Îmi este indiferent daca în istorie vom intra ca barbari
- 2018
- 2h 20min
VALUTAZIONE IMDb
7,2/10
2214
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn artist commissioned to stage a re-enactment of a Romanian war battle receives pushback from producers for including a realistic portrayal of her country's treatment of Jews during WWII.An artist commissioned to stage a re-enactment of a Romanian war battle receives pushback from producers for including a realistic portrayal of her country's treatment of Jews during WWII.An artist commissioned to stage a re-enactment of a Romanian war battle receives pushback from producers for including a realistic portrayal of her country's treatment of Jews during WWII.
- Regia
- Sceneggiatura
- Star
- Premi
- 11 vittorie e 18 candidature totali
Recensioni in evidenza
Radu Jude's "Îmi este indiferent daca în istorie vom intra ca barbari" ("I Do Not Care If We Go Down in History as Barbarians" in English) does two things at once. The most important is that it looks at a shameful instance in Romania's history: the army's massacre of Jews in Bessarabia, even before the Nazis arrived (one of the Nazi officials even complained that the Romanian army was simply going ahead and killing Jews!).
But the other issue addressed is how Romania has treated this in years since. Romania, like the rest of Europe, wants to simply think that it was a victim of the Nazis; in reality - as in most of Europe's other countries - plenty of its citizens were delighted to help the Nazis.
The protagonist is a woman making a movie about the 1941 Odessa Massacre carried out by the Romanian army, with the title referring to a quote from Foreign Minister Mihai Antonescu. During the movie's production, a number of people start revealing their unwillingness to acknowledge the country's history. As someone notes, it's comforting to be the good guy.
It's not a masterpiece, but it still calls into question how much anyone is willing to recognize the bad parts of their own country's history. As John Quincy Adams once said, the historian must have no country (and the one character does even note the US's sordid history).
But the other issue addressed is how Romania has treated this in years since. Romania, like the rest of Europe, wants to simply think that it was a victim of the Nazis; in reality - as in most of Europe's other countries - plenty of its citizens were delighted to help the Nazis.
The protagonist is a woman making a movie about the 1941 Odessa Massacre carried out by the Romanian army, with the title referring to a quote from Foreign Minister Mihai Antonescu. During the movie's production, a number of people start revealing their unwillingness to acknowledge the country's history. As someone notes, it's comforting to be the good guy.
It's not a masterpiece, but it still calls into question how much anyone is willing to recognize the bad parts of their own country's history. As John Quincy Adams once said, the historian must have no country (and the one character does even note the US's sordid history).
This film is a great feat, with a universal message regarding the difficulty in facing our true national images in the mirror, including savage, murderous episodes. Exquisite acting and art, as well as nuanced irony neatly combined with grave philosophising and serious storytelling. I was glued to the screen for the entire 2 hours and 20 minutes.
I saw many boring movies and I tolerated most of them and I have never put bad comments on them. But this is the most boring movie I have ever seen. Besides being boring it is also vulgar: many vulgar jokes and vulgar nudity scenes. Maybe this movie had a good idea, but it was implemented poorly.
I wat lch a lot of movie from all countries and all genres, but this is the most boring piece of ... I ever saw. It shows an actress/ director doing research. She reeds a couple of minutes from a book, watches a youtubefilm, walks through a museum and lays naked in bed with her boyfriend. That was the first 45 minutes...
The photography was amaturistic and ugly, the discussions between the cast irritating and a mess.
Avoid, avoid, avoid!
The photography was amaturistic and ugly, the discussions between the cast irritating and a mess.
Avoid, avoid, avoid!
Boring, vapid, annoying, I left after the first hour. Poor and tangled dialogues, useless nudity. There is a scene where an old black and white picture, with hanged people, it's shown for more then a minute !!! The same picture, one minute !! WTF ?
Or another scene where you can see a closeup with a guy's penis for about a minute!! Why ??
Dont go to this movie !
Lo sapevi?
- QuizIn the film Molina (Alexandru Dabija) presses Mariana (Ioana Iacob) on why she is focusing Antonescu and not Communism, implying political bias. In response, she states that the next project can be about Communism. Radu Jude's next project, Uppercase Print, focused on repression and surveillance under Romania's Communist regime.
- ConnessioniFeatured in The Story of Film: A New Generation (2021)
- Colonne sonoreMars Triumfal Si Primirea Steagului Si A Mariei Sale Printul Domnitor
Written by Eduard Hübsch
Performed by Orchestra Angely's
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- I Do Not Care If We Go Down in History as Barbarians
- Luoghi delle riprese
- Romanian Athenaeum, Bucarest, Romania(Exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 11.307 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2083 USD
- 21 lug 2019
- Lordo in tutto il mondo
- 39.171 USD
- Tempo di esecuzione2 ore 20 minuti
- Colore
- Proporzioni
- 1.85 : 1
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