Nell'Inghilterra edoardiana, George e la sua compagna Amy tentano di sfidare la società e di iniziare una vita insieme mentre affrontano il crescente terrore di un'invasione aliena.Nell'Inghilterra edoardiana, George e la sua compagna Amy tentano di sfidare la società e di iniziare una vita insieme mentre affrontano il crescente terrore di un'invasione aliena.Nell'Inghilterra edoardiana, George e la sua compagna Amy tentano di sfidare la società e di iniziare una vita insieme mentre affrontano il crescente terrore di un'invasione aliena.
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The BBC took a classic masterpiece and turned it into a steaming pile of ####!
Boring yawn-fest with CBBC effects and a totally unnecessary and very 21st Century sub-plot.
What this story needs is the kind of love and detail that only a Director with passion for the novel (and a big budget!) can deliver.
What Peter Jackson did for Tolkien we need someone similar to do for War of the Worlds.
The impression I had was this production team were not passionate about War of the Worlds, H.G.Wells or maybe even scifi generally. Instead it seemed to me they were dumped with this project and so glossed over the alien invasion part and instead hijacked it as a vehicle for a modern agenda and made that the story instead.
Please god will I still be alive before someone actually produces a period accurate, book accurate, Thunderchild scene including, non budget limiting, visual representation of the original book ?
A message for all scriptwriters -
1. When involved in the representation of a classic masterpiece be accurate to the period it was set in, do not try to re write history with inserted modern sensibilities that simply did not exist at that time.
2. Do not be so arrogant as to think that your tinkering can improve on a literary classic, that you are somehow more skilled than the original author and can improve on their tale.
3. Do not do projects that you know require a very significant budget when you only have a limited budget. Bad effects are worse than no effects at all - some pictures can get away with near zero effects and are all the better for it (eg. the excellent Let the Right One In) but some like War of the Worlds you simply cannot do with out effects, so if you don't have the budget to do it justice then just don't do it. The money (UK TV License Payers money!) would be better spent on alternative projects.
It's quite clear the BBC can do amazing things War and Peace (2016), Peaky Blinders and even do big budget collaborations well as shown in His Dark Materials - How this got through the review board within the BBC amazes me, no wonder they were keeping it back for over a year and released it with so little fanfare they knew it was a **** up, what a waste.
What this story needs is the kind of love and detail that only a Director with passion for the novel (and a big budget!) can deliver.
What Peter Jackson did for Tolkien we need someone similar to do for War of the Worlds.
The impression I had was this production team were not passionate about War of the Worlds, H.G.Wells or maybe even scifi generally. Instead it seemed to me they were dumped with this project and so glossed over the alien invasion part and instead hijacked it as a vehicle for a modern agenda and made that the story instead.
Please god will I still be alive before someone actually produces a period accurate, book accurate, Thunderchild scene including, non budget limiting, visual representation of the original book ?
A message for all scriptwriters -
1. When involved in the representation of a classic masterpiece be accurate to the period it was set in, do not try to re write history with inserted modern sensibilities that simply did not exist at that time.
2. Do not be so arrogant as to think that your tinkering can improve on a literary classic, that you are somehow more skilled than the original author and can improve on their tale.
3. Do not do projects that you know require a very significant budget when you only have a limited budget. Bad effects are worse than no effects at all - some pictures can get away with near zero effects and are all the better for it (eg. the excellent Let the Right One In) but some like War of the Worlds you simply cannot do with out effects, so if you don't have the budget to do it justice then just don't do it. The money (UK TV License Payers money!) would be better spent on alternative projects.
It's quite clear the BBC can do amazing things War and Peace (2016), Peaky Blinders and even do big budget collaborations well as shown in His Dark Materials - How this got through the review board within the BBC amazes me, no wonder they were keeping it back for over a year and released it with so little fanfare they knew it was a **** up, what a waste.
What a shame! After looking forward to this adaption I was left feeling empty and unsatisfied. Such was the lack of tension - half the family were sat eyes closed and snoring midway through this borefest. I couldn't feel any empathy towards any of the characters, and the story thread was weak. The special effects were equally weak.
It's a shame that the scriptwriter felt the need to turn a classic sc-fi story into a dreadful three-part politically-correct soap opera.
I've been waiting most of my life for a faithful adaptation of the great novel.
Sadly, the wait goes on.
This is more like a cheap Dr Who episode crossed with Edwardian Eastenders.
Absolutely crushed with disappointment.
Ah well...
I'll start with the positives, the acting was good, and it was nice at least to see The BBC making sci fi, in a time when it has been sadly shoved to the back of the queue.
Unfortunately, it's a pretty poor attempt, earlier in the year I thought this was going to be a big Christmas drama, big budget, exciting, featuring Eleanor Tomlinson and Rafe Spall, I'm glad they didn't transmit this at Christmas, it would have been an even bigger disappointment. Spall and Tomlinson were wasted, they're great, but were up against it with the script.
What should have been dynamic and exciting was slow and dull, not helped by the clunky jumps forward in time.
Sometimes tinkering works, sometimes it doesn't, I fear here there was too much tinkering. Simply put this was poor, with the last episode proving a real challenge to get through. 4/10
Unfortunately, it's a pretty poor attempt, earlier in the year I thought this was going to be a big Christmas drama, big budget, exciting, featuring Eleanor Tomlinson and Rafe Spall, I'm glad they didn't transmit this at Christmas, it would have been an even bigger disappointment. Spall and Tomlinson were wasted, they're great, but were up against it with the script.
What should have been dynamic and exciting was slow and dull, not helped by the clunky jumps forward in time.
Sometimes tinkering works, sometimes it doesn't, I fear here there was too much tinkering. Simply put this was poor, with the last episode proving a real challenge to get through. 4/10
Lo sapevi?
- QuizThe main character George shares many similarities with H.G. Wells. Like George, Wells also married his cousin, only to leave her for a younger woman named Amy. The couple both moved to a house in Woking named 'Lynton,' again just like George and Amy have. It was there Wells wrote The War of the Worlds.
- BlooperThe railway line between Woking and London is shown as being run by the Great Western Railway. It should have been the London and South Western.
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