Make Up

I found the lead character to be 2 dimensional and to have few redeeming or watchable features. She didn't do a lot, was just one of those characters that just watches everything. This is an overdone technical device to encourage the viewer to watch and pay more attention. However, there was little to see, causing frustration.

The other characters had more life in them but these were not exploited to their full potential. The central theme being a mystery character, didn't really come off that well. This again could have been developed and made much more dramatic and interesting.

A good effort but this storyline was just the basic framework of the story, more flesh was needed on the empty and rather slow bones of the piece.

I enjoyed watching this. It did not easily fit into any genre, and was all the better for that. A rather episodic film, with no clear linear narrative, but it still retained my interest throughout.

It really captured the bleak, barreness of an out of season caravan park, with its motley collection of residents with nowhere else to go.

A bit overloaded with symbolism at times, but definitely worth watching in my view.

A young women discovers more than she expected when she goes to live with her boyfriend on a bleak Cornwall caravan park as the season closes. Conjuring an array of potential outcomes from the off, it's left to the viewer to fill in the gaps and provide the explanations for their meaning as the haunting, occasionally claustrophobic and suffocating sequences play out - for real or imagined. Ultimately a voyage of discovery, that stays in the shallows, doesn't sail too far from the coastline, narrating a familiar tale but done so in an imaginative way.

An 18 year old girl arrives at an out-of-season caravan park by the sea to stay with her boyfriend who works there. She quickly suspects he is involved with another girl and becomes somewhat paranoid. The setting is perfect for the mood and atmosphere the director wants to convey; bleak, lonely, downbeat, and often downright creepy and unsettling. The movie has a very slow pace which in my view works very well, but it will alienate some.

The story has a serious flaw however in that we never really get to know the main character before her certainties begin to unravel and so are not really invested in her plight as we should be. The movie is far more comfortable when tackling her burgeoning friendship with a female character from the campsite than it is when we are asked to believe in her relationship with her boyfriend, which is glossed over and shallow and never really convincing. I like how the director was married to visual storytelling but we needed some kind of conversation between the main character and her boyfriend to believe something was at stake. The ending also falls a little flat, if it can be called an ending. It feels more like we are being told this mysterious, ethereal film was really just a lot of fuss about nothing.

My rating is generous because I like this style of film-making and would definitely watch more by this director, but if she wants to use male characters they should be more than just props and plot conveniences. 6/10

Newb filmmaker Claire Oakley did a fine job at directing, but the writing was paced slower than a snail's pace. The 86 min runtime felt like an eternity, and there were far too many unnecessary random few-second shots. It made matters worse that lead Molly Windsor's role was drab and depressing. It's a good metaphorical story, but should've been a short film instead, which is up Oakley's alley. Cinematography and score were decent. It's a 6/10 from me.