Cattivissimo me 4

Now, I've been a fan of these Despicable Me Movies since 2010 and I've loved all of the movie in a variety of different qualities. However, there was a part of me that wasn't necessarily excited for this movie and that's a big surprise for me. Now that I've watched the movie and I can honestly say that while I did like this movie, we've officially come to the point where the Despicable Me Franchise is starting to feel played out.

Positives for Despicable Me 4 (2024): There is still a lot of fun that can be had with this set of characters and honestly these movies won't survive without them. I enjoyed that this movie has a wide variety of different characters with their own distinct personalities and charisma. I really enjoyed the addition of Joey King as Poppy Prescott as one of the the neighbor characters to the Gru Family. I liked the fact that the Gru Family has to figure out how they need to adapt to a new neighborhood. I really enjoyed the journey that Gru goes on with his infant son Gru Jr. Where at the beginning of the movie, Gru Jr. Hates his father and then eventually starts to like his father at he end of the movie. And finally, the minions are still a lot of fun with their insane antics.

Mixed for Despicable Me 4 (2024): The main issue that I have with this movie is the screenplay and that's primarily because the two screenwriters of this movie are Mike White, the creator of The White Lotus (2021-) and Ken Daurio, the screenwriter of multiple Illumination Animated Movies. And while I do enjoy what both of these guys bring to the table with their writing, their styles of writing do not feel compatible with each other in term of how they write their characters, construct their stories, the tone that they're going for and the themes that they want to explore. It literally feels the movie is trying to figure out what it wants to be throughout the runtime.

Negatives for Despicable Me 4 (2024): Similar to Despicable Me 3 (2017), Dr. Nefario is not in this movie, with the exception of a small cameo. And finally, the villains of both Maxime Le Mal and Valentina are by far the weakest in the franchise which is bizarre because they are voiced by Will Ferrell and Sofia Vergara respectively.

Overall, Despicable Me 4 (2024) is still a fun movie within this franchise but we've reached the point where this franchise is starting to feel played out and that's not a good thing.

Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run.

For what it's made for, it's a pretty good film. It's designed to provide entertainment, laughter, and a mental escape, and it definitely succeeds at that. The story is of course a bit lacking and the sequence of events are pretty predictable yet still filled with humour and action. When you watch a Minions movie or 'Despicable Me,' you look for the comedy, and although this one is filled with joke, unfortunately not all of them were good ones. Another observation: as we progressed from the first installment to this one, the minions' role has become less significant, which disappoints me since they were the reason I initially enjoyed these films. The voice cast remains incredibly strong, with accents and tones perfectly enhancing the movie's comedic aspect.

Score:6.5/10.

I think this falls into the same mistakes that the third one did. It was still classic Minion fun, but it didn't have a story to tell. In fact, in this one there isn't really a story. The story was just loosely tied together. In fact, it's multiple different things tied together, to make a mess of a story. That being said, I still had fun. I thought that the different bits and pieces we got was the fun to be expected with this franchise. For me, it still had a little bit of the charm from the first two. It isn't completely lost yet. The growth of Gru and his son was cute, but that was just about as interesting the movie got. I still had a lot of fun with the Mega Minions, I hope we can see more of them in the future. This franchise will forever be a guilty pleasure of mine.

This fourth film in the series crashes and burns on multiple levels. The story is a tedious slog, failing to capture the spark of the previous entries. The villain, unworthy of the franchise's legacy, is a bumbling disappointment easily defeated by a puppy. This lackluster antagonist makes the film an unenjoyable chore, especially for fans who invested time in the previous installments.

But the problems go deeper than a weak villain. The plot itself feels uninspired, and the film fails to recapture the magic that made the earlier movies so entertaining. It's a forgettable entry in a series that deserved better.

Despicable Me 4 is operating on fumes. Just like last time it's a bunch of random side plots that just gets it to feature length (credits included). Still, even when these films are operating at a lower level they really understand not to waste your time with another 90 minutes of zany, erratic slapstick that peaks whenever the Minions are on screen, which once again is not enough.

Steve Carell sounds less like Gru and more like himself with every new instalment but he's still the sole voice actor holding the whole thing together and in this one, he's broader than ever. Will Ferrell and Sofia Vegara very quickly earn the title of worst villains in this franchise (Minions films included) with grating vocal performances that go for caricature in very annoying fashion.

The Minions remain really funny even in small doses despite the fact that there's nothing here as memorable as their big musical number in 3. The Mega Minions are by far the best idea this one has as it allows the film to poke some fun at superhero movies and keep their dynamic fresh. They should've been in it so much more instead of being relegated to a small handful of scenes.

Chris Renaud's direction certainly gives the film a lot of energy with the hyperactive pace which can barely stay still. The opening offers the false promise of this one having some genuine stakes before quickly pivoting away from that and turning the film into the cinematic equivalent of a sugar rush which helps to keep things moving at speed even when the jokes aren't landing.