VALUTAZIONE IMDb
6,7/10
20.501
LA TUA VALUTAZIONE
Un serial killer infonde paura nei cuori dei residenti di Amburgo nei primi anni 70.Un serial killer infonde paura nei cuori dei residenti di Amburgo nei primi anni 70.Un serial killer infonde paura nei cuori dei residenti di Amburgo nei primi anni 70.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 7 candidature totali
Simon Goerts
- Anus
- (as Simon Görts)
Recensioni in evidenza
Set in the lowest of low crusts of West German society in the 1970ies the film is hardly bearable. It is basically the story of a hard core alcoholic killing and dismembering his victims, mostly prostitutes way beyond their prime. You need a schnapps just to get through it and you have to switch off every time a family member enters the room. This being said, the atmosphere is nicely detailed and well set. The title refers to the meeting point of the main characters, a pub of last resort in the Hamburg harbor area.
After witnessing the consequences you want to give up on cigarettes and alcohol for good. So, watch it.
After witnessing the consequences you want to give up on cigarettes and alcohol for good. So, watch it.
Based on a true story. Keep that in mind when this movie sucks you down into the abyss of one of post war West-Germany's darkest rough places. It's a biopic, not a horror-movie. People say that this movie was all about shock value and grossly exaggerated, or a "wannabe Lars von Trier" flick ... but this is the movie Lars von Trier wishes he would have come up with. The settings are an exact 1:1 replica of the original sites. The bar "Der Goldene Handschuh" in Hamburg still exists to this day and frankly hasn't changed much since then. Fritz Honka's flat was carefully recreated, the storyline and characters pictured is authentic as close as it gets. This also means that it isn't very pleasant to the eye.
The story takes us to a journey to the alcoholic dark underclass scene of the 1970's in Hamburg's Reeperbahn, close the harbor, following one of Germanys most infamous serial killers, Fritz Honka speaking with a strong East-German dialect. Mind you, this is not a Hollywood picture and it's one of those movies that would never get an Academy Award even though cinematography, costumes, acting and set-design is beyond astonishing. It's just too real. More often than not the picture is layered behind a thick cigarette smoke layer inside nicotine yellowed walls. The soundtrack solely consists of contemporary German "Schlager"music, including Honka's favorite song "Es geht eine Träne auf Reisen" ("A tear goes on a journey") ... all those songs are just harmless contemporary witnesses but add so much to the dense atmosphere and convert them into the sickish part of the narration.
I'm a big fan of gritty movies but this movie showed me that I've seen nothing yet. Frankly I had to stop the movie about three times because it was just too HEAVY. It's graphic, it's gross, it's too much at times. And yet I consider it one of the best indie movies of the last decade. It is in lieu of Gaspar Noé's "Seul contre tous" (I stand alone) exept ... this really happened. As pictured.
The story takes us to a journey to the alcoholic dark underclass scene of the 1970's in Hamburg's Reeperbahn, close the harbor, following one of Germanys most infamous serial killers, Fritz Honka speaking with a strong East-German dialect. Mind you, this is not a Hollywood picture and it's one of those movies that would never get an Academy Award even though cinematography, costumes, acting and set-design is beyond astonishing. It's just too real. More often than not the picture is layered behind a thick cigarette smoke layer inside nicotine yellowed walls. The soundtrack solely consists of contemporary German "Schlager"music, including Honka's favorite song "Es geht eine Träne auf Reisen" ("A tear goes on a journey") ... all those songs are just harmless contemporary witnesses but add so much to the dense atmosphere and convert them into the sickish part of the narration.
I'm a big fan of gritty movies but this movie showed me that I've seen nothing yet. Frankly I had to stop the movie about three times because it was just too HEAVY. It's graphic, it's gross, it's too much at times. And yet I consider it one of the best indie movies of the last decade. It is in lieu of Gaspar Noé's "Seul contre tous" (I stand alone) exept ... this really happened. As pictured.
Not for the fainthearted. Not even for the worldly cynical. This is not enjoyable in the conventional entertainment sense: it is brutal, repulsive, despairing, terrible and powerful. It depicts the marginal lower depths of human filth, driven by its single appetite and relentless, amoral need to satisfy it.
Technically the film is a marvel, the production design and the atmosphere created means the scenes have the stench of depravity and human waste, especially in Honka's attic. Similarly, the photography and editing are compelling, and that all says that the director has done the job.
The actors are excellent, the make-up artists too, who made them into degenerate hopeless alcoholics, but the lead, Dassler as Honka, has to be noted because he has incarnated this role to an awful degree. Without that performance the film might falter, be more like a movie, not as document of murder.
If Fritz Lang could see this film, he'd be proud, because it has the same ruthless eye that he had in his German films. It takes the audience into the middle of a horror and never lets go.
Technically the film is a marvel, the production design and the atmosphere created means the scenes have the stench of depravity and human waste, especially in Honka's attic. Similarly, the photography and editing are compelling, and that all says that the director has done the job.
The actors are excellent, the make-up artists too, who made them into degenerate hopeless alcoholics, but the lead, Dassler as Honka, has to be noted because he has incarnated this role to an awful degree. Without that performance the film might falter, be more like a movie, not as document of murder.
If Fritz Lang could see this film, he'd be proud, because it has the same ruthless eye that he had in his German films. It takes the audience into the middle of a horror and never lets go.
The Golden Glove is a solid horror movie. The acting is excellent, the movie swings from fun, to shocking, to dramatic while showing us the reality of a country broken by war and poverty. It's also a brutal and raw view on a disgusting person, the main character, responsible for the murders of several hopeless women in the 70s. Serial killers aren't glamorous or awe inducing personalities as they're usually sold to be by the media. This movie is a good reminder of that. Along with the main character (amazing performance!), there are other very colorful characters that complete this picture and make The Golden Glove an entertaining and disturbing experience, not fit for sensitive viewers.
Those who rated this movie under a 7 may have misunderstood its intent. This film portrays the harsh reality of a serial killer without Hollywood's glamorization. It's a challenging watch, reflecting the darkness authentically it's not meant to be pretty to watch. The German actors deliver phenomenal performances, and criticizing the movie solely based on its intensity is a disservice to their hard work. Show some respect for the actors and every person on set who helped crafting a gritty and realistic portrayal of a serial killer. The genuine and dark atmosphere this movie projects is something special. I do not recommend it for movie night with friends and family lmao ... It's something you better enjoy alone.
Lo sapevi?
- QuizThere was a scene shot of Fritz Honka's childhood when he was raped. But in the editing, Fatih Akin found them disturbing because it was a stupid explanation. Saying that "just because you are raped as a kid it doesn't give you the permission to be a serial killer. Lots of people have been raped as kids and not turned into serial killers and it would be a slap in the face to them".
- BlooperThe red and white "One way road"-sign that is shown in the street where Fritz Honka gets run over by a car was in use until 1971, while the scene is set in 1974. In 1974 blue and white signs were used. However this could have been intentional to show the old and more dirty the streets of Hamburg-St. Pauli in the 1970s.
- Curiosità sui creditiThe closing credits are accompanied by the photos of the real Honka, portrayed people, the real places, weapons he used etc.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Golden Glove
- Luoghi delle riprese
- Amburgo, Germania(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 6160 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2300 USD
- 29 set 2019
- Lordo in tutto il mondo
- 604.479 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Il mostro di St. Pauli (2019) officially released in India in English?
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