Il primo re

My review is influenced partially because I haven't watched a European movie for several years and it was refreshing to revisit. This movie is certainly not suitable for younger people or anyone who dislikes realistic violence. I usually shy away from violent movies, especially where the violence serves no purpose.

What stands out about this movie is that it feels realistic. Most of Hollywood has drastically shifted into a synthetic reality that is more like a day-time soap opera, but has added plenty of violence. and SFX. By contrast, this movie had characters exhaling misty breath in freezing cold rain, inside a cage made of rough bits of timer. You really felt as if you were watching the real thing at times, or a very detailed documentary. The characters also behaved realistically, something Hollywood has lost the ability to reflect.

The costumes (despite criticism from another reviewer) were probably realistic for 750BC as the characters were mostly slaves that were imprisoned in the quieter parts of what is now known as Italy. Many characters had beards because they didn't have access to Schick shavers. However, the actors probably lacked muscle and leanness that the actual inhabitants would have had. By contrast, the social elite in 750BC would have dressed immaculately.

The fight scenes were very well performed. Far less cut-scenes than you usually see today in Hollywood and far more awareness of exactly what is going on around the violence. However, at times I felt the violence was too much and wasn't adding value to the story.

In case you're wondering, even the ancient Romans were unsure of how accurate the stories of Romulus and Remus were. Today, we talk of what being a "good citizen" (especially promoted by the United Nations). The Romans had the concept of a "good Roman", so, in all probability, the current story of Romulus and Remus was popularised through a "good Roman" filter.

If you're in the mood for a thoughtful, violent, somewhat historically accurate film about the establishment of a world-class Empire, this is absolutely worth watching. It's in Latin, so, you'll have to read subtitles. The violence is very graphic, probably on par with the original Robo Cop movie, although, more realistic. Just think of watching a great BBC documentary with no voice-over and with a lot of graphic violence.

This film isn't as striking as Revenant or as thematically deep as Valhalla Rising, but it sure gets close.

I didn't choose to mention those two titles casually. Il Primo Re uses a similar range of storytelling devices: minimal dialogues, stunning visuals, a very realistic environment, metaphysical experiences. This provides the film a very immersive style, that can be perceived probably a bit slow, but that also elevates the release's quality.

The interesting part is that Il Primo Re reinterprets a well-known myth but stays faithful to its roots, and merges is with realistic historical settings. The villages, armaments, religions depicted mostly are very close to those that could've been during the pre-roman period.Obviously Il Primo Re mustn't be considered a historically accurate film, but it certainly gives the feel of that archaic period.

What I particularly appreciated was the choice of using latin as language. It is not the first time this happens, an example is Mel Gibson's The Passion, but in The Passion the pronunciation that was used was the scolastic one, which was developed in the middle ages (and I personally know that from my high-school studies of the language). In Il Primo Re they managed to use the original pronunciation of latin, and I believe probably they adopted an archaic vocabulary and sintax, which is admirable.

Criticisms can be drawn: the final climax is not that huge as the build up suggests (let's not forget italian films have a much more limited budget), it doesn't manage to be as thematically deep as the films I've mentioned earlier and sometimes it drastically shifts to being an action movie. I personally acknowledge these negatives, but still feel that the positive aspects outweight the negative ones. This film is so far unique in italian cinema, it definitely attempts at being something new, and therefore I think it deserves consideration

A splendid film, reminding a Latin text. Not for the use of language but for the admirable precise simplicity. A film about birth of Rome. The story is familiar, at the first sigh, from school years. In fact, a profound inspired history of Rome. Level by level, event by event. Because it is a film about brotherhood and murder, about "the others", about gods and atheism, about power, love, sacrifice, weakness in force , about relations and, sure, about the death as seed for a great project. A film who you feel. And it is enough.

A film in which the origin of the foundation of Rome and the myth of Romulus and Remus merge to give shape to an epic pearl of Italian cinema whose dialogues are in Proto-Latin. A crazy, intense, primordial, realistic and exciting work.

Look, I'm sure the people in the past were a lot more rough round the edges than we are, especially the poor or those who were trying to survive a life or death situation. So this film captures the rawness of life back then. It revolves around a band of men trying escape certain death who just happen to be called Romulus and Remus. Because of the protagonists there is also the usual growling, snarling and slightly overdone acting here and there to contend with as modern actors try to connect to what their ancestors were like. It's a bit too much at times.

We all know the story, so it doesn't need rehashing, although this doesn't follow the myth fully. What I liked about the film was the attempt to make it as 'historical' as possible. It is after all a fictional story, Romulus probably didn't exist, it's a myth that a lot of Indo European cultures have (twins and the death of one, founding fathers being linked to gods etc) but they have tried to recreate the look and feel of Italy in 700-800BC.

The Archaic Latin dialogue was interesting too but I feel it held the film up as at times as it's guess work by the linguistic experts who advised the writers - there are whole sections of the film with no speaking, or with quite ponderous discussions - mainly because they don't know enough of the language. You feel if it was in modern Italian it would be less stilted and would flow more. Fascinating all the same.

Anyway I enjoyed the film apart from some of the gore and mumbling, long scenes. It's nice to see a different take on a historical drama.