Assassin Club

Average (at best) CGI, acting, script, and dialog. There are a few decent scenes but only finished watching it because I was invested enough to see how it ends (and I like Sam Neill).

One scene epitomizes the quality and logic of the movie ... the protagonist runs to and escapes in an ambulance (the scene leading to this is equally poorly done). As he is running there are at least 15 trained gunmen with automatic weapons shooting as he stops at the door of the ambulance yelling at the drive to get out, then opens the door and pulls him out. And of course nobody hits him.

As he drives off there are now at least 25 people shooting at him with automatic weapons, heavy arms, and pistols from all directions - including a trained assassin who is an expert marksman. This is a thin walled ambulance with large windows all around the driver that is hit by hundreds of rounds. Yet not a single one even comes close to hitting him, one of the oxygen tanks, or any of the other flammable items on the ambulance.

This continues as 6 or 7 vehicles chase the ambulance while continuing to fire. And they must be really bad shots because the number of holes appearing in the ambulance is only a small percentage of the number of shots fired.

While were at it - didn't anyone at all during all of this think to shoot at one of the tires?

Being an unlimited viewing member I have seen most cinema releases, this film has few redeeming qualities. Henry Golding & Noomi Rapace made this an easy decision to give it a go, the trailer looked promising however, this film is like my local courier... (it fails to deliver) The direction is manic, I feel like he wanted to use every shot in the playbook! There were times I had to look away as the shots were starting to make my head hurt. And what is with Noomi's accent? Is she French? Or Southern state USA? This plot has more holes than a teabag. That being said if you don't mind spending your cash to see something mind numbing and don't care about the story or the characters then this probably the right film for you. Enjoy?

Teen Jonna is left an orphan after a masked assassin kills her father. Seven years later, assassin Morgan (Henry Golding) is working for Caldwell (Sam Neill). His target is a human trafficker, but another mystery assassin shoots him. His school teacher girlfriend Sophie (Daniela Melchior) is clueless to his real work. He's looking to retire, but Caldwell has a final contract. The new targets are six other assassins and real bad guys. Falk (Noomi Rapace) is a creepy-eyed blonde killer.

This is just another action thriller B-movie. Henry Golding doesn't really have the intensity to lead this type of movie. It tries to steer into his nice guy personality by emphasizing that his targets are all bad guys. It doesn't really seem sensible and Sam Neill is acting too suspicious. The setup is poor and the writing is generally weak. The movie has a lot of competent action, but that's all it has. It's not logical or even fun. This B-movie just lays there without anything compelling.

Henry Golding is "Morgan", somewhat reluctantly tasked by his handler "Caldwell" (Sam Neill) with an unique challenge. It seems he is embroiled in a game of death - and there are six other professional hit-people out there all determined to kill him (unless he kills them first). He wants to retire to a settled life with his teacher girlfriend "Sophie" (Daniela Melchior) but when the two of them encounter "Drakos" (Lorenzo Buran) in a public park, he realises that the choice isn't going to be his! The idea isn't bad, but what now ensues is all rather poor, sorry. There is plenty of pace but the delivery has more holes that a Swiss cheese festival. These are supposed to be amongst the most lethal and devious folks alive yet they all find each other with ease; there is way too much sentiment as the drama predictably unfolds and the underlying ownership of the plot is convoluted and really weak. Now had we spent a little longer with Golding in his one and only shower scene, then perhaps that might have redeemed his otherwise really hammy performance, but we don't so it doesn't, and coupled with a frankly terrible effort from the wooden-as-ever Neill and the almost pantomime-menace contribution from Noomi Rapace as the police investigator "Vos" - a woman with quite a secret - we are left with a film that stays defiantly in the realms of a flat-footed and over-scripted television movie. Someone, somewhere, is determined to make Henry Golding a star. Good luck with that - he has all the charisma of a wet beer mat.

Dreadful. Badly cut. AWFUL SCRIPTING! A waste of talent. Could have been 10 out of 10 for Golding, Rapace and Neill, but this film lost its way hafl way through. Its clear Golding's career is failing fast, he looks wrecked. Not unlike Chris Pine' in his recent efforts. Neill is good, he was ill when he made this trash, but shines - bet he was glad to get his cheque and leave this utter dross hehind him . I hope Holding's career picks up, a few more stinkers and he's finished - get down to the gym mate, you've let yourself go big time, not good for 36! Disappointing, oh well! Better luck next time!