Aggiungi una trama nella tua linguaTwo oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.Two oddball Berliners discover the abandoned appendages of a mannequin. Separately, and with grotesque consequence, they come to terms with their disjointed mate.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie totali
Miklos Königer
- Trashman
- (filmato d'archivio)
- …
Henry Akina
- Dress Shop Owner
- (filmato d'archivio)
- …
Sushila Day
- Mannequin Arm
- (filmato d'archivio)
- …
Emil Kio
- Lady in Dress Shop
- (as Kio)
- …
Recensioni in evidenza
A provocative film portraying the exploration of the being and sexuality from the main characters's subconscious minds. Absurdity, suffering and an obsessive undefined lust for the obscure object of desire.
A filming style influence by mise-en-scene, sound editing and the music. The set design contributes beautifully to create a fantasy world full of symbolism. Great movie, especially for art film lovers.
This is a cool, expressionistic arthouse film. Definitely a head scratcher, but in a good "I've gotta watch it again" way. Like other reviews have noted it seems to use silent film stylings, but it isn't entirely silent, there is dialogue. I'm impressed at how they captured the look of european grindhouse films from the 60's & 70's.
The Berlin Bride comes across like a German Expressionist episode from The Twilight Zone; and that's good thing. The tension and unusualness of this film kept me enthralled from the first frame to the last. Kudos to the filmmaker for doing so much with so little, proving once again that you don't need a grand budget to tell a story remarkably.
The film is a crazy ride of loneliness, jealousy, betrayal and loss... but told in an almost upside down way, with the female lead being played by a mannequin. There is nothing predictable about this film. It pays homage to many art films of old, and is clearly helmed by a very talented director.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
I enjoyed this film but be warned it is not for everybody. If you don't enjoy surreal, off the wall art films than this is not for you. If you have never watched a film in the genre, you should give it a try. A potential cult classic.
This is very much an art house film, but with a strong and compelling narrative. The sparse use of dialogue, the 4:3 aspect ratio that's acknowledged by the curtains ...and the freaking cat which I love!!!... celebrates the medium of film.
If you ever took a film class in college, or ever deep-dived at a film festival, you'll not only appreciate this film, but you're sure to enjoy it too.
If you ever took a film class in college, or ever deep-dived at a film festival, you'll not only appreciate this film, but you're sure to enjoy it too.
Lo sapevi?
- QuizSteve Buscemi, visiting Berlin with his girlfriend at the time, spent a quiet evening alone with Bartlett reviewing early footage of what would become today's The Berlin Bride. Bartlett's apartment was on Seesener Strasse, No. 23, where the young director not only lived but also where most of the film's interiors were shot. Buscemi, a street performer and off-Broadway actor at that time, sat with Bartlett on the carpet, a few beers between them, watching the rough 16mm footage Bartlett had copied to VHS tapes for review. Bartlett was preparing for another project when a friend, who had caught Buscemi performing in New York, thought he might be good for the lead in the new film. Nothing ever came of the new project, just good memories of a fun evening in West Berlin.
- ConnessioniEdited from Konzert für die rechte Hand (1987)
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