Dopo la scomparsa della figlia, un vedovo scopre I segreti oscuri delle persone che lo circondano.Dopo la scomparsa della figlia, un vedovo scopre I segreti oscuri delle persone che lo circondano.Dopo la scomparsa della figlia, un vedovo scopre I segreti oscuri delle persone che lo circondano.
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I'm a bit confused, and perhaps I need to stop watching anything.
First of all, I'm a sucker for British mystery, suspense, anything. I've seen thousands , from Hammer B movies to Masterpiece Theater ad infinitum. I am going out on a limb and saying I really enjoyed this. It concerns a teenage girl who goes missing after a party, and one by one, neighbors in a gated community are connected to it. I thought it was very well done.
From the reviews I read on this site, the general feeling seemed to be (1) it was a soap opera; (2) the acting was bad and one-dimensional; and (3) Michael C. Hall's attempt at a British accent was laughable.
First off, it was a miniseries, and because it continued from episode to episode, it had some soap opera elements. I didn't mind that. I found it suspenseful and intriguing. A few people said they weren't sure if it was a drama or a comedy. That is because there were a few segments that were dark comedy. Again, before today, I didn't know drama could not have any comedy in it and vice versa.
I have no understanding -NONE - of how anyone can say with a straight face, given their impressive list of credits, that Michael C. Hall, Amanda Abbington, Marc Warren, and Audrey Fleurot - all of whom I've seen do other things - can't act, are one dimensional, or bad. Ridiculous.
Okay, Michael C. Hall's accent. I've been to England, I have British friends, I watch enormous amounts of British shows -- and I fail to see what was wrong with his accent except that he didn't sound like Dexter.
At first I thought the people complaining were actually Brits - my sister lived in England, came home with a British accent, and her friends in England were still teasing her about her American accent - so they hear something we don't. But no. Sorry, I would love for someone to tell me what was wrong with his voice.
Anyway, I thought this was good, compelling, and kept me interested.
First of all, I'm a sucker for British mystery, suspense, anything. I've seen thousands , from Hammer B movies to Masterpiece Theater ad infinitum. I am going out on a limb and saying I really enjoyed this. It concerns a teenage girl who goes missing after a party, and one by one, neighbors in a gated community are connected to it. I thought it was very well done.
From the reviews I read on this site, the general feeling seemed to be (1) it was a soap opera; (2) the acting was bad and one-dimensional; and (3) Michael C. Hall's attempt at a British accent was laughable.
First off, it was a miniseries, and because it continued from episode to episode, it had some soap opera elements. I didn't mind that. I found it suspenseful and intriguing. A few people said they weren't sure if it was a drama or a comedy. That is because there were a few segments that were dark comedy. Again, before today, I didn't know drama could not have any comedy in it and vice versa.
I have no understanding -NONE - of how anyone can say with a straight face, given their impressive list of credits, that Michael C. Hall, Amanda Abbington, Marc Warren, and Audrey Fleurot - all of whom I've seen do other things - can't act, are one dimensional, or bad. Ridiculous.
Okay, Michael C. Hall's accent. I've been to England, I have British friends, I watch enormous amounts of British shows -- and I fail to see what was wrong with his accent except that he didn't sound like Dexter.
At first I thought the people complaining were actually Brits - my sister lived in England, came home with a British accent, and her friends in England were still teasing her about her American accent - so they hear something we don't. But no. Sorry, I would love for someone to tell me what was wrong with his voice.
Anyway, I thought this was good, compelling, and kept me interested.
It's not a bad show....the acting is better than average. Dexter is good. The end is a twist....honestly I liked it and I'm tired of picking shows apart....I binge watched it in two days and I enjoyed it all...
It's not the best plot but it keeps you guessing....character development is rapid and fails in many ways...
It's not the best plot but it keeps you guessing....character development is rapid and fails in many ways...
I liked it. It's nice to see a series that has a head and a tail, that doesn't leave you in limbo at the end, vaguely aiming at possible sequels. Here we start with a murder and a disappearance in episode 1, and every next episode brings new clues (alongside new questions), so that more and more the mysteries get solved. While the script (by creator and famous thriler-writer Harlan Coben) keeps you on the edge of your chair until the last minutes of the last episode!
The acting is - as in any other British detective series - flawless by every character, up until in the smallest parts. But Michael C. Hall (Dexter, Six feet under) really stands out as the concerned, frustrated and gradually exasperated father who desperately tries to find his daughter, behaving in the process as a bull on the loose in a china-shop. Co-star Amanda Abbington is also great, but I kept being a bit distracted by her weird haircut. And special mention of the actors that played the family Marshall, who were very funny!
Greatly recommended!
The acting is - as in any other British detective series - flawless by every character, up until in the smallest parts. But Michael C. Hall (Dexter, Six feet under) really stands out as the concerned, frustrated and gradually exasperated father who desperately tries to find his daughter, behaving in the process as a bull on the loose in a china-shop. Co-star Amanda Abbington is also great, but I kept being a bit distracted by her weird haircut. And special mention of the actors that played the family Marshall, who were very funny!
Greatly recommended!
Its very nice to see Michael C Hall again, his acting is perfect he shows just the right emotions witch every human will show if you're daughter or son goes missing. I've just seen the first episode it begins to show you who the characters are.
Nice and loving people but are they really?
You can clearly see there are some father daughter problems but what they are is at this point unknown which makes you guess. What secrets is she keeping from me, and why?
He completely trusts his daughter but when see goes missing he tries to find out who her friends are. which aren't the kind he was hoping for.
The first episode begins slow but you feel the tension building and at the end of the episode there lies the climax you'll want. And hurry to the next episode.
You can clearly see there are some father daughter problems but what they are is at this point unknown which makes you guess. What secrets is she keeping from me, and why?
He completely trusts his daughter but when see goes missing he tries to find out who her friends are. which aren't the kind he was hoping for.
The first episode begins slow but you feel the tension building and at the end of the episode there lies the climax you'll want. And hurry to the next episode.
I loved the series although MC Hall's British accent was awkward! The series gets nicely complex until Ep 6 when the underlying thread becomes evident and thus predictable ending even the final twist was seen a mile away. That said, it doesn't take away from viewing as it still engrossing albeit you know how it will end.
It is also clearly a British production which is far superior to any US broadcast network junk one sees on major networks.
All in all I recommend watching it
Lo sapevi?
- QuizBarns Courtney sings the theme song titled "Glitter and Gold".
- BlooperA civil servant like Sophie could not afford the extensive Botox treatments like she has had.
- ConnessioniFeatured in WatchMojoUK: Top 10 British Netflix Originals (2018)
- Colonne sonoreGlitter & Gold
(uncredited)
Written by Barns Courtney
Performed by Barns Courtney
Under Licensce from ASCAP, Sony ATV Publishing, SOLAR Music Rights Management, UBEM, Kobalt Music Publishing, and 7 music rights societies
[Intro song]
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Безпека
- Luoghi delle riprese
- Stockton Heath, Warrington, Cheshire, Inghilterra, Regno Unito(Tom's gated community home)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 45min
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39 : 1
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