Una famiglia piange la morte della figlia in un attentato suicida. Nel frattempo, suo fratello sospetta che sia ancora viva dopo averla intravista in un notiziario e parte per trovarla in Me... Leggi tuttoUna famiglia piange la morte della figlia in un attentato suicida. Nel frattempo, suo fratello sospetta che sia ancora viva dopo averla intravista in un notiziario e parte per trovarla in Medio Oriente.Una famiglia piange la morte della figlia in un attentato suicida. Nel frattempo, suo fratello sospetta che sia ancora viva dopo averla intravista in un notiziario e parte per trovarla in Medio Oriente.
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Another terrific French series in the genre of the fantastic The Bureau, this well crafted saga set in the Middle East captures the complexity of Syria in the context of the competing agendas and alliances. Compelling acting, especially from the women who join the Kurdish fighters battling ISIS. Season 2?
All 8 episodes keep the pedal to the metal, with the intensity of the Syrian war conflict shown through various subplots of family conflict. Must watch. an easy binge. Bring on season
I will keep this completely spoiler free.
After finishing the season, I was surprised (and disappointed) to read so many negative reviews criticising the show for being too 'soap-like' (as in revolving around characters' emotional dilemmas) and not really being 'about' the Syrian/ISIS conflict. This is a ridiculous criticism to make. Here are some examples to help you appreciate why: "Designated Survivor is terrible, because its not really about Washington or the government". "Homeland is a bad show, it wasn't really about the CIA or the war in Afghanistan". "Die Hard is awful, its not really about LA or the Nakatomi corporation". You see what I mean? Stories ALWAYS need humanly relatable elements - which means emotions, personal conflicts, interpersonal dilemmas and dynamics. Its laughable that some critics literally compared No Man's Land to actual documentaries! If you want to learn more about Syria, the Kurds, ISIS etc - then yes, by all means watch some documentaries. No Man's Land is a fictional show that tells a very engaging and compelling story but in this CONTEXT.
And what a context it is. The closest parallel that emerged for me was Sicario - yes a different context entirely, but also similar in dynamics - a person out of their depth, moral ambiguities, shadowy leaders pulling the strings, having their own agendas etc. And of course the continual threat of random, brutal violence. Again though, Sicario wasn't really 'about' Mexico or the war on drugs - it was about one persons struggle to make sense of something so complex and futile - like life itself - something we can all relate to at times, and the same essential core as No Man's Land.
The story is hugely engaging and relatable, uncomfortably so at times, which is perhaps why some people were triggered by it. Who are you really, what do you really stand for, and why? Who would you be if those causes didn't happen or exist? How do you feel, knowing that your whole personality and life trajectory has been steered by events and experiences outside of your control? How do you then navigate that? These are deeply universal fears and quagmires that should plague anyone capable of thought, and are explored in various ways in No Man's Land. It's top-notch emotional character-driven story-telling, told in a brilliant way, set in the most uncompromising context imaginable.
I'm so thankful I stumbled upon this show, while actually looking up the Porsche stealing 80s movie of the same name (which is awesome in its own, very different way!)
After finishing the season, I was surprised (and disappointed) to read so many negative reviews criticising the show for being too 'soap-like' (as in revolving around characters' emotional dilemmas) and not really being 'about' the Syrian/ISIS conflict. This is a ridiculous criticism to make. Here are some examples to help you appreciate why: "Designated Survivor is terrible, because its not really about Washington or the government". "Homeland is a bad show, it wasn't really about the CIA or the war in Afghanistan". "Die Hard is awful, its not really about LA or the Nakatomi corporation". You see what I mean? Stories ALWAYS need humanly relatable elements - which means emotions, personal conflicts, interpersonal dilemmas and dynamics. Its laughable that some critics literally compared No Man's Land to actual documentaries! If you want to learn more about Syria, the Kurds, ISIS etc - then yes, by all means watch some documentaries. No Man's Land is a fictional show that tells a very engaging and compelling story but in this CONTEXT.
And what a context it is. The closest parallel that emerged for me was Sicario - yes a different context entirely, but also similar in dynamics - a person out of their depth, moral ambiguities, shadowy leaders pulling the strings, having their own agendas etc. And of course the continual threat of random, brutal violence. Again though, Sicario wasn't really 'about' Mexico or the war on drugs - it was about one persons struggle to make sense of something so complex and futile - like life itself - something we can all relate to at times, and the same essential core as No Man's Land.
The story is hugely engaging and relatable, uncomfortably so at times, which is perhaps why some people were triggered by it. Who are you really, what do you really stand for, and why? Who would you be if those causes didn't happen or exist? How do you feel, knowing that your whole personality and life trajectory has been steered by events and experiences outside of your control? How do you then navigate that? These are deeply universal fears and quagmires that should plague anyone capable of thought, and are explored in various ways in No Man's Land. It's top-notch emotional character-driven story-telling, told in a brilliant way, set in the most uncompromising context imaginable.
I'm so thankful I stumbled upon this show, while actually looking up the Porsche stealing 80s movie of the same name (which is awesome in its own, very different way!)
10emboquet
I enjoyed this series immensely. The story just of the Kurd women fighters is interesting and inspiring on its own, but the show also has a few different viewpoints and characters to make it truly engaging. There seems to be three different character focuses towards the start, and there is a convergence that I did not see coming. I had some predictions in my head, but I was wrong and where the story went was even better!
A few of the professional television critics wrote relatively lukewarm reviews of this new show, and I think they are way off and I didn't agree with a single one of their criticisms. One of the best complete first seasons of a new show I've seen in quite some time.
Even if you think you are not a fan of "war stories" and wouldn't be interested, I urge you to watch this. I'm truly hoping for a season two! The story of season one is somewhat told, yet there is so much more to tell, and we are left at a natural yet not annoying cliffhanger.
Phenomenal television: Season one "No Man's Land" 9.5/10
(I rounded to 10 for IMDb ratings)
A few of the professional television critics wrote relatively lukewarm reviews of this new show, and I think they are way off and I didn't agree with a single one of their criticisms. One of the best complete first seasons of a new show I've seen in quite some time.
Even if you think you are not a fan of "war stories" and wouldn't be interested, I urge you to watch this. I'm truly hoping for a season two! The story of season one is somewhat told, yet there is so much more to tell, and we are left at a natural yet not annoying cliffhanger.
Phenomenal television: Season one "No Man's Land" 9.5/10
(I rounded to 10 for IMDb ratings)
Outstanding middle east civil war thriller
Great character back stories
Bring on season 2
Lo sapevi?
- QuizDue to the many languages, accents and dialects used in the series, six separate dialect coaches worked with the actors to ensure accuracy, making sure for example that each character spoke the correct form of Arabic, be it Egyptian, Syrian or Tunisian. This particular care extended to post-production ADR and subtitling, which were checked, and re-checked.
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