Le avventure di Ellian, la tenace principessa che deve intraprendere un'audace missione per salvare la sua famiglia e il suo regno dopo che un misterioso incantesimo ha trasformato i suoi ge... Leggi tuttoLe avventure di Ellian, la tenace principessa che deve intraprendere un'audace missione per salvare la sua famiglia e il suo regno dopo che un misterioso incantesimo ha trasformato i suoi genitori, il re e la regina di Lumbria, in mostri.Le avventure di Ellian, la tenace principessa che deve intraprendere un'audace missione per salvare la sua famiglia e il suo regno dopo che un misterioso incantesimo ha trasformato i suoi genitori, il re e la regina di Lumbria, in mostri.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
John Lithgow
- Bolinar
- (voce)
Jenifer Lewis
- Nazara
- (voce)
Miguel Bernardeau
- Chilo
- (voce)
Giovanna Bush
- Orsola
- (voce)
Dee Bradley Baker
- Flink
- (voce)
Susan Fitzer
- Old Maid
- (voce)
Javier Bardem
- King Solon
- (voce)
Olga Merediz
- The General
- (voce)
Rich Moore
- The Postmaster
- (voce)
Recensioni in evidenza
It would have been nice to know that this movie was mainly about divorce before sitting down with my family to enjoy a nice family movie.
The toddler enjoyed the first song or two, but she had lost interested by the midway point, definitely was not paying attention during the climax.
I say midway, but the pacing of this thing was all over the place, so I'm not really sure how far we were in or how long the movie was.. but at some point it took a turn and went from being a movie about a girl breaking the spell her parents are under (like Spirited Away) and dove straight into a "we need a divorce, but its not your fault" movie.
I didn't see anything about this in the marketing, although to be fair I don't know if I say any marketing besides a quick trailer.
It might not have been so bad if this movie hadn't also been so bad, I chuckled at a few throw away lines/sight gags, but that's about it. The plot was weak, the voice acting could have been better, and the animation felt off to me, but I can't quite describe what exactly. The lips didn't feel like they lined up right?
The toddler enjoyed the first song or two, but she had lost interested by the midway point, definitely was not paying attention during the climax.
I say midway, but the pacing of this thing was all over the place, so I'm not really sure how far we were in or how long the movie was.. but at some point it took a turn and went from being a movie about a girl breaking the spell her parents are under (like Spirited Away) and dove straight into a "we need a divorce, but its not your fault" movie.
I didn't see anything about this in the marketing, although to be fair I don't know if I say any marketing besides a quick trailer.
It might not have been so bad if this movie hadn't also been so bad, I chuckled at a few throw away lines/sight gags, but that's about it. The plot was weak, the voice acting could have been better, and the animation felt off to me, but I can't quite describe what exactly. The lips didn't feel like they lined up right?
The story was new but didn't hold my attention. The starting of the story was not captivating, it started off very randomly.
They could have portrayed the struggles of the girl in a better way. Portraying her struggles through songs was more on happy side, it never showed the pain.
The shock for me (and shocking for the princess as well..lol) was the ending. I really didn't except an animation movie to talk about it. No child would want their family to go through that phase, and this director and production house decided it was a good thing to show kids about it. That is the disappointing thing for me.
But definitely, the overall plot of how darkness entangles a person's life and makes them monster is a great plot. If the plot revolved around the main idea, it would have been a great movie.
They could have portrayed the struggles of the girl in a better way. Portraying her struggles through songs was more on happy side, it never showed the pain.
The shock for me (and shocking for the princess as well..lol) was the ending. I really didn't except an animation movie to talk about it. No child would want their family to go through that phase, and this director and production house decided it was a good thing to show kids about it. That is the disappointing thing for me.
But definitely, the overall plot of how darkness entangles a person's life and makes them monster is a great plot. If the plot revolved around the main idea, it would have been a great movie.
Spellbound may be built on a mix of various ideas from other animated movies however, it also has a fantastic message tucked inside of its fantasy adventure centring on the effects of divorce and how it can threaten to break a family apart. It comes to a satisfyingly mature conclusion and weaves its main message into most of the set pieces along the way which is enough to make up for how clunky the dialogue can be throughout by over-explaining the themes.
Rachel Zegler offers further proof that she can really belt out a tune whilst anchoring the film with an unwavering determination to help her parents. There's a solid amount of fun to be had watching Nicole Kidman and Javier Bardem have to relearn human behaviour and John Lithgow is the best part of this. He's fine at first but once he swaps bodies into a much cuter character he becomes the highlight and gets the best musical number.
Vicky Jenson's direction keeps proceedings vibrant and playful, never going too long between musical interludes and despite a run time going towards 2 hours, it's actually nearer to a clean 90 minutes excluding credits. The animation ends up being the middle ground between Disney and straight to dvd with music by Alan Menken that brings some life into the film whenever it's beginning to falter even if all the songs here are forgettable and comfortably some of his weakest.
Rachel Zegler offers further proof that she can really belt out a tune whilst anchoring the film with an unwavering determination to help her parents. There's a solid amount of fun to be had watching Nicole Kidman and Javier Bardem have to relearn human behaviour and John Lithgow is the best part of this. He's fine at first but once he swaps bodies into a much cuter character he becomes the highlight and gets the best musical number.
Vicky Jenson's direction keeps proceedings vibrant and playful, never going too long between musical interludes and despite a run time going towards 2 hours, it's actually nearer to a clean 90 minutes excluding credits. The animation ends up being the middle ground between Disney and straight to dvd with music by Alan Menken that brings some life into the film whenever it's beginning to falter even if all the songs here are forgettable and comfortably some of his weakest.
It's been a while since I've seen an animated movie with so many cheesy clichés. Teenage princesses in musicals breaking the fourth wall like it's a Nickelodeon show. After 20 minutes there were already at least 3 or 4 songs, which transform any non-Disney animated film into a bad imitation.
The plot is repetitive, boring, endless with irrelevant events that could have been omitted to leave this feature film at least in 90 minutes.
The final message is interesting, but the journey was too long and boring to pay it the attention it deserved. The visual aspects were good, but there are also details that look unfinished, to say the least.
In short, a forgettable film in the Netflix catalog.
The plot is repetitive, boring, endless with irrelevant events that could have been omitted to leave this feature film at least in 90 minutes.
The final message is interesting, but the journey was too long and boring to pay it the attention it deserved. The visual aspects were good, but there are also details that look unfinished, to say the least.
In short, a forgettable film in the Netflix catalog.
While the animation and voice acting was great about half way through I got a sinking feeling that the movie was going to try and pivot hard into a topic that was both poorly suited for this vessel and potentially within the last 30 minutes. And of course it did but instead of being a something that could sufficiently be covered for the childhood audience in 30 minutes it was something much harder to adequately cover. Divorce.
I enjoy animated movies that contain some mature themes but this felt poorly done and the messages in the last few songs and scenes were plain awful messaging for an audience under 10.
The worst part of this is the deceptive omission of this movies content, advertised as a kids movie, but ultimately potentially harmful for children to view without parental input.
Really a shame because there is great talent in the cast and production.
I enjoy animated movies that contain some mature themes but this felt poorly done and the messages in the last few songs and scenes were plain awful messaging for an audience under 10.
The worst part of this is the deceptive omission of this movies content, advertised as a kids movie, but ultimately potentially harmful for children to view without parental input.
Really a shame because there is great talent in the cast and production.
Lo sapevi?
- QuizSecond animated film Alan Menken scored to not be from Walt Disney Animation Studios, following Sausage Party - Vita segreta di una salsiccia (2016).
- Curiosità sui creditiThere are illustrated images of the characters from the film in various different situations in the first part of the credits, and illustrated trees in the background of the scrolling credits from then on.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: Oh Boy! More Movies Delayed! (2020)
- Colonne sonoreMy Parents Are Monsters
Music by Alan Menken and Lyrics by Glenn Slater
Performed by Rachel Zegler, John Lithgow, Jenifer Lewis
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Hechizados
- Luoghi delle riprese
- Madrid, Spagna(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the Canadian French language plot outline for Spellbound: L'incantesimo (2024)?
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