Martingale

In probability theory and gambling, a "martingale" is a situation in which the player doubles down after losses, believing that they'll get to even on their next win. In a sense, that's what the lead character is attempting by searching for her daughter's killer. If you're looking for light-hearted fare, this film is not for you.

While it's bleak and some of the supporting-character dialogue is a bit stilted, overall the movie punches above its weight. Kelly Sullivan as Andi really pulls you in as her convoluted quest unfolds. "Martingale" is an example of what can be accomplished, with a relatively modest production, by focusing on story line and pacing.

Finally, one of the other reviews critiqued the lighting. This movie was shot in western Washington State, and having grown up there, I can confirm that the pervasive cloud cover is exactly what the region looks like. Frankly, the lighting fits the mood of the story.

Natalie the main character is a very desperate but intriguing character who draws you in. The friend, the accomplice, the ex-husband even the peripheral characters in the story are great. It's a dark story and there are many possible outcomes and this keeps you riveted. Not suitable for those with short concentration spans or those that like TV dinners but for the rest of us this is a welcome addition to 2024.

Beautifully directed but low key and very real. No unnecessary glamour it is a story about ordinary people and everyday lives. Since the setting is low-lives, petty criminals and drug dealers this is not a colourful piece.

"Martingale" is a journey that unfortunately overstays its welcome. Even at a 1 hour and 45 minutes, it tests the patience of the viewer. The plot meanders like a lost hiker in a dense forest, leaving viewers yearning for a more streamlined narrative.

The film's greatest flaw lies in its lighting. Or rather, the lack thereof. Scenes unfold in murky shadows. Characters converse in dimly lit rooms despite evidence showing that they are really well lit. And outdoor scenes look as though there is a smoke or haze in the air. Perhaps the director aimed for an atmospheric noir vibe, but it feels more like stumbling through a power outage.

For me the lighting destroyed the whole film, and I longed for it to end. Perhaps I could have got away with watching the first ten minutes and the last.

The acting was like the lighting, it was dead serious throughout, there was little to lighten the atmosphere to give relief from the heavy tension. Alas, their talents are often lost in the murky abyss of poor illumination.

Some viewers may find its labyrinthine plot and dimly lit aesthetics intriguing, while others will yearn for a brighter cinematic experience. Proceed with caution and bring a flashlight.