Una storia mitologica su una dea che ha creato l'intero universo. La trama ruota intorno alle conseguenze quando gli umani costruiscono un tempio per il suo primogenito.Una storia mitologica su una dea che ha creato l'intero universo. La trama ruota intorno alle conseguenze quando gli umani costruiscono un tempio per il suo primogenito.Una storia mitologica su una dea che ha creato l'intero universo. La trama ruota intorno alle conseguenze quando gli umani costruiscono un tempio per il suo primogenito.
- Regia
- Sceneggiatura
- Star
- Premi
- 17 vittorie e 26 candidature totali
Anita Date-Kelkar
- Vaidehi - Vinayak's Wife
- (as Anita Date)
Mohammad Samad
- Pandurang
- (as Mohd Samad)
Recensioni in evidenza
The film begins with top notch cinematography.
The story is unique, bringing mythology n the moral subject of human greed.
The story is based on the spooky Indian mythology/horror folktale of a demon who is loaded with gold but deprived of food.
One family has been able to revive the demon by building a temple inside an isolated n creepy mansion. Cos of this the family is ostracised.
The mansion is huge with big doors n fort like walls n only the old father resides in the mansion. The wife/mistress do visit the mansion everyday to give the old husband a hand-job n while she gives him the hand-job, she asks him to hurry up, to which the oldie replies in a funny way.
The wife also inquires about a gold coin which is kept near the demon's idol.
The house of the family is walking distance away from the mansion which is inhabited by the wife n her two kids along with the great great grandmother of the old husband who is being cursed to live forever after the bite of the demon n the old hag needs to be fed regularly while she is asleep or she might resort to cannibalism.
The house is a striking image on top a hill, reminding viewers of isolation in the countryside.
There are no close-by neighbors, as the family is on their own after their ostracisation.
There is something very trance like feel in this movie, especially the weather n the locations.
The constant rain and vivid, well filmed local landscapes are characters themselves.
It is dark n claustrophobic with palpable atmosphere.
Kudos to the cinematographer n director, they did a fantastic job in creating a perpetual and palpable sense of tension and fear.
The director also did a nice job of building a concrete, hypnotizing story without ever having to sacrifice pacing.
The story takes place in a span of thirty years n the details r appropriately handled.
If u notice the mansion in the beginning n after fifteen years, u will see all the details.
Attention has been paid in the local ethnic details, the time period, costumes n architecture.
Also the moral subject of greed n lust are handled very well.
The subject of Sati n female subjugation are sprinkled but not explored.
Soham Shah and the kids gave noteworthy performances.
Appreciate Soham n the producers for producing such a good horror film.
Kudos to the director for a fantastic twist ending.
Love to see a prequel or sequel with more emphasis on the true horror Sati n the demon's backstory.
The story is unique, bringing mythology n the moral subject of human greed.
The story is based on the spooky Indian mythology/horror folktale of a demon who is loaded with gold but deprived of food.
One family has been able to revive the demon by building a temple inside an isolated n creepy mansion. Cos of this the family is ostracised.
The mansion is huge with big doors n fort like walls n only the old father resides in the mansion. The wife/mistress do visit the mansion everyday to give the old husband a hand-job n while she gives him the hand-job, she asks him to hurry up, to which the oldie replies in a funny way.
The wife also inquires about a gold coin which is kept near the demon's idol.
The house of the family is walking distance away from the mansion which is inhabited by the wife n her two kids along with the great great grandmother of the old husband who is being cursed to live forever after the bite of the demon n the old hag needs to be fed regularly while she is asleep or she might resort to cannibalism.
The house is a striking image on top a hill, reminding viewers of isolation in the countryside.
There are no close-by neighbors, as the family is on their own after their ostracisation.
There is something very trance like feel in this movie, especially the weather n the locations.
The constant rain and vivid, well filmed local landscapes are characters themselves.
It is dark n claustrophobic with palpable atmosphere.
Kudos to the cinematographer n director, they did a fantastic job in creating a perpetual and palpable sense of tension and fear.
The director also did a nice job of building a concrete, hypnotizing story without ever having to sacrifice pacing.
The story takes place in a span of thirty years n the details r appropriately handled.
If u notice the mansion in the beginning n after fifteen years, u will see all the details.
Attention has been paid in the local ethnic details, the time period, costumes n architecture.
Also the moral subject of greed n lust are handled very well.
The subject of Sati n female subjugation are sprinkled but not explored.
Soham Shah and the kids gave noteworthy performances.
Appreciate Soham n the producers for producing such a good horror film.
Kudos to the director for a fantastic twist ending.
Love to see a prequel or sequel with more emphasis on the true horror Sati n the demon's backstory.
Original, unsettling & enveloped with a dreadful aura, Tumbbad is a wicked blend of fantasy & folklore that makes fab use of its rich & riveting mythology to deliver a dark, delirious nightmare, and is all the more strengthened by its claustrophobic set pieces, ominous camerawork & unrelenting score.
Directed by Rahi Anil Barve, the most impressive bit about his first feature is that it is devoid of the awful gimmicks that destroy most Bollywood horrors. It retains its Indian roots, relies on its chilling ambience to ratchet the tension, and doesn't go overboard with most elements, thus keeping the interest alive until the end.
The remote location, period setting, dilapidated sets, perpetual rain & pitch dark alleys contribute plenty in creating a sense of apprehension that keeps us riveted throughout. The sophisticated camerawork & menacing score further amplify the unsettling vibe. Performances, however, are a bit overdone and certainly could've used some restraint.
Overall, Tumbbad is a welcome entry in Bollywood horror with a level of maturity that most of its counterparts lack. Scoring high marks on storytelling & technical fronts, it is a polished piece of work that puts greater emphasis on atmosphere to derive the chills instead of resorting to tiresome clichés, and is neatly executed by the debutant filmmaker. Definitely worth a shot.
Directed by Rahi Anil Barve, the most impressive bit about his first feature is that it is devoid of the awful gimmicks that destroy most Bollywood horrors. It retains its Indian roots, relies on its chilling ambience to ratchet the tension, and doesn't go overboard with most elements, thus keeping the interest alive until the end.
The remote location, period setting, dilapidated sets, perpetual rain & pitch dark alleys contribute plenty in creating a sense of apprehension that keeps us riveted throughout. The sophisticated camerawork & menacing score further amplify the unsettling vibe. Performances, however, are a bit overdone and certainly could've used some restraint.
Overall, Tumbbad is a welcome entry in Bollywood horror with a level of maturity that most of its counterparts lack. Scoring high marks on storytelling & technical fronts, it is a polished piece of work that puts greater emphasis on atmosphere to derive the chills instead of resorting to tiresome clichés, and is neatly executed by the debutant filmmaker. Definitely worth a shot.
This movie will definitely be in the conversation of the greatest Indian movies ever made. 50 years from now, people will be referring to this film as an absolute classic and masterpiece in the genre. Sohum Shah, take a bow. Whoever did the VFX and Makeup deserves all the awards. The story is so original and I felt the eerie atmosphere throughout the movie. Also, today's bollywood movies often try to show as much brightness in every scene. The fact that the cinematography of this film is so awesome, that it's dark, in the rain, just immerses you in the plot and the 1900s. I heard it took 6 years of hard work. Thank you for giving the Indian audience this amazing film. A big step for the future of Indian cinema
We dont deserve movies like Tumbbad. There is no khan in this movie, no item songs, and no big stars. Do yourself a favor by watching #Tumbbad this week. Brilliant direction and breathtaking cinematography. Breaks my heart to see an empty theater on day 2. Contribute to meaningful cinema by watching it in theaters or keep complaining about movies like race3.#TumbbadWinningHearts
Tumbbad
With this movie , indian film making has definitely gained a certain level of maturity . I have lost my faith in horror cum thriller zone movies which are produced in india, in past all they do is cut copy paste. This movie is definitely original. They do not use sudden creepy sound effects or the old tricks of moving camera over the shoulder. The director completely relies on the story to work and it works. The camera lenses are well used to portray the claustrophobic scenes . The production value is top notch , totally uplifts the movie. Most of the scene includes rain , the greens and a dark environment which works superbly . Director duo do not try to scare you through formula film making methods. They don't even try to do that ,it's the story and the environment which worked for them. Most of the scenes are designed in low light conditions but the contrast is high enough to attract your eye's attention towards the character. Actors have pulled there character successfully specially Soham Shah who is also the producer. A thousand year old myth , greed, deep dark corner of a humen's psyche , a monster (within and out too), ajay atul's precise background score , the spellbound scenic value and a world class direction . There is so much more this movie has to offer. The masala movie watcher may not able to appreciate the movie as it must be but this movie definitely deserves a sensible class of audience.
With this movie , indian film making has definitely gained a certain level of maturity . I have lost my faith in horror cum thriller zone movies which are produced in india, in past all they do is cut copy paste. This movie is definitely original. They do not use sudden creepy sound effects or the old tricks of moving camera over the shoulder. The director completely relies on the story to work and it works. The camera lenses are well used to portray the claustrophobic scenes . The production value is top notch , totally uplifts the movie. Most of the scene includes rain , the greens and a dark environment which works superbly . Director duo do not try to scare you through formula film making methods. They don't even try to do that ,it's the story and the environment which worked for them. Most of the scenes are designed in low light conditions but the contrast is high enough to attract your eye's attention towards the character. Actors have pulled there character successfully specially Soham Shah who is also the producer. A thousand year old myth , greed, deep dark corner of a humen's psyche , a monster (within and out too), ajay atul's precise background score , the spellbound scenic value and a world class direction . There is so much more this movie has to offer. The masala movie watcher may not able to appreciate the movie as it must be but this movie definitely deserves a sensible class of audience.
Lo sapevi?
- QuizTumbbad became the first ever Indian film to open the prestigious Venice International Film Critic's week.
- Citazioni
Vinayak's Mother: Sleep, else Hastar will come for you.
- Colonne sonoreThe Birth of Hastar
Composed & Produced By Jesper Kyd
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.691.980 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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