VALUTAZIONE IMDb
5,2/10
3608
LA TUA VALUTAZIONE
Il ritorno al successo di una fashion editor è interrotto quando scopre che l'attraente giovane che ha baciato a una festa è il nuovo collega... e anche il figlio della sua capa.Il ritorno al successo di una fashion editor è interrotto quando scopre che l'attraente giovane che ha baciato a una festa è il nuovo collega... e anche il figlio della sua capa.Il ritorno al successo di una fashion editor è interrotto quando scopre che l'attraente giovane che ha baciato a una festa è il nuovo collega... e anche il figlio della sua capa.
- Premi
- 2 vittorie e 3 candidature totali
La La Anthony
- Elodie
- (as Alani 'La La' Anthony)
Sterling Brim
- Tim
- (as Steelo Brim)
Erica Jaye Green
- Terry
- (as Erica J. Green)
TS Madison
- Greta
- (as T.S. Madison)
Recensioni in evidenza
This movie is done in the style and long tradition of romcoms from "yesteryear". It's a delightful nod to movies from the 20's, 30's, 40's, 50's, 60s and 70s.
I'm an avid movie lover raised by a movie and film lover who schooled me in movies from past generations, so for me from the opening credits to the last line I was delighted by this theme. The film was like a love letter classic films and specifically classic Black films.
The movie contains some of these classic movie elements that could be mistaken for if a viewer doesn't have background knowledge, but that's OK because the filmmaker (and maybe the author) alludes to it and almost encourages the viewer to explore classic films by the references to Ina Mae, through the Jenna's costumes, the color tone of the film, the jump cuts, the overt nod to Dorothy Dandridge's Carmen, the campy elements, and the over the top characters, and other iconic classic movie moments interspersed throughout the film.
Gabrielle Union brings reminded me of many leading ladies from these classic films from her perfectly timed comedic moments to the heartfelt ones. Union depicts Jenna Jones as a classic actress with charm, relatability, a dash of glamour, and as an aspirational figure.
The music was wonderful, well-timed, and well chosen to enhance and punctuate scenes. There's art in this movie and I appreciate this art.
I'm not sure what people mean by no chemistry. The two leads definitely have chemistry. I was thinking Union's husband had a cameo to remind people he was around.
Found this movie scrolling Netflix. I have not read the book and didn't know it was a book until coming here. I was curious about the film makers.
I'm an avid movie lover raised by a movie and film lover who schooled me in movies from past generations, so for me from the opening credits to the last line I was delighted by this theme. The film was like a love letter classic films and specifically classic Black films.
The movie contains some of these classic movie elements that could be mistaken for if a viewer doesn't have background knowledge, but that's OK because the filmmaker (and maybe the author) alludes to it and almost encourages the viewer to explore classic films by the references to Ina Mae, through the Jenna's costumes, the color tone of the film, the jump cuts, the overt nod to Dorothy Dandridge's Carmen, the campy elements, and the over the top characters, and other iconic classic movie moments interspersed throughout the film.
Gabrielle Union brings reminded me of many leading ladies from these classic films from her perfectly timed comedic moments to the heartfelt ones. Union depicts Jenna Jones as a classic actress with charm, relatability, a dash of glamour, and as an aspirational figure.
The music was wonderful, well-timed, and well chosen to enhance and punctuate scenes. There's art in this movie and I appreciate this art.
I'm not sure what people mean by no chemistry. The two leads definitely have chemistry. I was thinking Union's husband had a cameo to remind people he was around.
Found this movie scrolling Netflix. I have not read the book and didn't know it was a book until coming here. I was curious about the film makers.
I was excited to see a Gabriel Union movie as she brings so much charm and warmth to the characters she plays but I have no idea what I just watched.
There was no chemistry between the leads, felt as friends at most. There was no flow in the movie, it felt like they were trying to check off boxes with requirements in how to put a movie together.
The characters themselves were made into an exaggerated version of whatever personality they were supposed to be.
I can safely assume that they did not do the book justice and I haven't even read it.
Can't recommend this unless you feel like you have some time to waste.
There was no chemistry between the leads, felt as friends at most. There was no flow in the movie, it felt like they were trying to check off boxes with requirements in how to put a movie together.
The characters themselves were made into an exaggerated version of whatever personality they were supposed to be.
I can safely assume that they did not do the book justice and I haven't even read it.
Can't recommend this unless you feel like you have some time to waste.
A rom com that could have been good, but just wasn't. No build up, their first encounter is strange, to say the least. At first I thought she was dreaming the whole thing. The ending, I don't think anyone needed that. Everything in between....it has a few good moments, funny too. Very annoying how the time frame is off. She's 40, but refers to 'being born in the 70's'. And supposedly met her ex in college and was with him for 10 yrs, which ended a year ago (so at 39)? How? Things like this can easily be avoided. She also seems rather immature for a woman her age, with a high profile career.
Now, it may be 'just' a rom com, but still a mediocre one.
Now, it may be 'just' a rom com, but still a mediocre one.
The shots of New York and the colors they used in the film is 10/10. But the actual movie seems rushed and forced. Zero chemistry whatsoever. The story is beautiful and I'm sure it felt beautiful to read the book. But that did not happen with this film. Which is disappointing. As a black woman I love watching black love. Idk lately it seems to me and I hate to say it, but production has gotten so much better with black films but the acting falls flat. Even with good established actors. Maybe use up and coming actors? Who still relate to us everyday black folk? It felt like all of the actors were just going through scenes and reading the script instead of connecting with it.
I really enjoy Tia Williams as an author, but this film was a terrible expression of her talents.
The leads didn't have chemistry and there were many underdeveloped themes. My biggest disappointment with this movie is that the editing was awful. I rewound the movie about 10 minutes in because I thought I missed the opening scene where they actually provide context to the the main story line. The movie is disjointed. It's 30 or so random scenes that don't flow together rather than a movie.
Beautiful actors, great wardrobe, and a good soundtrack don't overcome the glaring faults with this film.
The leads didn't have chemistry and there were many underdeveloped themes. My biggest disappointment with this movie is that the editing was awful. I rewound the movie about 10 minutes in because I thought I missed the opening scene where they actually provide context to the the main story line. The movie is disjointed. It's 30 or so random scenes that don't flow together rather than a movie.
Beautiful actors, great wardrobe, and a good soundtrack don't overcome the glaring faults with this film.
Lo sapevi?
- QuizBased of the book "The Perfect Find" by Tia Williams
- ConnessioniReferenced in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
- Colonne sonoreYou Can't Lose a Broken Heart
Written by James P. Johnson (as James Johnson), F.E. Miller (as Flournoy E. Miller)
Performed by Louis Armstrong, Billie Holiday, Sy Oliver & His Orchestra
Courtesy of The Verve Music Group under license from Universal Music Enterprises
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- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
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