VALUTAZIONE IMDb
5,4/10
1556
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA tenderfoot from Philadelphia, two misfit gamblers on the run, and a deadly preacher have a date with destiny in a boom town gone bust called Big Kill.A tenderfoot from Philadelphia, two misfit gamblers on the run, and a deadly preacher have a date with destiny in a boom town gone bust called Big Kill.A tenderfoot from Philadelphia, two misfit gamblers on the run, and a deadly preacher have a date with destiny in a boom town gone bust called Big Kill.
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Actually liked this film, but you need to drop preconceived expectations that it is a serious western. I definitely felt a chemistry among the actors...it seemed most were actually enjoying their characters. A few good laughs and general entertainment value is what I got out of the film, and frankly, that's what I was looking for when I hit "play".
This is a great little western that's just plain entertaining. As previous reviewers have noted, it's got some humor along with the gunfighting. The acting, IMHO, is pretty darned good. All the actors do seem like they're enjoying their parts and they're all committed to making this the best movie possible. I recommend this film.
It's an ok couple of hours to spend but don't expect any magic. Reminds me of the type of movie you get when TV actors come together on a network project they sort of have to do to fulfill a contract. Somebody writes a big screen script for three specific celebrities, but they pass on it, so you end up with a quick draw TV production, pun intended. I know that's not the case with Big Kill, it's just that only three actors really seem like they belong in the old west, Lou Diamond Phillips, Jason Patrick, and Danny Trejo, who is completely wasted in a teaser that goes nowhere. In fact, he's not the only character that shows up and then disappears without a payoff. Watching the guys on horseback is painful, and in some of the shots, the paint looks like a pony. Let's just say being in the saddle doesn't look like second nature to most of these riders. It's like taking the cast of Murder She Wrote and giving them parts in Gone Baby Gone, and then not giving them any time to get into character.
Concept is OK: Town goes bad after silver mines flood, gets taken over by hired guns rustling cattle. Of course, one look at the dusty town and sage brush, not a puddle or raindrop to be seen, and, well, you know, what floods? Whole town looks like a Hollywood back lot. And cinematography is not geared to making a visual statement.
Nothing really makes much sense, and characters just seem to do things at the whim of the screenwriter, especially at the end.
All this being said, I wouldn't mind seeing this same cast again in another western, albiet, better script and higher production values.
Concept is OK: Town goes bad after silver mines flood, gets taken over by hired guns rustling cattle. Of course, one look at the dusty town and sage brush, not a puddle or raindrop to be seen, and, well, you know, what floods? Whole town looks like a Hollywood back lot. And cinematography is not geared to making a visual statement.
Nothing really makes much sense, and characters just seem to do things at the whim of the screenwriter, especially at the end.
All this being said, I wouldn't mind seeing this same cast again in another western, albiet, better script and higher production values.
After reading a number of reviews on IMDB, I hesitated to obtain and watch Big Kill. Since I really like Westerns and they seem to be a dying breed, I threw caution to the wind and decided to watch it anyway. Bottom line: It's a very decent example of the genre, which is a throw back John Ford camera stylish modern western (with some overhead shots Coach couldn't film). It has some problems related to over saturated color, semi-bizarre costumes (over the top) and HD camera style which keeps the homage from ringing too true but it is sui generis and as such, is interesting. I think they carried off their homage well enough that you can enjoy it as an pseudo old fashion, modern filmed western and it deserves an audience. Good actors, fun story, a sense of humor and great shoot-outs. It isn't exactly a classic but it is as good or better than most of these B style westerns in the past few years because it dares to be different but also classic enough to be a genuine western. I definitely recommend it, especially if you are an aficionado of the genre. ie: If you like westerns, in general, you shouldn't miss this stylish update of the classic form.
I enjoyed this movie! Pace was brisk with a compelling ending. Some of the dialogue could have been better, but the characters were likable. Some great scenery shots that reminded me of good old-fashioned westerns from the likes of John Ford and Anthony Mann. The friendship and comedic aspects of the leading actors worked well. Christopher Sanders was also excellent in the lead role. Absolutely a surprisingly good modern Western movie!
Lo sapevi?
- QuizWhen Johnny Kane first meets Jake in the bar he says to Jake: "I hear you're real fast" to which Jake responds: "I'm just a sporting man." This is the same thing Johnny Ringo says to Doc Holiday in the film Tombstone and Doc gives a similar response. A very obvious homage the now classic western.
- BlooperEverybody in Big Kill denies knowing anybody named Grant when Jim asks around, but he is the mayor of the town. And nobody is surprised when Jim calls him Grant, so it is not as if Grant has been living there incognito or under a different name. This is never explained in the movie.
Perhaps they were protecting the head of the illegal rustled cattle crew that provides much of the town's revenue.
- Citazioni
Jim Andrews: I don't want to stay here any longer than we have to. We don't seem very welcome.
Jake Logan: We're used to that.
- Colonne sonoreHorse Races
Written by UUTAi
Performed by UUTAi
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- Tempo di esecuzione2 ore 6 minuti
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