VALUTAZIONE IMDb
3,6/10
1772
LA TUA VALUTAZIONE
Quando una famiglia trasferisce la figlia in difficoltà in una piccola città e i vicini iniziano a morire misteriosamente, temono che qualcosa di malvagio li abbia seguiti.Quando una famiglia trasferisce la figlia in difficoltà in una piccola città e i vicini iniziano a morire misteriosamente, temono che qualcosa di malvagio li abbia seguiti.Quando una famiglia trasferisce la figlia in difficoltà in una piccola città e i vicini iniziano a morire misteriosamente, temono che qualcosa di malvagio li abbia seguiti.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Vincent Duvall-DePasquale
- Detective Tracy Hennings
- (as Vincent Duvall)
Jamie Bozian
- Harlan Lester
- (as James Bozian)
Recensioni in evidenza
Saw this at the Dances with Films Festival and decided to get it. It seems a lot of movies, especially horror, are all about the tropes being the main attraction with not much substance as the foundation underneath - which is why so many movies feel the same to me.
Every time The Harbinger hits a trope, it doesn't hone in and linger and make a big spectacle when it gets to it. It feels like just another stop along the way. The story continues on as if to say, "you think THAT was interesting, oh yeah, no, let us show you where we're going" (And yet it all ties in later). And it just keeps going until the movie hits its endgame, which is simply to tell an entertaining story with substance of plot, character, and theme (can't say what without spoilers).
Perfect example: the "possessed kid" trope- Been done a million times. They could've gone down any number of worn out paths with that trope and instead went a completely different direction. This is actually not a "possessed kid" movie but I won't say more.
I'm seeing comments this is more creepy than jump-scary. IMO that's pretty accurate, but for me you can have good and bad movies in both of those categories.
Big-budget Hollywood classic favorites of mine are 8 to 10, so this is a very strong 7 out of 10 and I could see it becoming an 8 or more over time.
Every time The Harbinger hits a trope, it doesn't hone in and linger and make a big spectacle when it gets to it. It feels like just another stop along the way. The story continues on as if to say, "you think THAT was interesting, oh yeah, no, let us show you where we're going" (And yet it all ties in later). And it just keeps going until the movie hits its endgame, which is simply to tell an entertaining story with substance of plot, character, and theme (can't say what without spoilers).
Perfect example: the "possessed kid" trope- Been done a million times. They could've gone down any number of worn out paths with that trope and instead went a completely different direction. This is actually not a "possessed kid" movie but I won't say more.
I'm seeing comments this is more creepy than jump-scary. IMO that's pretty accurate, but for me you can have good and bad movies in both of those categories.
Big-budget Hollywood classic favorites of mine are 8 to 10, so this is a very strong 7 out of 10 and I could see it becoming an 8 or more over time.
This movie has a paranormal-supernatural theme with satanic, Christian and Native American elements. The Harbinger is not an action and special effects driven roller coaster ride seeded with countless sequences of creative graphic violence. Instead this story moves forward at a gentler slower pace. There are elements of 1960's Rod Serling style of story development. Viewers impatient for intense visceral assault and dizzying effects are likely to be put off.
Watching the trailer only will probably cause viewers to conclude the movie is different than it is. The sizzle mission of trailers often results in something that is nothing like the movie. I believe this is the case with The Harbinger.
Is The Harbinger worthy of your time? I think so. What you'd get for your patience is a character and plot driven story where performers cannot hide behind special effects or anything else. In contrast they are given plenty of opportunity to soar or bore. For the most part the performances are strong and sometimes even memorable. Also casting for the supporting cast brought together some unique talents that genuinely contributed to the film.
Watching the trailer only will probably cause viewers to conclude the movie is different than it is. The sizzle mission of trailers often results in something that is nothing like the movie. I believe this is the case with The Harbinger.
Is The Harbinger worthy of your time? I think so. What you'd get for your patience is a character and plot driven story where performers cannot hide behind special effects or anything else. In contrast they are given plenty of opportunity to soar or bore. For the most part the performances are strong and sometimes even memorable. Also casting for the supporting cast brought together some unique talents that genuinely contributed to the film.
I don't write reviews but disagree with the downvotes here. I'm getting from these comments the trailer misrepresents. I can see that. The actual movie has a lot of heart. And a crazy ass story. But I wasn't confused after they explained it. People just aren't patient. There is no mystery if you say it too early. Maybe it helps that I already heard it's hokey or corny or something but I really like the creepy feel of the movie too. I like the dad. I felt his emotions and the whole family. Everyone else is supposed to be over the top or weird or whatever but I always felt the family. And I love that you don't really know what's up with the family for the first part of the movie and it all comes together. For me cheesiness is ok if we like the people. I was rooting for them and that's why the cheesiness works for me. The family and the dad has a lot of heart. The girl is great too.
Don't think I've seen a movie quite like this. I read all the reviews (mostly positive but also said the movie was too long, not total horror, complicated plot, etc). I see all the negative scores here, so I decided to see which way I'd go. Wow. Not sure what to think here. But the tie-breaker is how I feel and the more and more I THINK about it, the more I think the movie succeeded. I'll give this dude credit. It's different. And you definitely need to be on your toes to follow. Good atmosphere throughout. I cared about the father and his relationship with the daughter. And the lore - that's the part that I think is so different. They put a LOT of thought and planning into this. I think I'm buying in. Will def watch again.
Just too low budget for my taste. I don't watch low budget indies and I gave this a try. It's better than any low budget indie I've seen but it still can't stand up next to a major Hollywood studio movie. That said, as the movie played, I thought less about budget and got more invested in the story.
And don't get me wrong, we've all seen that movie where someone grabbed a cell phone and shot it in the backyard. I'm not accusing this movie of that at all. But I've seen comments say something's missing, and that something for me is money. It looks and sounds fine. For me it's the difference between a Corolla and a Lexus. They both get the job done, but you know luxury when you experience it. I have to say the second half of the movie looks better than the first. Maybe that's where they put their money idk.
If I had to give any other criticism I would say the acting is good but they could have explained earlier why they were acting so weird. With the smaller parts, I like the style of acting but you don't find out why until later.
The parents act secretive and odd from the beginning and we don't find out why until about half way through. I can tell they're both good actors and their acting gets better as the movie goes on. I wonder if just finding out in the beginning why the parents are the way they are would have made it better? It's hard to say because it's supposed to be a mystery and I get it - They can't give things away. That said, kept my interest.
And don't get me wrong, we've all seen that movie where someone grabbed a cell phone and shot it in the backyard. I'm not accusing this movie of that at all. But I've seen comments say something's missing, and that something for me is money. It looks and sounds fine. For me it's the difference between a Corolla and a Lexus. They both get the job done, but you know luxury when you experience it. I have to say the second half of the movie looks better than the first. Maybe that's where they put their money idk.
If I had to give any other criticism I would say the acting is good but they could have explained earlier why they were acting so weird. With the smaller parts, I like the style of acting but you don't find out why until later.
The parents act secretive and odd from the beginning and we don't find out why until about half way through. I can tell they're both good actors and their acting gets better as the movie goes on. I wonder if just finding out in the beginning why the parents are the way they are would have made it better? It's hard to say because it's supposed to be a mystery and I get it - They can't give things away. That said, kept my interest.
Lo sapevi?
- QuizVeteran Films is a non-profit production company created to provide jobs for Veterans, Victims of Domestic Violence, and Native Americans. Veteran Films takes film novices and places the above individuals into jobs they can succeed at while learning the film business, and allows the individuals to migrate into other jobs they may find more suitable to their future within the business. Veteran Films' focus is hiring local crew and talent, or those connected in some manner locally.
- Colonne sonoreRosalie Baby Song
Written by Will Klipstine & Amy Mills
Performed by Will Klipstine & Madeleine McGraw
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
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- The Curse of Rosalie
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 523.394 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Proporzioni
- 2.39:1 anamorphic
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