The Lighthouse

So many have commented already, I'll keep it short. I remember when I saw "Taxi Driver." I was amazed at DeNiro's performance, the incredible visuals, and the wonderful direction. We watched a man fall into a darkness that none of us could possibly survive. But what i remember to this day is being dragged through the world the film presents. There is a line where it is thought that one should take a part of the city and pour concrete over it, destroying the sickness and covering it forever. As I watched the really amazing, frenetic performances in this film, I had some of the same feelings. I reached a point where I wanted cleanliness and daylight. The cruelty from the beginning that never dissipates is all once can hold. It's about human destruction in a claustrophobic world, a living hell.

Robert Eggers' second (?) feature is a superb piece of mind-bending cinema. There are parallels with his earlier film, The Witch, elements of psychological horror which Eggers clearly finds interesting and hopefully hasn't finished exploring just yet. The decision to film in black and white is a stroke of genius. Every scene is filled with ominous portent and obscuring shadows. The film plays with our perceptions and moods throughout. There are moments of comedy amongst the gloom, the two men stranded on the rock endure a tumultuous relationship, by turns suspicious, angry and even savage, then there are unexpected moments of comradeship fuelled by alcohol. We are forced to question constantly who is mad, or perhaps madder? Are they in the grip of a storm, or are they in Hell? And the soundtrack! No one I can think of uses sound to create atmosphere quite like Eggers. Foghorns, the relentlessly howling wind, the seagulls; is it any wonder if they were as mad as a box of frogs? Willem Dafoe is absolutely fantastic in The Lighthouse. He really should be considered for an Oscar for his turn as the saltiest of old seadogs, spouting rage-filled Melville-esque invective straight from Davey Jones' locker, at sporadic intervals. I don't think there are many actors who could've pulled off that performance with such aplomb. He chews the scenery mercilessly, but it is exactly what the role requires; his Thomas Wake is a force of nature in human form. The Lighthouse won't be to everyone's taste, and it would be a mistake to view it as a moody twin sister of The Witch (which was a genuine horror); but I found it to be mesmerising and intriguing, and a fabulously well-crafted psychological drama with trimmings of horror.

For much of The Lighthouse, I was not wholly sure what was going on, which I guess is deliberate as it is never quite clear what is what. What is consistent though is the sense of dread and claustrophobia that comes from the limits of the location and the fear of this unknown threat - whatever it may be. This is not quite good enough to carry the film for its full 110 minutes, because it is a bit too long, but it is enough to grab the viewer and more or less keep them there until the end - more or less.

The narrative isn't much to talk about, but the tone and tension is what works - if it works for you. The manner of delivery of this is an oppressive approach, making the viewer feel uncomfortable and not giving space to get away from it. I thought this aspect of it was done well in many different ways. The selection of the ratio, keeping the shot tight no matter what shot it was; the noise of the sea and sight of the waves; but even the dialogue - which was distracting in some ways but effective in others. The fruity accents and gruff delivery makes it hard to catch every word, but it did cause me to lean in. The performances come with an intensity and realism that sells the film even when so much of it is hard to accept on the face of it.

I do think that for a lot of viewers it will be a reasonable reaction to be put off the film - mainly because feeling uncomfortable for several hours is not an easy experience to sell. For myself I felt a bit of that - at the end that I more appreciated what it did well and how it did it than I actually 'enjoyed' the film as a film. One of those where I'm glad I watched it but am really unlikely to ever watch it again.

"The Lighthouse" is one of the strangest films I've ever seen. Describing it or even knowing whether or not I liked it is pretty difficult. Suffice to say, it was is a very, very unique movie...one that is quite haunting and difficult.

The story is set in the late 19th century and a lighthouse keeper (Willem Dafoe) and his assistant (Rob Pattinson) arrive at the facility for their tour of duty. At first, things seem pretty mundane, though over time they both seem to be losing their minds...Pattinson's character in particular. Where it goes from there is ugly, disturbing and weird.

This is definitely NOT a film for everyone. In fact, I'd go so far as to say most people probably would not like the film....and fewer yet would really enjoy it. But it also is a wholly original viewing experience and I can respect the folks who made it. The acting is good....and it feels much like peeking inside the mind of a madman. Overall, not enjoyable but also pretty amazing.

I discovered this film as a large puzzle. Different pieces , from the atmosphere to the acting and flavor of old fashion Gothic stories are pieces of this dark, profound, bitter not comfortable but inspired in each scene film. A film about loneliness. And one of films with the main virtue to be a return to a form of cinema who can be defined as good refuge. So, a puzzle. An admirable one.