Bap Jal Sajuneun Yeppeun Nuna

This is rare ,this is one of the examples of the simple but powerful screenplay.this is one of the best and on point romantic drama I have ever seen.There are some elements which are used very creativity and effectively to derive the emotions on the screen.i am impressed.

After watching this series a second time, I am upgrading the rating to 9 stars.

Situated in 2015 Seoul, a 35 year old submissive woman meets younger guy, is wooed and falls in love. The relationship between Jin-A and Jun-Hui, 10 years her junior, is both touching and annoying. The miscommunication, indirectness, missed opportunities, etc., make for some interesting plot arcs. It is enjoyable to watch Jin-A progress from a woman who cannot believe she possesses a guy who is totally consumed by her into someone who, in one sense, doesn't need him anymore but, in another sense, knows he is the only man who will ever truly love her and thus won't settle for anything less.

At the lowest level, this series is a Romeo and Juliet type of love story, but it has a number of other more interesting plot issues that make it one of the better k- dramas that is definitely worth the viewer's time. The most important one is the heroine's development into a self confident woman who maintains her compassionate dignity. Next is the sexual harassment plot arc that must be fully played out and ultimately affects the romance. The ultra-traditional mother, who demands Jin-a marries a wealthy husband to the point of, absurdity, takes on a comedic role at times. American viewers who know nothing about Korean culture, like me, may be struck by the constraints placed on Korean women: family duty, the favoring of the son, male chauvinism and laws that seem to treat women as 2nd class citizens. This realistic glimpse into Korean life may be the series best aspect and sets it apart from many other Korean shows.

Son Ye-jin, whose wholesome beauty and effortless acting in the role of Jin-A, has a good screen presence and stands out by virtue of the seemingly mild mannered self-deprecating character she develops into mature self-confident woman who decides to live life on her own terms. Supported by a very capable cast, Son is able to juxtapose her character against a panoply of relatives, friends and colleagues who, due to their bondage to Korean traditions, have some significant issues that test Jin-a's determination and humanity.

All told, this would make a very good first Korean drama series for you to watch

Damn, I love this guy.

I know he only plays one character (the male lead in case you're wondering) in the whole cast of characters in this show, but daaaammmnmnnn I love this guy.

Okay, that said, I just did a review for One Spring Night, which has the same director as this one. Much of what I said in that review could be repeated here. I'll do so briefly. I love the realism of this drama, which I think is more apparent than in many drams I've watched (even if I've loved those other ones). This seems to be more about real people you might meet in Korea, not the upper echelons.

The acting, soundtrack, and filmography I think is perfect. Love the chemistry of the two leads, and for some reason I reached the end of the story feeling bittersweet - it was the ending I wanted, but I was so sad that the show was over. I was left aimless, wondering what the heck I'm gonna watch next.

I'll definitely check out whatever this director does next, and I'll follow the actors as well, because I loved their work.

I felt riveted by rhe growing love between the 2 protagonists, who are struggling with family acceptance of their relationship. I also appreciated the insights into Korean culture and workplace politics.

I have watched the opening 6 episodes several times because the story of these two characters falling in love is so warm and sweet, and I was deeply fortunate to have a precious soul mate in my own life, so I often have tears watching them. The chemistry between the actors is palpable: they are charming together and completely believable. The uses of elevators, rain, and umbrellas are nice touches that contribute figuratively to their evolving story and again at the end-with the addition of the all-important necklace. The rest of the series explores the judgmental intrusiveness of family members, with a mother figure so over the top she is an abusive, hateful cartoon figure that borders on psychopathy. Also very important is the study of workplace sexual harassment, which this series explores successfully along with the female lead's maturing as she grows into the person she wants to be. But both themes take their tolls on the love story. I do think the series finds a positive resolution that satisfies the love story; it is rushed, but it is there in the symbols as well as their joy.