sure test audiences' patience. Technical, '1917' is a true feast for the eyes and ears.
Roger Deakins' (Blade Runner 2049) cinematography is once again breathtakingly superior to anything else you've seen this year, and for sure will be the one thing people unanimously praise. Sound editing/mixing, visual effects and production design are all outstanding. These are the things, people will remember. It is Thomas Newman's (Passengers) score that elevates every moment happening in front of you, intensifying the emotions brought by our main characters. And although MacKay (Captain Fantastic) and Chapman (Game of Thrones) do a pretty phenomenal job at capturing the true essence of their characters going through a literal hell, it's the side characters with little-to-no screen time who steal their spotlight. Andrew Scott (Fleabag), Mark Strong (Shazam!), Richard Madden (Rocketman) and Benedict Cumberbatch (Dr. Strange) are checkpoints along the way, but man, do they impress with the few lines they're given.
1917 is without a doubt a technical masterpiece, that will inspire many filmmakers, but I can't feel a bit let down. As an overall film, it wants to play a heavy tune on your heartstrings, but can't reach that level of sentiment, because the focus on technicalities pulled me out of the story. It for sure is one of the better films 2019 has brought to the big screen, yet a bit more focus on the script could've made this the cinematic masterpiece of the decade. Nonetheless, I recommend watching this on the biggest screen possible and enjoy another fine piece of cinema brought to you by Sam Mendes.
The story is very simple...two lance corporals are sent on a mad dash across enemy territory to alert troops on the other side of this no-man's land that they are walking into a trap. The film shows their journey and the thrilling finale.
The plot is among the simplest I've seen in a war film and the movie is really about action and the men's struggle to sneak across the battlefield and alert their troops....simple. Yet it was made so thoughtfully and realistically that it really worked well. A brilliantly made film...among the best I've seen about war. But it's also very graphic and unpleasant....so be forewarned.
Lo sapevi?
- QuizSir Sam Mendes (director) and Lee Smith (editor) stated that, despite the apparently continuous shot (broken only by one interval of unconsciousness), actually dozens of "invisible" edits were made, concealed by transitions through black, moves behind objects, and so on. According to Mendes, the shortest unbroken shot was 39 seconds long, while the longest single continuous shot was 8-1/2 minutes long.
- BlooperBritish trenches did not use long straight sections. Instead they used a traverse system of short fire trenches linked by traverses to minimize damage from a direct artillery hit in the trench system.
- Citazioni
General Erinmore: [quoting Rudyard Kipling] Down to Gehenna, or up to the Throne, He travels the fastest who travels alone.
- Curiosità sui creditiThe opening logos are shortened and tinted blue.
- Versioni alternativeThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- ConnessioniFeatured in Jeremy Jahns: 1917 (2019)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Thế Chiến 1917
- Luoghi delle riprese
- Salisbury Plain, Wiltshire, Inghilterra, Regno Unito(trench scenes & farm)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 95.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 159.227.644 USD
- Fine settimana di apertura Stati Uniti e Canada
- 576.216 USD
- 29 dic 2019
- Lordo in tutto il mondo
- 446.064.352 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1