La donna elettrica

Halla (played by Halldora Geirhardsdottir), a middle-aged Icelandic woman leading a seemingly ordinary life, is secretly a fierce eco-warrior. Staying completely off the radar, she conducts lone daring missions of sabotage against a big industrial plant that is endangering the environment of her region and her entire country. Her weapons of choice are small-scale explosives, and bow and arrows. The bare bones of this plot sound like just the sort of thing for a Hollywood action film, but Woman at War is stylistically so different, so NOT Hollywood that it inhabits practically a different universe. And it's all the better for that. We care about what's going on on the screen, and about the protagonist Halla, far more here than we ever would for things like Mission Impossible or Fast and Furious or the Bond films or a dozen other franchises like them which are basically just eye candy.

There actually aren't that many true 'action' scenes: most of the screen time is devoted to interactions among the relatively small cast of characters, and some slow-burn suspense. Will Halla keep successfully evading the authorities who are ramping up their search for the saboteur? After all, Iceland is a pretty small country. Her motivation for what she's doing also would not cut very deep unless we had a well rounded picture of her life and the deep connection of her fellow Icelanders with their own land. Her sister Asa (played by the same actress -- and the scenes where Asa and Halla are both on screen are seamlessly done) comes in and out of the story, as does cousin Sveinbjorn (Johann Sigurdarson), a farmer who helps Halla at critical moments. Halla is thrown a major curve when her hoped-for chance to adopt a little orphan girl from Eastern Europe come up suddenly: does she change the course of her life to take it, or let it go and continue her profoundly risky guerilla war? There are also genuinely surprising twists -- essentially bits of luck and timing -- that make us realize that every bit of the backstory and setup in the first half of the movie was put there for a reason.

There are loads of engaging details from beginning to end. In one scene Halla is being hunted by a police drone seeking for her in the countryside near the industrial plant. She shoots it down with her bow and arrow and then stomps it to pieces. (Who wouldn't like to do that with those annoying things, just once?) The oddest touch of all, though, has to do with the music. The edgy background music is played by a small band of musicians who are sometimes actually on screen, standing just to the side of the action -- on roadsides, on city streets, by airport parking lots. Their onscreen presence usually takes place at critical junction points in the story. This eccentric touch takes a further step into the truly surreal when at times Halla actually notices them (!) as if she has stepped outside her own role.

All in all, it's very much worth seeing. A whole lot of Hollywood studio suits who are only after your money could learn from far more genuine films like this one.

A bold, quirky & engrossing effort that examines the uphill battle it is for anyone who dares stepping up against corporations & governments to save the planet, Woman at War expertly balances crowd-pleasing obligations with credible environmental concerns to make its plea for actions against climate change without ever sounding preachy to the viewers, and is all the more uplifted by Halldóra Geirharðsdóttir's stellar lead act.

"Woman at war" it is a story about strong female who trying to do all she can, at any price, in order to save her homeland ecosystem. She is in partisan war against big technological giant who pollute her land. I give my salute and an applause to Halldóra Geirharðsdótti for her amazing performance both twins sisters Halla and Asa. The way how Halldóra run on Icelandic mounts and survice in wild nature would make to envy every single trail runner in the world together with Bear Grylls. Of course Cinematograph - Bergsteinn Björgúlfsson. The camera of this man shows magnificent landscapes of Iceland. I know it was shown many times ago in many movies. But in "Woman at the war" we don't see warm and green Iceland, as well as cold and snow land of Vikings. No we see foggy and grey tons, but this fact doesn't bring shade to Mr. Björgúlfsson work. Because the weather and colors of nature represent mood of protagonist. If you look at main banner of this film you may find hidden symbol. Treble clef. Because music is playing very important, or even A Key role in the movie. When Halla takes an actions and fights against police, government and spies systems we can hear\see her feelings & mood "in hands" of Icelandic music trio (Drumms\Sousaphone\Pianist &accordion). When, suddenly, in her life appears a hope, that somewhere in Ukraine there is a small girl (Nika) who lost her parents, at the war, from that moment, every single thought of Nika create for Halla a group of three Ukrainian choir singers. During all actions and all circumstances main heroine participate in, we see those 6 musicians represents different sides, and always split. But only at the end, we saw all of them standing together, when Halla and Nika finally met. I think these unity of different music styles together shows that Halla has finally find a peace in her life. This movie have everything. Good Acting performance. Great - cinematography. An Amazing music. Without any doubts - One of the best movies of 2018.

This movie could have been very preachy. It deals with a middle-aged woman who is very concerned about the effects of industry on the Icelandic environment and decides to take a very active role in opposing it, sabotaging efforts to create a new aluminum processing plant. All very PC.

But it is the form that makes this movie truly exceptional, not to mention fun and fascinating to watch. It is full of imaginative touches that seem to come out of nowhere and that capture your attention and admiration.

The acting is fine, and some of the countryside shots are wonderful, but it's not a scenic tour of Iceland. Rather, it's a remarkably create take on what could have been a very dull topic.

I really liked this quirky Icelandic eco-thriller about a woman that goes to great lengths to do what she thinks is right for her country. But to try and categorize this movie is a bit tricky, as this reminded me more of Roy Andersson movies than Soylent Green, with a lot of surrealistic moments like a band that provides the movie's soundtrack but is an integral part of the action and, for better or worse, is one of the most unforgettable aspects of this film. It is generally well shot and Halldóra Geirharðsdóttir provides a great performance in the titular role.