The Changeling - Favola di New York

Brilliantly acted, well shot and confusing as hell.

If your looking for a paint by numbers horror action series this is not it. It is a slow paced non conventional walse into themes of motherhood, abuse and generational trauma to name a few. There are dark horror esque moments and a general other worldly tense theme though out. You are never sure what is real and what is a metaphorical devil or evil within

You will be asked to make your own mind up and draw your own conclusions with this series. There a clues and hints aswell as recurring sayings and images throughout for the eagle eyed viewer. You will not be spoon fed up at all which is why I imagine some of the reviews on here are sayings it's boring. It definitely isn't for everyone but give it ago

If you like American gods, twin peaks, twilight zone and so on you will probably like this.

This book was incredible and it is amazing to see it come to life in this way. This show is so good. Very loyal to the source material which I love. I am guessing most did not read the book that are rating this below what it deserves. LaKeith's acting is amazing too. We need a second season for the answers and to bring us to the end of the book!!

This show is so good. Very loyal to the source material which I love. I am guessing most did not read the book that are rating this below what it deserves. LaKeith's acting is amazing too. We need a second season for the answers and to bring us to the end of the book!!

The story starts out with an interesting premise. It plants seeds of intrigue. Yet, it meanders so much that I am having a hard time finding a reason to keep watching.

Rather than letting the acting and dialog tell the story, there is an overwhelming amount of narration makes the show BORING. For example try suffering through Episode 7, it is horrible.

In general, the story is ALL OVER THE PLACE. Just when you think you found the storyline and can engage - they jump to another storyline - filled with more monologue and narration.

This would have been better suited as a podcast rather than a TV show.

... because you will find the characters likable and become invested in what happens to them.

But this turns out to be a terrible investment to make. You will at no point in the last several episodes be glad that you subjected yourself to this show. But it will be too late for you because you watched the first episode and became invested.

If you disregard this advice and watch the first episode, know this: Nothing that you want from the rest of this series will be given to you. Nothing. Fill in the blank: "I want to watch more episodes to at least ________." Whatever you filled in that blank will not be given to you whether you watch the rest or not. You cannot have that. And the situation that you now want it could have been avoided if you had listened to my advice.

It felt more complimentary; not to be spoon fed the whole bowl of porridge and instead puzzle along the pieces of each episode.

Lakeith Stanfield shines in his ability to portray a character that feels grounded and complex. While Adina Porter brings a graceful presence and Malcom Barret provides a warm sprinkling of comedic relief to the uncertain horror.

This series opens with the classic line "Once upon a time" over a ship battling stormy seas. Narration reels the viewer through a flowing multi-current of journeys. Embarking on two similar and (perhaps not obvious) related stories of boy-meets-girl. The progression of both couples relationships is well distinguished by utilising the shifting time periods through sound and visual affect.

The sweet and airy nature of the initial pacing twists itself into a spiral as (Clark Backo's character) Emmy, finds herself caught in a questionable darkness amid a crescendo of unsettling and tense scoring.

I found it neither slow or boring while character connections were established. The light start is littered with breadcrumbs of skillful shots from the director to develop the backstory and engage the viewer.

Kudos to the wardrobe, SFX and set teams as they seem to have been passionate in their work. They complimented the directors storytelling and added differentiating hints of nostalgia and colour theory.

So far it has left me wishing for more.