Kruk

Surprised to see only 2 reviews and not many people watching this masterpiece. Foreign drama series are always better than the Americans cause they covers all of the aspect. This show have good story lines, concept, good pace, great acting, some thrills and actions. The cast are superb especially those two male lead, adults & younger self are good looking too. I'm just glad I found this by accidents. The song through the ending will make you cry, don't know why Polish series are so sad, mybe cause I just done watching Wataha and then this...Overall, it was a good binge & worth it !

I love the song the little boy sings at the start of the series. It is an interesting plot and has been made well. There are times when the thugs and crooks appear a little contrived but overall a nice concept and well carried out.

Unlike most of the standard crime fare offered on streaming channels, you know the ones that seem like they are all written by the same writer's using the same template i.e.divorced single parent detective with a petulant rebellious teenager usually female,and most likely will be snached in time for the shows climax. Raven is so much more in all regards,the writing is not bogged down by useless dialog some shows need to stretch out episodes. The translation subtitles are excellent and leave no question about what is being said. And the acting is superb every single character is totally believable. This is a dark story, but isn't presented cynically or angrily.

Great story, perfectly paced. Wonderful cinematography. One of the best series I've ever watched.

More and more series from Central and Eastern Europe reach our Western shores: most of the time it's either Cold War spy thrillers or gritty crime tales. Not all of it is very good or very original, but on the whole I've had a few good surprises. Kruk sets out to do the grimdark cop thriller à la True Detective but went far beyond my expectations. It is certainly dark: an exceptionally twisted plot, a brutal realism with loads of death and maiming, all against the background of child abuse in the Polish Wild-East. But it also builds its characters masterfully so that grit never feels gratuitous or out of place (special mention for Kaponow and the Babushka). To depict trauma, which is central to its central protagonist, it employs a very worn out trope (Slawek) but manages to walk the (very thin) line between grotesque and tragic, using this character to bring rhythm rather than explanatory dialogues. This remarkable characterization, subdued and original, poignant without being melodramatic, is achieved thanks to sparse and tight dialogues, but mostly thanks to an outstanding casts (all of them unknown to me) who have the perfect look and deliver memorable performances.