Iskra

"Iskra" is debut movie of talented Montenegrin writer/director Gojko Berkuljan. Basically, it is missing girl story shot in Nordic noir style. Difference is that story unfolds in corrupted country so twists and turns are unique and (un)expected. Movie is beautifully shot despite obvious budget limitations. Lead actors (Iskra's father Mirko Vlahovic and his former police colleague Mladen Nelevic) are amazing in their respective roles. Story is interesting although somewhat more resembles theatrical play than feature movie. Script, however, has some weak points. For example, in corrupted country of Montenegro, to trust a system (younger cast) looks not only naïve, but almost impossible. Some reactions (Gojko physically attacks Iskra) are exaggerated and not in spirit of already developed characters. However, setting is great, and indoor scenes of old hospitals and public buildings capture atmosphere perfectly. In total, quality of "Iskra" for Montenegrin audience is in genre. Simply put, "Iskra" is not ashamed to be detective story that follows investigation without losing focus. Dramatic moments are here to shine more light at Iskra's destiny and, although dark, it is not artificially somber as so many balkanic movies. For foreigners, it could be window in state of affairs of small, European country whose voice is rarely heard.