Godfather of Harlem

Does a great job portraying Family man/ villian. He still resembles characters that we've grown to know and love, but perhaps it's his subtleties and what he doesn't say that helps sell the protagonist . So far so good. Kept me hooked. Looking forward to future episodes.

I'm blown away by how good Godfather of Harlem was. I was expecting some cheap knockoff of a show but it's not. This is so well down. You can tell the amount of time and effort they put into every aspect of the show by the attention to detail in everything. The cast is amazing and led by two of the most underrated actors in Hollywood in Forrest Whittaker and Vincent D'Onofrio. It's about the story of Bumpy Johnson (Whitaker), a gangster who makes his way up through to the top of the mob world in Harlem during the 1960's after he returns from a 10-year prison term.. It just got renewed for another season and I can't wait for more!

This will become a classic. If you like the genre, you will love it, if not, give it some time. After all, it is based on a real character. Real life, takes time to take shape.

Crime drama genre aficionados will dig Godfather of Harlem's groove with Forest Whitaker at the helm as Bumpy Johnson, a convict recently released from Alcatraz penitentiary off an 11 year beef into a strange new Harlem that he doesn't recognize: Italian's dominate what used to be African American-owned territory and the police are more intolerable, violent, and complicit in the drug trade than ever before.

The cast for Godfather of Harlem is spectacular. Forest Whitaker as Bumpy Johnson is flawless, while Vincent D'nofrio as his rival Italian capo conjures up imagery of Tony Soprano in a past life. Both men are titans on the screen.

Unfortunately, that's where the best things about Godfather of Harlem end. The story, while based on real people and places, is incredibly cliche. There's nothing in Godfather of Harlem that you haven't seen, heard or thought of before -- from the stale bigoted vocabulary that nearly every character employs in their dialogue , to the tried-and-true racist tropes that litter the story ... Godfather of Harlem ultimately feels like a caricature parody of a crime drama than an actual serious entry into the genre.

It's definitely worth watching, just don't expect your mind to be blown in the same way that shows like The Wire or The Shield captivated us. If you're looking for an excellent black-centric crime saga to start watching, give FX's "Snowfall" a shot instead. Godfather of Harlem feels too infantile in its development right now to be taken seriously as a contender -- give it a season or two to flesh itself out before engaging yourself with Bumpy Johnson's world. The makings of greatness are there screaming at us loud and clear, let's just hope the people writing the script step it up with more mellifluous and less-cliched dialogue and give us entertainment worthy of the Epic moniker the show's home network is named after.

Definitely keep your eye on this cinematic universe though. Whitaker and D'nofrio are just too amazing to ignore.

It's a very entertaining series and overall I liked it a lot. Personally I'd say that the weakest point of the show was the music, so thanks god they didn't play much music.

I'm a hip-hop fan but having hip-hop music on a series about a gangster from the 60's seems way too forced. I unerstand that they do it to make the series more appealing to young people, but I really would have preferred if they used jazz, soul or funk rather than Swizz Beatz, Rick Ross, DMX, Westside Gunn (whose music I might enjoy listening but not when watching a series based on some events from the 60's)