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IMDbPro

Sorry We Missed You

  • 2019
  • T
  • 1h 41min
VALUTAZIONE IMDb
7,6/10
27.350
LA TUA VALUTAZIONE
Katie Proctor and Kris Hitchen in Sorry We Missed You (2019)
A delivery driver and his wife struggle to get by in modern-day England. Directed by Ken Loach.
Riproduci trailer2: 26
2 video
95 foto
Workplace DramaDramaFinancial Drama

Un autista per le consegne e sua moglie faticano a cavarsela nell'Inghilterra moderna.Un autista per le consegne e sua moglie faticano a cavarsela nell'Inghilterra moderna.Un autista per le consegne e sua moglie faticano a cavarsela nell'Inghilterra moderna.

  • Regia
    • Ken Loach
  • Sceneggiatura
    • Paul Laverty
  • Star
    • Kris Hitchen
    • Debbie Honeywood
    • Rhys Mcgowan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    27.350
    LA TUA VALUTAZIONE
    • Regia
      • Ken Loach
    • Sceneggiatura
      • Paul Laverty
    • Star
      • Kris Hitchen
      • Debbie Honeywood
      • Rhys Mcgowan
    • 154Recensioni degli utenti
    • 176Recensioni della critica
    • 82Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 10 vittorie e 22 candidature totali

    Video2

    Official Trailer
    Trailer 2:26
    Official Trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer

    Foto94

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 88
    Visualizza poster

    Interpreti principali53

    Modifica
    Kris Hitchen
    Kris Hitchen
    • Ricky
    Debbie Honeywood
    Debbie Honeywood
    • Abby
    Rhys Mcgowan
    • Seb
    • (as Rhys Stone)
    Katie Proctor
    Katie Proctor
    • Liza Jane
    Ross Brewster
    • Maloney
    Charlie Richmond
    Charlie Richmond
    • Henry
    Julian Ions
    • Freddie
    Sheila Dunkerley
    • Rosie
    Maxie Peters
    • Robert
    Christopher John-Slater
    • Ben
    • (as Christopher John Slater)
    Heather Wood
    • Mollie
    Albert Dumba
    • Harpoon
    • (as Alberto Dumba)
    Natalia Stonebanks
    • Roz
    Jordan Collard
    • Dodge
    Dave Turner
    • Magpie
    Stephen Clegg
    • Policeman
    Darren Lee Jones
    • Council Worker
    • (as Darren Jones)
    Nikki Marshall
    Nikki Marshall
    • Traffic Warden
    • Regia
      • Ken Loach
    • Sceneggiatura
      • Paul Laverty
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti154

    7,627.3K
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    Recensioni in evidenza

    8brankovranjkovic

    Sorry we missed you : Genuine - honest - emotional.

    Documentary drama from Ken Loach.

    The real life struggles of real people struggling to make ends meet after the financial crash. This is about a family in desperate situations, who are financially and time poor. He's a hardworking self-employed delivery driver, she's an overstretched care worker. Both very demanding jobs, their lives are hard, and their kids are neglected. A serious story for current times, though there are no references to Brexit or politics generally.

    If you've seen 'I, Daniel Blake' then you'll have a good idea what to expect, though this isn't about benefits. This is more about what happens when there are no workers' rights. Recommended.
    9gokselll

    A striking experience!!!

    Ken Loach, great director of working class movies, gifts an awesome political art-work to the audience, again.

    The movie doesn't say any directly political word or doesn't picture any agitative scene. But, it really strikes the audience and reflects hard reality of actual daily life in U.K. Within a plain narration (however much more harder than "I, Daniel Blake") and masterfully avoiding a catharsis final, Loach tells great majorities' pity lives;

    -. Flexible working conditions instead of officially regular work hours

    -. Ambigious labour shifts which comprise no stable daily break-time or weekly holiday

    -. obligations of unemployment and debts to consent those terrible working conditions.

    -. the one can't find any time for the family, friends or any leisure avtivity and could easily transform to a non-sensual monster... Loach, with no boring narration and without a huge agitation, tells an ordinary family's very realistic and sentimental story.

    I think every audience will leave the theatre with a high anger to the capitalist system!!! Thank you, Ken Loach!!!
    8faroukgulsara

    "you don't work for us, you work with us..."

    During the infancy of my career, many a time, being the most junior of the team, I usually ended up having to see poor patients who just made it to the clinic at closing time. I soon came to know that they were living far from civilisation, deep in rubber or palm oil estate. Coming to the hospital meant getting up at four in the morning, preparing breakfast for the school-going children and being able to get on the first 6 o'clock morning bus to town. Invariably, they would be delayed. The transport out to the main road would not turn up. Perhaps, the feeder bus would break down or the bus that they had to change left earlier.

    They would eventually reach the hospital close to noon. After getting an earful for not keeping to their time, they would have to seen by the junior most doctor of the team. The senior ones would have left the clinic for more pressing needs. Unable to make a definitive plan of medical treatment for them, these patients who would require most of the expertise from the medical team ended up discarded by the system. They would be given another appointment; the whole ritual needs to be repeated. On top of all these, as they are daily wage earners, absence from work meant the loss of a day's earning.

    I thought all these slave-like working conditions would end as the world changed. With globalisation, workers were promised working conditions and preservation of unassailable rights of the workers. Marx's dream of working for sustenance and having leisure time to enjoy the reason for their existence, they thought, would of fruition with the gig economy. They do a gig when and if they want. The workers would be their own boss. They work for themselves; not for the bosses or company. They do not work for a company but with the company. What the company failed to highlight were the fine prints, the exclusion clauses and the penalty they were to be imposed if specific rules are not followed.

    Fast forward, and workers realise that the whole economy is just a scam. The same old economic ideology is just re-packaged. The same plot of scheming the poor to feed the rich is in full force. The workers continue breaking their back until a new horizon emerges. Who knows what else would they promise the next time. Meanwhile, like Sisyphus, the unendowed have the find simple pleasures within their unending cycle of hardship, a flicker of hope, resolution, pain and the curse of repeating it all over again.

    Still reeling with debts from the 2008 economic downturn, Ricky thought he found a sure way to end his financial woes. The promise of good returns as an independent despatch services provider, he felt his hard work was the only thing that separated him from economic independence. For that, however, he needed to purchase a pickup van. For its down payment, he had to sell off the family car in which, the wife, Abbie, a home care nurse moved around to meet her patients.

    Soon everyone realises that it is not all hunky-dory. Ricky has to spend long hours at work. Abbie finds it taxing to meet her demanding schedule. Their two teenage children are left to their devices. The parents are unable to meet up to their school and their children's emotional needs. Ricky's woes only accumulate. He has to pay damages for lost items which are not covered by insurance and to work despite his injuries after mugged.

    It looks like the dependence on others will spill over on to the next generation. Their dependency on their digital hand-held devices is not mere addiction. It has become their essential tools to do their school, learning, communication and more. The digital world is another platform that is manipulated by the economic giants to make people fall at the service providers' feet. This is yet another doublespeak and the dehumanising trap of the neoliberal economy. Instead of building an antifragile society that grows stronger with every stress that is hurled upon them, we will be left with a brittle one, needing support at the mere thought of pressure.

    Again, our electron microscopic friend, COVID-19 has shown us the fragility of the gig economy. Being locked down for two weeks may be excellent for family time and bonding, but neither bring in the cash nor pays the bills.
    9planktonrules

    Powerful...and quite painful to watch.

    "Sorry We Missed You" is an exceptional film from British director Ken Loach that I recently saw at the Philadelphia Film Festival. It's amazingly realistic and powerful....as well as incredibly sad and depressing. This is NOT a criticism...more just to let you know that it's anything but a 'feel good' sort of movie.

    The story is about a working class family in crisis. The father worked 90 hour weeks as a delivery man. His boss is completely unsympathetic and hard...like a rock. The wife is also working 12-14 hour days and together they barely get by. But, because they are barely home, it's taking a huge emotional and physical toll on them as well as the family. Through the course of the film, you see these decent people fall apart....and there doesn't seem to be any answer for their predicament.

    This movie was brilliant in that the actors seemed nothing like conventional actors....they were REAL. But, unlike non-professional actors, they were convincing and extremely effective. I applaud them and Loach for delivering a film that makes you think and feel....and challenges your preconceptions about the fairness and decency in the modern economy. A film not to be missed...unless you are depressed. If you do suffer from clinical depression or your life has been hard lately....maybe you might want to skip this one.
    Alba_Of_Smeg

    I wasn't quite prepared for this one

    This one really resonated with me. Sorry We Missed You highlights the struggles that normal everyday people experience day to day while trying to balance work and family life and the rate of exploitation in the job market. It's hard hitting, urgent, heartbreaking and most importantly REAL. The fact that Loach is still motivated and inspired and making great films so late in his career is wonderful.

    We are shown a glimpse of daily life of the Turners. A low income family with limited options and imperfect decisions. Much like the real ordinary men and women out there every day doing what ever job they can to make ends meet whether it's zero hour contracts, sub-contracts, agency work, sole trading or just a crap job you can almost guarantee they've experienced unscrupulous management, no health and safety, no sick pay, no paid holidays, no travel expenses, dodgy cheques, penalties and sanctions.. I know I have. It's a jungle out there and the grim reality is the world is full of people and businesses willing to take advantage of you at every turn and this film tries to capture just that.

    I know Loach often uses unknown or first time actors in his films, but he has a way of bringing out really good performances from them. In Sorry We Missed You it's no different. The characters are really believable in their roles. Kris Hitchen's performance is outstanding in this film. He completely owns the role of Ricky. A solid actor, i'll be checking out his other work from now on. Debbie Honeywood does a great job as Abbie, however not not every line of dialogue hits the mark. Her description of her recurring dream and a few other scenes felt more like a run-through of her lines. Though not overly distracting and she more than makes up for it with her kind hearted compassionate performance. Ross Brewster played the part of the depot manager we love to hate so well. Numbers and figures man, not a care in the world for the workers. Prize pick, basically. The type of character I think we've all come across at some point.

    I found this so relatable, after all that's the point isn't it. The hard grafting father working his arse off but never seems to be able to get ahead, the loving mother doing everything she can to hold it all together as she watches her family fragment, the self destructive teenage son at that "stupid age" angry, selfish and misunderstood. It made me laugh, it made me sad, it made me angry, infuriated even, and it got me thinking. What more could you want in a film. Fantastic.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Kris Hitchen took inspiration for his part from his time working as a plumber in the years between acting jobs.
    • Blooper
      At 59 minutes and 37 seconds into the movie the head of a crew member is visible in the background mirror when Ricky is reading a letter from the school.
    • Citazioni

      Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family.

    • Connessioni
      Featured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
    • Colonne sonore
      Know How
      Written by Matt Dike, Isaac Hayes, John Wylie King, Michael Simpson and Marvin Young

      Performed by Marvin Young (as Young MC)

    I più visti

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    Domande frequenti18

    • How long is Sorry We Missed You?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 2 gennaio 2020 (Italia)
    • Paesi di origine
      • Regno Unito
      • Francia
      • Belgio
    • Siti ufficiali
      • Official Facebook
      • Official Instagram
    • Lingua
      • Inglese
    • Celebre anche come
      • Lazos de familia
    • Luoghi delle riprese
      • Shields Road, Byker, Newcastle upon Tyne, Tyne and Wear, Inghilterra, Regno Unito(street scene)
    • Aziende produttrici
      • Sixteen Films
      • BBC Film
      • BE TV
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 28.273 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 9436 USD
      • 8 mar 2020
    • Lordo in tutto il mondo
      • 8.943.790 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 41 minuti
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 1.85 : 1

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