Mai raramente a volte sempre

Torn on this. On one hand it's superbly directed and I respect how its shot in such a non-judgemental way, with a real empathy for its characters and the situation they're dealing with. There's a real honesty to it.

But on the other hand it's also.... a bit of a snoozefest at times and kinnnda underwritten. The protagonist is very quiet and reserved, in a role that's super challenging because you have to convey so much with so little. The film lives and dies by how you connect to that character and in this case it just didn't quite work for me.

When trying to understand why, I thought of Manchester by the Sea for some reason and think the lead performance in that film really captured the energy this was going for, albeit much more successfully. The exception to this possibly being the scene this film derives its name from, which is honestly heartbreaking and one of the more moving moments in cinema this year.

A simple but raw story with a realistic friendship at its core. No embellishments, no climax. Both comfortable and uncomfortable. Honest.

Pro-lifers mad.

I loved it. Indie Cinema at its very best. The film is raw and real. The characters are raw and real. It doesnt try to make anything spectacular or romantisice its Topic and characters. Almost felt like a documentary. It is also the birth of two very talented Young actresses who will go a Long way. Sidney Flanagan and Talia Ryder, who already is set up in Steven Spielbergs West Side Story Remake. Flanagan has the lead and the more complicated role. She really put a lot of effort into it and you never see this as a Performance but a real human being. Ryder might not have had the more complicated role but this makes her Performance more complicated as she isnt as Showy as Flanagan. But she still puts so much heart and Soul into it. I also loved the dynamic between the two Girls. There is actually not much dialogue exhange between both. Often you think they are strangers but still they stick together and stand by each other. Eliza Hittman nailed it again and invites us into the Soul of two teenage Girls of the new millenium. A strong film.

The name Eliza Hittman meant nothing to me when I saw it in the credits for this movie, but then the Internet reminded me that she also directed "Beach Rats," one of the undiscovered gems of 2017. Now with "Never Rarely Sometimes Always," Hittman has once again proven herself to be one of the most adept filmmakers at tackling the perilous transition from teenager to adult, whether in boys or girls.

"Never Rarely Sometimes Always" resembles another exceptional abortion film, "4 Months, 3 Weeks, and 2 Days," though this film doesn't exist in the same menacing environment as that other one. Still, the prospects for the young girl in Hittman's film are no less bleak. For a long time, the film seems to be about the logistics of obtaining an abortion and the desperate lengths a young pregnant woman will go to to have one. But a scene, or should I say THE scene, set in an abortion clinic that gives the film its title, reveals that this film isn't really about abortion as much as it's about sexual abuse and predation. Pregnant or not, abortion or not, this young woman has already been damaged many times before the movie even starts, and it's likely, the film implies, that she'll be damaged again.

Hittman is able to get the most amazing performances out of young and inexperienced actors. In "Beach Rats," she directed Harris Dickinson to an award worthy performance, and she does the same here for Sidney Flanigan, playing an inarticulate and frequently silent young woman whose silence nevertheless speaks volumes.

Grade: A

This film tells a teenage girl having to go through a very difficult time of her life, with only the support of her cousin. The scene which features the title of this film is very effective and emotional. The latter part of the film is pretty slow, but heart wrenching.