Sorkhpoost

Some aspects of the movie are fascinating, like the color arrangement or locations... But because of some points, the total result is not fine enough: The script is too imperfect to be attached with audiences deeply. The personages are too colorless and unidentified, the music is not accompanied with rhythm, as the rhythm is not so remarkable... The romantic atmosphere is so meaningless and spoiled without any background or strength. Acts are so generalized without any individualized with personages, like what we watched in Navid Mohammadzadeh: the way of his talking or looking or acting is as similar as his acting in other movies. The Warden is not good enough to be archived but it is worth to be watched just for once!

I watched this movie after watching a disappointing Iranian movie, and I wasn't expecting much. But it hooked me since the very beginning. Great actors, amazing screenplay, and believable locations. I recommend this to all cinema lovers.

One of the best examples of late Iranian movies with impressive cinematography using a nice colour palette and lighting quite unusual for Iranian cinema. Coupled with good acting by major characters, the successfully studied screenplay has a touch of Hitchcock which keeps the mystery of how it will unfold until the end. Using animal metaphors of frog, dog and cat is engrossing...

Good directing, good acting specially Navid Mohammadzadeh , good music, Hooman Behmanesh's cinematography is amazing, location is great. but, screenplay is not good and it's a big problem. at the end watching this movie worth it.

This is a perfect movie. good directing, good acting, amazing story and the best ending ...