Babyteeth

There are a lot of things this movie does great, I want to comment right off the bat. However, part of me was frustrated I didn't love the whole movie, and I think there were just a few things holding it back from greatness. As such, I'm probably going to cover more negatives than positives here. If anything it's probably more like the equivalent of a 7.5 rather than a 7, so I hope it doesn't read too much like I'm bashing on the movie.

On the topic of positives: the acting across the board is very strong, particularly from Ben Mendelsohn, who seems to shine no matter what movie he's in. It captures the feeling of living in the Australian suburbs with an uncanny accuracy (can confirm, I've been there all my life), it uses music extremely well (especially one scene around the halfway mark that uses the anxious yet beautiful 'Bizness' by Tune-Yards), there are some genuinely emotional moments, and the direction is largely good.

I say largely good because aspects of how the movie looked would be one of my complaints. It adopts a handheld style for much of the runtime, and honestly it works the vast majority of the time. That being said, I couldn't help but notice a couple of instances where it was too rough; where it stopped looking like handheld camerawork and instead just looked like shoddy camerawork. These moments were rare, but one instance early on- where it looked like the camera banged into something and jolted slightly but noticeably- was distracting.

Speaking of distracting: so were the occasional Flea-Bag style glances to the camera from the main character. I'm sure there was a purpose, but it was lost on me (such a minor comment though, and not really a flaw if it just comes down to me being a dummy and not understanding).

Also, the film has a very episodic feel that creates a mild sense of repetition in parts. For just under two hours, it does feel a tiny bit long. I think you could have kept it episodic and maybe shortened some sequences, or excised one of the subplots (the violin teacher stuff didn't add a whole heap to the story, in my opinion). Or: give the narrative more of a logical flow and make the series of events more coherent and satisfying; traditional, even. The risk with doing that would be making the already quite simple story feel dangerously cliche, and so I think the best solution would be to keep the episodic feel but with about 10-15 minutes trimmed off the run time.

Like I said, it's very good though. And the acting, music, emotional content, setting, and most of the visuals are clearly good, while some of those other aforementioned nitpicks- had they been addressed- could have made for a movie that I would've loved.

I started this movie thinking what am I actually watching here and was thinking it was gonna be a waste of time but it ended up surprising me greatly. It is very weird and a little slow to start with but as the story unfolds you start to warm to all the characters and feel their pain.

It's a great Australian movie that deserves more celebration

It's told from all the characters perspective as they deal with this journey of tragedy and loss with git and rawness.

This storyline has been told time and again but not like this. A great story told so differently that it was unexpected and raw and fantastic.

It takes guts to take a subject like this and not play it safe, to give every character flaws, every relationship twists and turns and many quirks to the story line. I knew that there would be tears from the off but didn't anticipate feeling as emotionally invested in every character. Superb directing too - cinematic in places and claustrophobic in others. A beautifully crafted film. Not soppy, just really believable characters.

Well acted but very depressing.

Eliza Scanlan gives a fascinating performance as a young woman who's going through cancer treatment and falls for a drug addict who may or may not be good for her. Her parents (Essie Davis and Ben Mendelsohn) are dysfunctional and unraveling and have drug problems of their own. They don't like her daughter's boyfriend and under normal circumstances probably wouldn't tolerate him. But he's the only thing that brings their daughter some respite from the hell she's going through, so they sort of adopt him as their own.

"Babyteeth" is a coming of age movie that's set apart from others like it because of the protagonist's existential crisis. Scanlan's character is as immature in some ways as any sixteen year old, but at the same time is being asked to summon up reserves of maturity to deal with the ultimate curve ball life has to throw at us. How do you balance the emotional and hormonal ups and downs of teen romance with the possibility of your impending death?

The film is a bit monotonous in tone and starts to feel like a grind after a while. But again, it's worth seeing for the performances and for the unsentimental treatment of the subject matter that would have possibly segued into the maudlin in different hands. The ending scene is the most devastating thing I've seen in a movie this year.

Grade: B+

Where to start with this fantastic film?

Firstly every single performance is flawless. Eliza Scanlen as the lead is magnetic, impossible to take your eyes off. She plays the role so well, showing great vulnerability and warmth balanced with such fire and spirit in her character. It's such a well written part and so well played. Toby Wallace as Moses is equally brilliant, and the on screen chemistry and interactions between the two are so captivating.

In terms of the story it is so compelling. Each character has such different reactions and ways of progressing through the unfolding events of the plot, with everything feeling very real and poignant. There's so much beauty in the story and so much emotion as well, it really will take it out of you after watching this.

To top it all off the film also has such a gorgeous feel to it. It looks beautiful, has such a peaceful and calming score, and has this vein of almost tranquillity running through it.

A beautiful hidden gem of a film.