Rare Beasts

I couldnt keep up. I think I understood the concept, that it was meant to show her interpretation of the unfiltered versions of what was inside peoples heads rather than the external versions of what they actually say. But with that in mind, I still dont know what this film was trying to portray.

The writers and director went for bizarre with this one. I'm not a big fan of that approach to storytelling, and this was no exception. The weirdness overwhelmed the story and made me want to watch something less silly.

You'll know after the first five minutes whether or not this movie is for you.

Mandy (Billie Piper) is a struggling single mom in the modern world with a bad job and a troubled son. Her mother Marion (Kerry Fox) has been living with her for the last six years after being abandoned by her father Vic (David Thewlis). She starts dating co-worker Pete (Leo Bill) who is against the modern feminist world and is frustratingly bitter. She figures that he's going to rape her on their first date and so of course, she continues dating him.

I wanted to see why this is described as an anti-rom-com. Tom is an ugly hateful character. Sometimes, those misanthropes can be funny characters. Tom is never funny. There is no reason for Mandy to date him. He's one of those bad blind dates in a rom-com montage. We can laugh at his one horrible line but we don't have to spend the rest of the movie with him. Mandy is the classic pathetic single gal in the big world character. She's a staple in TV sitcoms and various rom-coms. Billie Piper is an appealing actress and her charisma overpowers any flaws. I see what's she's trying to do here. She's an older woman who lost her youth and feels her beauty fading away. She's overwhelmed by all sides. The question is what she's going to do with that character. This is her debut as a writer and as a director. It's interesting that she's choosing to do a dark underside interpretation of the standard rom-com. I don't think it achieves what it wants. It tries to do surreal but it comes too late. There are undeserved turns. It's not truly dark enough to be shocking or somehow worthy of discussion. It's definitely not funny despite some quirky turns. Billie Piper may have some interesting ideas but she's not experienced enough to pull it all together in a black comedy which is often a tough genre to get right. My one big suggestion is to make Pete her horrible husband from the start. She's stuck in a bad marriage and she needs to escape. In this movie, she doesn't need to escape as much as she needs to never get trapped in the first place.

This is not easy to watch. I do not know if some of the misogynism is imagined or based on actual events. There is more self-criticism here than some people could tolerate. This is the worst situation, when you can see how a person is trapped, but they don't realise it. No angels or saviours inhabit this space. There is no redemption. Here is real life, and it is not pretty. I can't see this being popular, as it is disheartening. Nobody is cast in a positive light. That is realism. This reminded me of Mike Leigh's films, but this is bleaker. I believe that Billie Piper should continue directing. She is needed.

I enjoyed the film, though definitely had overlaps with Billie Piper's series I Hate Suzie (which I must say I preferred). At times I couldn't work out if I was supposed to be rooting for her character and love interest to be together, and I found Pete's character rather confusing. But on the whole enjoyable and inventive, really intrigued to see what Billie comes up with next.