This film is incredibly well made, multi-layered and nuanced, punching well above it's indie limitations. A beautiful and confident feature debut, Thomas Wilson-White the writer/director, explained in a video via AACTA the inspirations behind this film were directly influenced through his own family and personal circumstances. It is very evident, through the careful curation of imagery, character dynamics, symbolism and tone of the film that this is a deeply personal story, filled with a lot of heart.
This is not a happy film and I don't think it ever was meant to be. It explores several human experiences that aren't pleasant; largely the exploration of grief, losing a parent, regrets and internal turmoil. These are presented through the main character Beth, superbly performed by Jane Watt, as we follow her journey throughout the film.
The writing is exquisite, it builds a lived in alternative family unit that effortlessly presents several queer and multiracial characters. The family dynamic brings a lot of joy and warmth; beautifully performed by the ensemble cast, that contrasts the moody undertones and melancholic meditation of the overarching story.
The Greenhouse presents itself as a dramatic character study, but boldly shifts territory, adding several subtle layers of fantasy and sci-fi. It achieves a meaningful pursuit of discovery and reflection, creating a nostalgic yearning for simpler and happier times.
