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La donna elettrica

Titolo originale: Kona fer í stríð
  • 2018
  • T
  • 1h 41min
VALUTAZIONE IMDb
7,4/10
11.719
LA TUA VALUTAZIONE
La donna elettrica (2018)
Guarda Woman At War Official Trailer
Riproduci trailer1: 54
5 video
26 foto
AdventureComedyDramaThriller

Halla diventa un attivista ambientalista determinata, ma quando però una sua vecchia richiesta d'adozione va a buon fine, Halla dovrà affrontare la sua sfida più grande.Halla diventa un attivista ambientalista determinata, ma quando però una sua vecchia richiesta d'adozione va a buon fine, Halla dovrà affrontare la sua sfida più grande.Halla diventa un attivista ambientalista determinata, ma quando però una sua vecchia richiesta d'adozione va a buon fine, Halla dovrà affrontare la sua sfida più grande.

  • Regia
    • Benedikt Erlingsson
  • Sceneggiatura
    • Benedikt Erlingsson
    • Ólafur Egilsson
  • Star
    • Halldóra Geirharðsdóttir
    • Jóhann Sigurðarson
    • Davíð Þór Jónsson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    11.719
    LA TUA VALUTAZIONE
    • Regia
      • Benedikt Erlingsson
    • Sceneggiatura
      • Benedikt Erlingsson
      • Ólafur Egilsson
    • Star
      • Halldóra Geirharðsdóttir
      • Jóhann Sigurðarson
      • Davíð Þór Jónsson
    • 54Recensioni degli utenti
    • 122Recensioni della critica
    • 81Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 29 vittorie e 22 candidature totali

    Video5

    Woman At War Official Trailer
    Trailer 1:54
    Woman At War Official Trailer
    Woman At War: Another Bloody Sheep
    Clip 1:46
    Woman At War: Another Bloody Sheep
    Woman At War: Another Bloody Sheep
    Clip 1:46
    Woman At War: Another Bloody Sheep
    Woman At War: Helicopter Chase
    Clip 1:18
    Woman At War: Helicopter Chase
    Woman At War: Adoption
    Clip 1:57
    Woman At War: Adoption
    Woman At War: So It's You
    Clip 0:56
    Woman At War: So It's You

    Foto25

    Visualizza poster
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    Visualizza poster
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    + 19
    Visualizza poster

    Interpreti principali34

    Modifica
    Halldóra Geirharðsdóttir
    Halldóra Geirharðsdóttir
    • Halla…
    Jóhann Sigurðarson
    • Sveinbjörn
    Davíð Þór Jónsson
    Davíð Þór Jónsson
    • Pianist…
    Magnús Trygvason Eliassen
    • Drummer Band
    • (as Magnús Trygvason Eliasen)
    Omar Gudjonsson
    • Sousaphone Band
    • (as Ómar Guðjónsson)
    Iryna Danyleiko
    • Ukrainian Choir
    Galyna Goncharenko
    • Ukrainian Choir
    Susanna Karpenko
    • Ukrainian Choir
    Jörundur Ragnarsson
    Jörundur Ragnarsson
    • Baldvin
    Juan Camilo Román Estrada
    • Juan Camillo
    • (as Juan Camillo Roman Estrada)
    Charlotte Bøving
    • Adoption agency lady
    Björn Thors
    Björn Thors
    • The Prime Minister
    Hilmir Snær Guðnason
    Hilmir Snær Guðnason
    • Taxi driver
    Jon Johanson
    • Greenhouse farmer
    • (as Jón Jóhannsson)
    Thorstein Gudmundsson
    • Prison guard
    • (as Þorsteinn Guðmundsson)
    Helga Braga Jónsdóttir
    • Prison guard
    Halla Margrét Jóhannesdóttir
    • Halla and Ása's acting double
    Jón Gnarr
    Jón Gnarr
    • President of Iceland
    • Regia
      • Benedikt Erlingsson
    • Sceneggiatura
      • Benedikt Erlingsson
      • Ólafur Egilsson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti54

    7,411.7K
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    Recensioni in evidenza

    9guy-bellinger

    A lady, a bow, arrows and aluminium

    A virtuous man alone against the system, there has been a lot on the silver screen, particularly when it comes to American movies where the figure of the individual hero is set, in accordance with the American ethos, as the paramount role model. From early cinema till today, examples abound, among the most seminal "The Life of Emile Zola", "Mr. Smith Goes to Washington", "The Setup", "Harvey Milk" come to mind, but they are but a few samples of a practically endless list. By contrast, their female equivalents can be counted on the fingers of one hand: women fighting alone like Sally Field ("Norma Rae") or Julia Roberts ("Erin Brokovich") are the exceptions that prove the rule. But, well, The Times Are-A-Changin', as Bob Dylan once sang and are slowly acquiring (not everywhere alas!) the role they deserve. A point illustrated by this excellent Icelandic film, aptly titled 'Woman at War', offering the striking portrait of a modern-times female warrior, the wonderful Halla, played by the equally awesome actress Halldóra Geirharðsdóttir ("Regina!", "Of Horses and Men"). Inventively directed by Benedikt Erlingsson (the author of the already mentioned "Of Horses and Men"), it may well become a cult classic.

    To tell you the truth, before entering the hall, I thought I knew in advance how the film would develop : a corrupt system (in this case an aluminium company that threatens the environment of Iceland and its people), would make the protagonist (a carbon copy of the white hero) an activist who would start by winning her first fights before having to face severe counter-attacks only to triumph in the end, all the wrongs righted. The only thing that really attracted me was that the story was set among the unusual landscapes of Iceland. How big (and pleasant) my surprise was! For, as of the very first shot, it was quite evident that "Woman at War" was not going to tread the beaten track. What other movie indeed opens on a fifty-year old lady drawing a bow and shooting an arrow towards high voltage power lines? And not only that but also managing to cause a short-circuit cutting off supply in the aluminium plant area? There mustn't be many. Such an attack against toxic modernism carried out by a woman using archaic weapons sets the tone for this fanciful and utterly unpredictable film.

    For, in the wake of this inspired overture, imagination, suspense, laughter, happily follow suit. The delighted viewer is indeed treated to a whole menu of various pleasures, such as breathless sequences (Halla being hunted by cars, dogs, drones, helicopters), constant surprises and twists (impossible while watching a scene to guess what will come after), unexpected changes of tone (the underground warrior being also the conductor of an amateur choir), unusual ideas (Halla saved from icy waters by being plunged into a... hot water source), detachment from the action (the ever-present brass band) and irrepressible comedy (the recurring mishaps of a poor foreigner). At the same time and for the same ticket price, you get a very serious social and political commentary (among the topics broached, corruption, commitment, environment, the future of mankind). And although this last aspect is pessimistic, even bordering on bitterness and despair, it is always alleviated by the writer-director's sense of humor and narrative skills.

    A very positive assesment, to which can be added a fine homegenous cast in which Halldóra Geirharðsdóttir, remarkable as she is, never tries to be number one.

    All in all, a perfect film, managing to combine art, entertainment and reflection, which is not so common. Recommended of course.
    8gcsman

    A total pleasure to watch: engaging, serious, eccentric, and fun.

    Halla (played by Halldora Geirhardsdottir), a middle-aged Icelandic woman leading a seemingly ordinary life, is secretly a fierce eco-warrior. Staying completely off the radar, she conducts lone daring missions of sabotage against a big industrial plant that is endangering the environment of her region and her entire country. Her weapons of choice are small-scale explosives, and bow and arrows. The bare bones of this plot sound like just the sort of thing for a Hollywood action film, but Woman at War is stylistically so different, so NOT Hollywood that it inhabits practically a different universe. And it's all the better for that. We care about what's going on on the screen, and about the protagonist Halla, far more here than we ever would for things like Mission Impossible or Fast and Furious or the Bond films or a dozen other franchises like them which are basically just eye candy.

    There actually aren't that many true 'action' scenes: most of the screen time is devoted to interactions among the relatively small cast of characters, and some slow-burn suspense. Will Halla keep successfully evading the authorities who are ramping up their search for the saboteur? After all, Iceland is a pretty small country. Her motivation for what she's doing also would not cut very deep unless we had a well rounded picture of her life and the deep connection of her fellow Icelanders with their own land. Her sister Asa (played by the same actress -- and the scenes where Asa and Halla are both on screen are seamlessly done) comes in and out of the story, as does cousin Sveinbjorn (Johann Sigurdarson), a farmer who helps Halla at critical moments. Halla is thrown a major curve when her hoped-for chance to adopt a little orphan girl from Eastern Europe come up suddenly: does she change the course of her life to take it, or let it go and continue her profoundly risky guerilla war? There are also genuinely surprising twists -- essentially bits of luck and timing -- that make us realize that every bit of the backstory and setup in the first half of the movie was put there for a reason.

    There are loads of engaging details from beginning to end. In one scene Halla is being hunted by a police drone seeking for her in the countryside near the industrial plant. She shoots it down with her bow and arrow and then stomps it to pieces. (Who wouldn't like to do that with those annoying things, just once?) The oddest touch of all, though, has to do with the music. The edgy background music is played by a small band of musicians who are sometimes actually on screen, standing just to the side of the action -- on roadsides, on city streets, by airport parking lots. Their onscreen presence usually takes place at critical junction points in the story. This eccentric touch takes a further step into the truly surreal when at times Halla actually notices them (!) as if she has stepped outside her own role.

    All in all, it's very much worth seeing. A whole lot of Hollywood studio suits who are only after your money could learn from far more genuine films like this one.
    8blott2319-1

    Funny and poignant. Well worth watching.

    Woman at War is a film about a woman who has taken on the role of eco-terrorist to try and fight increased industrialization in Iceland. The question is, can she fight for what she thinks is right, keep her identity hidden from the authorities, and live a normal life in the meantime? This movie was exhilarating in all the right ways. I was totally invested in her adventures, and always wondered if she would take things too far. When regular life comes into play, I was even more interested to see what she might do, since balancing life as an outlaw with domestic life could be impossible. I was totally intrigued by this character. She is likable, and feels like one of the most friendly women you could possibly meet, and yet she is also fiercely passionate about a cause and does what she can for the betterment of her country (without hurting anyone in the process.)

    One of the more quirky elements of Woman at War is something I'd rather not spoil for those who haven't seen the film. However, it's a fun way of breaking the fourth wall that I never saw coming. It made me laugh every time they went there, and added a unique element that sets this film apart from others I've seen. Halldóra Geirharðsdóttir is absolutely awesome in the lead role. She has to carry a great deal of this film on her own, and she manages to do it all and make it look easy. The tone of the film ranges from serious to silly, and that could throw some people off. Personally, I thought it worked remarkably well, and I enjoyed both the chuckles and the stress of our hero possibly being caught. It's a movie that entertains you and makes a point all at the same time. I would highly recommend Woman at War to anyone looking for something off the beaten path. It's a delightfully different kind of film.
    CinemaClown

    An Ecological Masterpiece

    A bold, quirky & engrossing effort that examines the uphill battle it is for anyone who dares stepping up against corporations & governments to save the planet, Woman at War expertly balances crowd-pleasing obligations with credible environmental concerns to make its plea for actions against climate change without ever sounding preachy to the viewers, and is all the more uplifted by Halldóra Geirharðsdóttir's stellar lead act.
    8Ska4Live

    Full enjoy of every shot and every musical theme

    "Woman at war" it is a story about strong female who trying to do all she can, at any price, in order to save her homeland ecosystem. She is in partisan war against big technological giant who pollute her land. I give my salute and an applause to Halldóra Geirharðsdótti for her amazing performance both twins sisters Halla and Asa. The way how Halldóra run on Icelandic mounts and survice in wild nature would make to envy every single trail runner in the world together with Bear Grylls. Of course Cinematograph - Bergsteinn Björgúlfsson. The camera of this man shows magnificent landscapes of Iceland. I know it was shown many times ago in many movies. But in "Woman at the war" we don't see warm and green Iceland, as well as cold and snow land of Vikings. No we see foggy and grey tons, but this fact doesn't bring shade to Mr. Björgúlfsson work. Because the weather and colors of nature represent mood of protagonist. If you look at main banner of this film you may find hidden symbol. Treble clef. Because music is playing very important, or even A Key role in the movie. When Halla takes an actions and fights against police, government and spies systems we can hear\see her feelings & mood "in hands" of Icelandic music trio (Drumms\Sousaphone\Pianist &accordion). When, suddenly, in her life appears a hope, that somewhere in Ukraine there is a small girl (Nika) who lost her parents, at the war, from that moment, every single thought of Nika create for Halla a group of three Ukrainian choir singers. During all actions and all circumstances main heroine participate in, we see those 6 musicians represents different sides, and always split. But only at the end, we saw all of them standing together, when Halla and Nika finally met. I think these unity of different music styles together shows that Halla has finally find a peace in her life. This movie have everything. Good Acting performance. Great - cinematography. An Amazing music. Without any doubts - One of the best movies of 2018.

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    Trama

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    Lo sapevi?

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    • Quiz
      Iceland's submission to the Foreign Language Film Award of the 91st Academy Awards (2019).
    • Blooper
      Tutte le opzioni contengono spoiler
    • Citazioni

      Halla: Economic sabotage.

      Ása: It's extremism, which breeds extremism. He who Jives by the sword, dies by the sword.

      Halla: But no one has been hurt, except our country and our planet.

      Ása: It's not the right way to solve this problem.

      Halla: Meditating in some convent, will that change something?

      Ása: It will change me and thus the world I hope.

      Halla: Isn't that egoism, to think it will change the world?

      Ása: The drop hollows the stone.

      Halla: The stone? The mountains are falling on us, we don't have time to wait for drops.

      Ása: Now you're going to save a child and the entire world with it. Isn't that a small drop or is it just vanity?

      Halla: At least I'm doing something for someone else.

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    Dettagli

    Modifica
    • Data di uscita
      • 13 dicembre 2018 (Italia)
    • Paesi di origine
      • Islanda
      • Francia
      • Ucraina
    • Siti ufficiali
      • Beta Cinema (Germany)
      • Jour2Fête (France)
    • Lingue
      • Islandese
      • Inglese
      • Ucraino
      • Cinese
      • Spagnolo
    • Celebre anche come
      • Woman at War
    • Luoghi delle riprese
      • Islanda
    • Aziende produttrici
      • Slot Machine
      • Gulldrengurinn
      • Solar Media Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 2.500.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 847.495 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 18.370 USD
      • 3 mar 2019
    • Lordo in tutto il mondo
      • 4.463.133 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 41 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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