Dopo essere stata avvelenata, una spietata criminale ha meno di 24 ore per vendicarsi dei suoi nemici. Nel frattempo crea un legame inaspettato con la figlia di una delle sue precedenti vitt... Leggi tuttoDopo essere stata avvelenata, una spietata criminale ha meno di 24 ore per vendicarsi dei suoi nemici. Nel frattempo crea un legame inaspettato con la figlia di una delle sue precedenti vittime.Dopo essere stata avvelenata, una spietata criminale ha meno di 24 ore per vendicarsi dei suoi nemici. Nel frattempo crea un legame inaspettato con la figlia di una delle sue precedenti vittime.
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There's actually a lot more to like in this new Netflix offering than one would expect: Mary Elizabeth Winstead makes a surprisingly capable action heroine, and the fight scenes are very well-staged and exciting. She goofs enough times, and faces enough adversity, to protect her from any accusations of being a Mary-Sue, and as a result we buy into her journey an awful lot more than we would a Rey, a Captain Marvel or Black Widow.
The dialogue is all filler, and the plot almost a carbon copy of better action films like John Wick, Lucy, Kill Bill, Hanna, Nikita and The Long Kiss Goodnight, but the Tokyo setting and nighttime cinematography look great, and all the actors pull off their roles pretty much faultlessly.
All in all, very predictable and containing nothing original of any kind, but a well-made and decent-enough popcorn-muncher if you're in the mood.
The dialogue is all filler, and the plot almost a carbon copy of better action films like John Wick, Lucy, Kill Bill, Hanna, Nikita and The Long Kiss Goodnight, but the Tokyo setting and nighttime cinematography look great, and all the actors pull off their roles pretty much faultlessly.
All in all, very predictable and containing nothing original of any kind, but a well-made and decent-enough popcorn-muncher if you're in the mood.
Majority credit to her ability to feel her role, to empathise with the story and deliver humanity through her character. She was just as impressive in Fargo, where I first encountered her. It takes true talent to convince ME that your character is simultaneously cold blooded and warm hearted.
As for the flick itself, the action is real enough in that the protagonist displays the ability to f-s-up but will fumble with fatigue and sickness, misjudge enough to be outweighed by an opponent not necessarily of an equal skill set.
The usual sacrifice of substantial plot and believability of her opponents' characters remains as with any martial arts snd/or action flick, which isn't necessarily something to frown upon. In fact if the opposite were the case it would be an instant 10 stars.
As for the flick itself, the action is real enough in that the protagonist displays the ability to f-s-up but will fumble with fatigue and sickness, misjudge enough to be outweighed by an opponent not necessarily of an equal skill set.
The usual sacrifice of substantial plot and believability of her opponents' characters remains as with any martial arts snd/or action flick, which isn't necessarily something to frown upon. In fact if the opposite were the case it would be an instant 10 stars.
Shoot them in the stomach. They die slow, in agony, and they know, it's personal.
A brand new original Netflix movie starring Woodie Harrelson and Mary Elizabeth Winstead.
Stylistically this movie was awesome. Tokyo at night looked vibrant with many colorful neon anime characters. There's a lot of pink, especially in the car chase scene. That was some amazing camera work and reminded me a bit of Baby Driver. Also, the music hyped up the movie throughout.
This led to the violent and entertaining fight scenes. This gave some John Wick vibe with some creative use of weapons. In these scenes Mary Winstead was a total badass showing brutality when she kills. She carried every scene and I loved her performance.
The biggest problem of the movie was that I could see 99% of the movie from a mile away. Honestly this didn't affect me as much as it should because I loved the style and action a lot.
Overall, an enjoyable flick despite the predictable story. 7.5/10.
A brand new original Netflix movie starring Woodie Harrelson and Mary Elizabeth Winstead.
Stylistically this movie was awesome. Tokyo at night looked vibrant with many colorful neon anime characters. There's a lot of pink, especially in the car chase scene. That was some amazing camera work and reminded me a bit of Baby Driver. Also, the music hyped up the movie throughout.
This led to the violent and entertaining fight scenes. This gave some John Wick vibe with some creative use of weapons. In these scenes Mary Winstead was a total badass showing brutality when she kills. She carried every scene and I loved her performance.
The biggest problem of the movie was that I could see 99% of the movie from a mile away. Honestly this didn't affect me as much as it should because I loved the style and action a lot.
Overall, an enjoyable flick despite the predictable story. 7.5/10.
Good looking, fast paced movie with good fight choreography and a simple story. Basically, a female John wick. If not for a little too much sentimentality and a plot twist you can see coming from the start I would have given it an even higher score. Keep your expectations low and your gratitude high and you'll enjoy this one.
When 'Kate' (Mary Elizabeth Winstead), an expert sniper and lethal assassin, botches a job, she learns she has been poisoned and only has about 24hours to live. With her handler, Varrick (Woody Harrelson), she tries to finish her contract before she dies.
This film plays out much like 'Crank' (2006), in that Kate is on the verge of death and has to rely on using stimulants to keep moving. The cinematography is great and the casting is solid, especially with the snarky antics of Ani (Miku Patricia Martineau), but falls a little short in terms of believability. The twist at the end is predictable, but satisfying.
Worth a watch!
This film plays out much like 'Crank' (2006), in that Kate is on the verge of death and has to rely on using stimulants to keep moving. The cinematography is great and the casting is solid, especially with the snarky antics of Ani (Miku Patricia Martineau), but falls a little short in terms of believability. The twist at the end is predictable, but satisfying.
Worth a watch!
Lo sapevi?
- BlooperKate is poisoned by Polonium-204, which the movie seems to suggest is more deadly than Polonium-210 (the more common isotope), but this is wrong. Polonium-210 is an alpha-particle emitter, while Polonium-204 is a beta emitter. Alpha particles (helium nuclei) are far more destructive inside the human body than beta particles (electrons). Kate would probably have survived Polonium-204 poisoning, but not Polonium-210.
- ConnessioniFeatures Guerra fra galassie (1978)
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Dettagli
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1
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