Las niñas bien

Could not hear voices clearly, like as they were speaking from inside a box.

Worst soundtrack ever heard.

An understated slow burn. As tense as a horror film. Psychological. Lots of pregnant silences. You see stories about the rich destroying themselves and others. You see stories about the others getting destroyed. But what if you're in that scene, neither the predator nor the prey, effected by the results, and have no control over what's happening. This film made me feel uncomfortable and helpless. Marvelous. The costumes and sets are gorgeous too. Ilsa Salas is stunning.

I loved this movie! The storyline, the filmography, the music... everything about it is good.... and it is also a nice feeling to finally see good Mexican movies happening in the latest years.

This movie stands out from most Mexican movies.

The film is well made, it has a good production design, good photography, very good acting, Ilse Salas doing a good job as always, very good music, it is very well directed, has an excellent hair and makeup job, there is an attractive design costume, good character development and the script is compelling and well developed. The only thing that doesn't convince me is the way it tells the story, making the film a bit confusing and sometimes slow.

The film manages to portray how they were seen in the past, and even today, social classes in Mexico and how appearances were everything in those times, even more important than being happy, the film manages to be a high quality film and very remarkable of the majority of Mexican films with a good script and good execution.

What could have been an interesting societal study of a change of elites in the times of crisis (the falling down of Sofía De Garay's status and the rising of Ana Paola Haddad's) is lost as the characters, true to the selves of Mexican upper class, are too frivolous to understand the reality they live in. And the film does not go beyond that limited look of things.

Yes, old banking and manufacturing families went down in the crisis of 1982-88, and others -notably the mogul Carlos Slim, well portrayed as Mr. Haddad- made millions and millions, but the process was not as swift and shallow as the movie makes it be.

Acting is good, production is nice, pace is slow and the whole film ends up to (almost) nothing.