Una giovane ragazza attraversa un anno formativo nella sua vita con un soffice e gigantesco panda rosso.Una giovane ragazza attraversa un anno formativo nella sua vita con un soffice e gigantesco panda rosso.Una giovane ragazza attraversa un anno formativo nella sua vita con un soffice e gigantesco panda rosso.
- Candidato a 1 Oscar
- 9 vittorie e 92 candidature totali
Rosalie Chiang
- Meilin
- (voce)
- …
Hyein Park
- Abby
- (voce)
Wai Ching Ho
- Grandma
- (voce)
- …
Mia Tagano
- Lily
- (voce)
Sherry Cola
- Helen
- (voce)
Lillian Lim
- Auntie Ping
- (voce)
James Hong
- Mr. Gao
- (voce)
Riepilogo
Reviewers say 'Turning Red' has mixed reviews, with some praising its animation and others criticizing it for being unappealing. The plot is deemed predictable and formulaic, lacking originality. Puberty themes are either seen as too explicit or inadequately handled for family audiences. Pacing issues and filler scenes are noted, along with underdeveloped supporting characters. Despite these criticisms, some appreciate the film's attempt to address complex themes and its vibrant animation style.
Recensioni in evidenza
Interesting. I thought my 14 year old & her 13 yr old friend would have loved this movie. We waited for it to come out and they had a movie night. 3/4 of the way through they were bored and switched to the Nintendo switch. They said they didn't really "get" what the point of the story was and they lost interest. Head scratcher. I need to watch it myself but if the target audience don't enjoy it - is it really for them?
There's a reason this movie is a PG and not a U! Everyone having a little turn because a 13 year old girl is given some maxi pads and has crushes on boys - it's not woke, it's reality.
And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!
This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!
And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!
This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!
The idea, the metaphor is not bad, coming of age or rather turning red (and honor your parents but stay yourself). Pixar production and graphics as good as ever. What is missing in the latest productions, in my opinion, is the genius of Pixar. They seem closer and closer to a typical Disney production, beautiful and musical but not brilliant.
This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.
Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.
This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.
This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.
Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.
This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.
'Turning Red' (2022)
Opening thoughts: Pixar is one of the finest animation studios to exist and one of the few studios today for anything to continually deliver. Sure they did become less consistent post-'Toy Story 3', but in the 90s and 2000s their work was of higher quality than Disney's generally and hit more than it missed. Pre-'Toy Story 3', the one slight disappointment was 'Cars', the others are very good to brilliant and even their lesser work is still watchable.
'Turning Red' appealed to me immediately when looking for things to watch when on a three week cruise last year where there was a lot of film and television watching in the evenings and on the at sea days. Really liked the concept, unique for Pixar, and the message. 'Turning Red' is not one of Pixar's best films and can understand why people had issues regarding its target audience (admittedly not as accessible as other films from the studio), but it is still very good with relatable themes handled with fun and emotion and one of the better films seen on the cruise.
Bad things: Some of the awkwardness is a little too overkill in the humour, especially between the four friends early on.
Also felt that the darker tone seen at the concert, where the mother in red panda form was reminiscent of something like 'Jurassic Park' or Godzilla, clashed a bit too much with the rest of the film.
Good things: However, there is so much to praise. The animation, as per usual, is stunning. Absolutely loved the vivid colours and the very rich attention to detail in the character animation. The character animation on the panda and the background art and visual effects at the end standing out. The music really enhances the story's wild energy, and "Nobody Like You" sticks in the memory for a long time.
Did also really enjoy the writing on the whole. The humour is sharp, hip and witty, of course there are awkward spots but that was hardly uncommon in adolescence (a lot of it actually at my school) and how adolescent children acted and still do. The cool geekiness of the four main characters took me back, being somewhat a geek myself and it stood out in both a good and bad way, and adolescence and the mature themes are depicted entertainingly and with heart. The atmosphere didn't feel out of date and was affectionately handled, some may have issues with some of the characters' negative actions, but the film isn't encouraging anybody to do them, just showing that they do happen, and in a realistic way.
Loved the story's wild energy and often infectious wackiness. Also how inventively the culture of the family was shown, in a way that was intriguing and expansive. Having never seen a family backstory like this before, so it felt fresh and original. The mother and daughter relationship was beautifully realised and realistic, both points of view understandable and not hard to relate to.
A great job is done with the emotional side of the film, especially in the truly heart-wrenchingly powerful climax. And with the message, one that was brave to tackle and also one that is universal and relatable. Luckily delivered in those ways here and not heavy handedly. The friendships and outcome warm the heart. The characters are strongly written and the voice acting is top notch, particularly Sandra Oh.
Closing thoughts: Overall, not one of Pixar's best and not for all but very good and hardly a waste of the studio's most unique concept.
8/10.
Opening thoughts: Pixar is one of the finest animation studios to exist and one of the few studios today for anything to continually deliver. Sure they did become less consistent post-'Toy Story 3', but in the 90s and 2000s their work was of higher quality than Disney's generally and hit more than it missed. Pre-'Toy Story 3', the one slight disappointment was 'Cars', the others are very good to brilliant and even their lesser work is still watchable.
'Turning Red' appealed to me immediately when looking for things to watch when on a three week cruise last year where there was a lot of film and television watching in the evenings and on the at sea days. Really liked the concept, unique for Pixar, and the message. 'Turning Red' is not one of Pixar's best films and can understand why people had issues regarding its target audience (admittedly not as accessible as other films from the studio), but it is still very good with relatable themes handled with fun and emotion and one of the better films seen on the cruise.
Bad things: Some of the awkwardness is a little too overkill in the humour, especially between the four friends early on.
Also felt that the darker tone seen at the concert, where the mother in red panda form was reminiscent of something like 'Jurassic Park' or Godzilla, clashed a bit too much with the rest of the film.
Good things: However, there is so much to praise. The animation, as per usual, is stunning. Absolutely loved the vivid colours and the very rich attention to detail in the character animation. The character animation on the panda and the background art and visual effects at the end standing out. The music really enhances the story's wild energy, and "Nobody Like You" sticks in the memory for a long time.
Did also really enjoy the writing on the whole. The humour is sharp, hip and witty, of course there are awkward spots but that was hardly uncommon in adolescence (a lot of it actually at my school) and how adolescent children acted and still do. The cool geekiness of the four main characters took me back, being somewhat a geek myself and it stood out in both a good and bad way, and adolescence and the mature themes are depicted entertainingly and with heart. The atmosphere didn't feel out of date and was affectionately handled, some may have issues with some of the characters' negative actions, but the film isn't encouraging anybody to do them, just showing that they do happen, and in a realistic way.
Loved the story's wild energy and often infectious wackiness. Also how inventively the culture of the family was shown, in a way that was intriguing and expansive. Having never seen a family backstory like this before, so it felt fresh and original. The mother and daughter relationship was beautifully realised and realistic, both points of view understandable and not hard to relate to.
A great job is done with the emotional side of the film, especially in the truly heart-wrenchingly powerful climax. And with the message, one that was brave to tackle and also one that is universal and relatable. Luckily delivered in those ways here and not heavy handedly. The friendships and outcome warm the heart. The characters are strongly written and the voice acting is top notch, particularly Sandra Oh.
Closing thoughts: Overall, not one of Pixar's best and not for all but very good and hardly a waste of the studio's most unique concept.
8/10.
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"Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner.
A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement.
With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life.
One of the best movies of the year until this day."
Rating: A-
"Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner.
A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement.
With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life.
One of the best movies of the year until this day."
Rating: A-
Lo sapevi?
- QuizThe number 4 is considered unlucky in Chinese culture; it sounds similar to the word for "death" in both Mandarin and Cantonese.
- BlooperLester B. Pearson Middle School has a sign for Canadian Indigenous People's History Month. It's actually called National Indigenous History Month, and it was first observed in 2009.
- Curiosità sui creditiAt the end of the credits, a brief scene is shown revealing Jin, Mei's father, being a closeted 4*Town fan.
- Versioni alternativeWhen the audio track is set to English (UK) on Disney+, Lauren's voice is re-dubbed by Anne-Marie.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: Turning Red for the Brawl (2021)
- Colonne sonore1 True Love
Music and Lyrics by Billie Eilish and Finneas O'Connell
Performed by 4*Town (Jordan Fisher, Josh Levi, Topher Ngo, Finneas O'Connell and Grayson Villanueva)
Japanese version performed by Da-iCE
Produced by Finneas O'Connell
Recorded by David Boucher
Mixed by Rob Kinelski
Vocal arrangements by Finneas O'Connell and David Giuli
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Turning Red
- Luoghi delle riprese
- Toronto, Ontario, Canada(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 175.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.399.001 USD
- Fine settimana di apertura Stati Uniti e Canada
- 578.047 USD
- 11 feb 2024
- Lordo in tutto il mondo
- 21.813.358 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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