VALUTAZIONE IMDb
3,9/10
17.074
LA TUA VALUTAZIONE
Una giovane governante viene assunta da un uomo che è diventato responsabile della sua giovane nipote e il nipote dopo la morte dei loro genitori.Una giovane governante viene assunta da un uomo che è diventato responsabile della sua giovane nipote e il nipote dopo la morte dei loro genitori.Una giovane governante viene assunta da un uomo che è diventato responsabile della sua giovane nipote e il nipote dopo la morte dei loro genitori.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Karen Egan
- Nancy
- (non citato nei titoli originali)
Mark Huberman
- Bert
- (non citato nei titoli originali)
Recensioni in evidenza
Complete waste of time. I was close to walking out but I was hoping it got better. The ending confirmed that I should have walked out.
I'm irritated I lost precious time to go see this train wreck.
I'm irritated I lost precious time to go see this train wreck.
I really wanted to give it three stars, but going over my notes plus how the movie felt - not justified.
Positives: Unfortunately, there are none. Except they mentioned Kurt Cobain which had nothing to do w/anything, and not mentioned again.
Negatives: Always a sign of cheapness is an opening (twice in this case) overhead view of a car on road.
Heavily dependent on the overused, stereotypical, music & sound effects to startle you. Yawn.
The usual ghostly apparitions in mirrors, windows, and in background. Very uncreative, and cheap looking.
The usual isolated mansion/house w/lots of rooms w/stuff, and usual dark basement. And, a maze garden. A brief scene of a creepy tree which had no bearing on anything.
Supposedly scary scenes in which our future victim has portending nightmares, and of course we don't know they're just dreams.
Future victim, unfortunately in this genre is female, does not respond intelligently to what's going on.
Ending, and alternative ending which was worse, was one of those "viewer decides" could be anything.
I like horror movies and thrillers, I like modern takes on period pieces and classics, and I like the cast and am a fan of the director's music videos and earlier film work (i.e. The Runaways). So I expected to enjoy this update on The Turn of the Screw. I did not enjoy it, I'm sad to report. There was too little story or suspense to hold one's attention throughout, and that's a shame.
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
"The Innocents" (1961) is an ambiguous ghost story with the magnificent Deborah Kerr in the lead role. "The Nightcomers" (1971), with Marlon Brandon, explains the behavior of Flora and Miles in "The Innocents". Unfortunately, "The Turning" is a poor remake of "The Innocents" without any explanation of the original story. The conclusion is ridiculous (or inexistent) and never provides the ambiguity of the original film to the viewer. The performances are not bad but the screenplay is terrible and forgettable. If the viewer seeks out an explanation for the story, reads the plot and reviews of the original film to understand the plot. My vote is three.
Title (Brazil): "Os Orfãos" ("The Orphans")
Note: On 11 December 2024, I saw this film again.
Title (Brazil): "Os Orfãos" ("The Orphans")
Note: On 11 December 2024, I saw this film again.
There are quite a few jump scares, but the plot is just really thin. There are so many unanswered questions. For example, is Finn really trying to make life hard for the governess, or is he possessed? The ending is just really abrupt, I literally gasped "What?" because I just don't know what really happened in the whole film. The two endings, which one is real? Is she crazy? It is very confusing.
Lo sapevi?
- QuizThis is one of two adaptations of Henry James' novella "The Turn of the Screw" released in 2020. The other is the Netflix mini series The Haunting of Bly Manor (2020) by Mike Flanagan. Both adaptations are produced by Amblin Entertainment.
- BlooperThe 1994 lesson book for Flora identifies February 28th as a Tuesday and March 1st as a Wednesday. In 1994, those dates were a Monday and Tuesday, respectively.
- Curiosità sui creditiThe end credits sequence shows Kate's hand dragging across the walls as the credits roll. Halfway through, it cuts to blue figures dancing.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: The Turning (2020)
- Colonne sonoreThe Brakes
Written by Theresa Wayman (as Theresa Baker-Wayman), Emily Kokal, Jenny Lee Lindberg (as Jennifer Lindberg), Stella Mozgawa
Performed by Warpaint
Courtesy of Warpaint and KRO Records
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- Aziende produttrici
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Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.472.775 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.950.045 USD
- 26 gen 2020
- Lordo in tutto il mondo
- 19.428.166 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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