VALUTAZIONE IMDb
5,8/10
1016
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBorja celebrates Christmas 1986 with his mother and his brother Vicente, but the party will be organized according to the directives that his father left before he died.Borja celebrates Christmas 1986 with his mother and his brother Vicente, but the party will be organized according to the directives that his father left before he died.Borja celebrates Christmas 1986 with his mother and his brother Vicente, but the party will be organized according to the directives that his father left before he died.
- Regia
- Sceneggiatura
- Star
Vincente
- Prat Bath House Patron
- (as Vicente)
Recensioni in evidenza
"Cola de mono" does have its moments, but it is a not very good little film about two brothers coming to terms with their homosexuality, on Christmas night 1986, in Santiago de Chile, after drinking too much 'cola de mono' (a strong sort of eggnog). Sexy it is, especially in all the scenes where brother Borja appears, very well played by young actor Cristóbal Rodríguez Costabal as the intense, clever and often funny bad apple of what is left of the Díaz family. However, the melodrama went beyond my tolerance level, the more so when credibility was badly affected by an unusual accumulation of secrets, male butts and people with knives, blades and hurting things of all sorts. Other sources list 102 minutes as running time, but I saw this 98 version (with all explicit scenes) and it seemed interminable. Fans of 'queer cinema' would surely rise the rating a bit.
Not quite the fun, sexual party I was expecting from the front cover, but instead a dark and serious piece about two handsome brothers and their own individual quirks.
There is a scene where Borja sneaks in to his brothers bedroom which is excruciatingly sensual and a sequence later on that is oozing with sex, but the main story doesn't really have an ending or at least an explanation of the ending. I also found it very odd that the actor playing the young Vicente then played the older Borja and it kind of threw the epilogue off too.
It was enjoyable though, especially if you want to get your rocks off.
Arty and not what you'd expect from a film set on Christmas Eve in 1986.
There is a scene where Borja sneaks in to his brothers bedroom which is excruciatingly sensual and a sequence later on that is oozing with sex, but the main story doesn't really have an ending or at least an explanation of the ending. I also found it very odd that the actor playing the young Vicente then played the older Borja and it kind of threw the epilogue off too.
It was enjoyable though, especially if you want to get your rocks off.
Arty and not what you'd expect from a film set on Christmas Eve in 1986.
This movie is a hodgepodge of misguided ideas. Filled with cliches. There is not a good development to be able to connect with the characters, especially with the mother. The only good thing about the film is the music and Cristóbal Rodríguez Costabal (Borja) who made a very good performance since he is not a professional actor, the only thing that kept me captive to the film was him, since the film became endless and halfway through I wanted it to end. It shows too much Alberto Fuguet got excited with him and that's why he gave him the main character. Alberto Fuget should thank him for being the only good thing about his movie. 5/10
Two brothers "Vicente" (Santiago Rodríguez Costabal) and "Borja" (his real life brother Cristóbal) are gearing up with their mother "Irene" (Carmina Riego) to celebrate their first Christmas without their father. As the family assembles, the drink flows and the claustrophobic environment takes hold and the young "Borja" begins to let the badger loose a little. His hither-to repressed sexuality begins to take hold and he also makes rather a startling discovery when exploring the drawers (furniture) of his elder brother. What now ensues is a sort of uncomfortably constructed family melodrama with very little dialogue and, for me anyway, very little purpose. It has vaguely incestuous undertones - and there is plenty of nudity (active and passive) but the story and the characterisations are woefully undercooked. What drama there is seems to be contrived, repetitive and as it rumbles on there is a frankly ridiculous scene with their mother and the ending just really doesn't deliver. It is curious to see to siblings working together with some pretty honest intimacy but otherwise this is a poorly paced and rather lacklustre story, prone to stereotype, that you will instantly forget. The soundtrack isn't bad, though!
Lo sapevi?
- BlooperIn the tombstone where Borja places flowers, where his mother and brother Vicente are buried, the mother is identified as Irene María Ovando de Díaz. Following the norm in Latin America (first the father's name, followed by the mother's name) her two sons should be named Vicente Díaz Ovando and Borja Díaz Ovando. But the tombstone reads Vicente Díaz Olivos, so any Latin American can think that she was not really Vicente's mother, but another woman with Olivos as her surname.
- ConnessioniReferences Il grande dittatore (1940)
- Colonne sonoreCreo que voy a morir
Performed by Upa!
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Dettagli
Botteghino
- Budget
- 20.000 USD (previsto)
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Proporzioni
- 1.78 : 1
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By what name was Cola de Mono (2018) officially released in India in English?
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