Black Earth Rising

I can't remember seeing a more honest tv show about a contemporary African problem (rogue warlords) and the way white people in the west make a very good living taking 10 to 20 years 'bringing them to justice' and pulling political and economic strings to get those cushy jobs ...

The beautiful lead character plays a Rwandan that barely escaped the genocide. She is reared in the UK by a liberal white adoptive mother who is also a criminal prosecutor for the ICC in the Hague. Her daughter is totally against prosecuting the only 'hero' in the war and it is creating conflict in the family with discourse and dialogue on both sides of the genocide issue that I personally have never heard in public before. They leave no stone unturned in this show, also giving an overview of worthless UN peacekeepers and the French army, still in Rwanda.

What I like/LOVE about this show though, is they don't give you the answer.

They present all sides and let you sort thru it yourself and come to your own conclusion. I hope it's not snatched off the air. It's very political and I'm very surprised it even made it on screen for one episode. I look forward to seeing the rest of the series and I hope that the BBC doesn't capitulate to the puppetmasters that control the media and pull the plug on this early.

Fingers crossed!

All the actors should be praised for delivering delicious acting, but especially John Goodman is like a finely aged wine. He delivers a serious performance with just a pinch of goofyness to make a subtle contrast to the serious themes.

Seems a bit underrated to me. Should lean more towards 8 stars.

I can't pretend to understand or ever really know the pain of the survivors of the Rwanda genocide but this drama has such strength in not only Michaela Coel's performance but in its script, its twists and turns, its depth and sensitivity to a painful and ultimately so desperately human tragedy that anyone who has the capacity to want to at least learn even at they watch how much the "great game" and its modern equivalents have repercussions beyond anything imaginable to most of us outside its direct impact.

Of course it's written from a Western lens and can never tell a "true" tale but it helps us, I think, to see how difficult, how complex and how deeply impactful the very things we take for granted today have had on millions of lives far away from ours, and even now, how a few powerful people keep trying to control everything, regardless of how lives are completely torn asunder to gain their wealth and power.

Don't let its pace or its great visual beauty put you off its underlying message. Everyone has secrets, everyone has pain and sickness and death will always walk amongst the living but sometimes the truth has to come out in order for us to move forwards. The reality of our world is one where some will always seek, through the vilest means, to sacrifice the lives of thousands for profit and power. Only though understanding that can we ever seek to encourage justice, change and hope.

Remember the actual dictator of Rwanda since 2000? Who were those two women supposed to be?

Hugo Blick is arguably the most ambitious writer of television drama in Britain today, and he certainly restates his case with 'Black Earth Rising', his latest work, which is by turns brilliant, intelligent and maddening. The series touches upon an immensely difficult subject - the Rwandan genocide - and amazingly manages to give mass murder a delicate, nuanced treatment without hiding from the horror. The acting and direction are also first rate. And yet, I found the central character deeply unappealing (though impressively portrayed by Michaela Coel), a person who demands the right to set the terms of debate with an inner sense of absolute moral certainty. Blick's script allows for the fact that she might be a difficult person to be around; but not that she might be wrong. And if part of Blick's skill is to distill huge issues into personal dramas, there are perhaps unintended side effects, most obviously that the fate of a country seems to be in the hands of a handful of people, all of whom know each other extremely closely, but this goes uncommented upon. In some ways, these two issues coincide - that the good guys have the right to represent their nation is presented almost as a given. Yet while I can nitpick, it's a story that will remain in my mind long after countless police procedurals have been forgotten. It's worth your time.