The City and the City

The confusing opening episode: the weird geography was bound to be disorientating, but the initial flashbacks of the detective's wife appeared, confusingly, to be contemporary.

The interesting journey of the middle two episodes: the teasing possibility of the existence of something mythical.

The disappointing resolution of the fourth and final episode: so this adaptation (if not the source novel itself) is really just a police procedural with a murder investigation that spans a border that's difficult to cross?

Superbly atmospheric rendition, beautifully photographed and with strong characters. The first episode would surely be confusing for those not familiar with the book, but even then, the air of mystery and menace is so compelling that they must also be drawn in. Techniques that seem crude on the surface - blurring of part of an image to indicate that it's not culturally possible to perceive it, umlauts and other diacritics on signs in English - work surprisingly well. David Morrissey's gestures are sometimes a little irritating, especially his over-frequent technique of grimacing while he places one hand over his eyes to indicate that he's seeing something he shouldn't be seeing. Mandeep Dhillon great. Dominik Scherrer's soundtrack disappointing. An indication of how a two state solution could turn out? Loved it, but consider reading the novel first.

The analogy to our world from the fictional universe of China Mieville's 'The City and the City' is both obviousand exquisite: two cities, one gleaming and prosperous, the other more resembling Geroge Orwell's 1984, occupy the same place; the people survive by of the act of will of seeing only one world. Perhaps disappointingly (and especially given Mieville's own Marxist politics), the political dimension is rather under-developed in this BBC adaptation; and David Morrissey's mumbling monontone hero is a hard character to like. As in the best science fiction, there are many interesting ideas here (especially around the concept of "breaching" the two worlds), but they feel somewhat underdeveloped, and too much of the story comes in flashback form. It made me want to read the book to see if the original made more of its foundation.

Dark - as in literally dark, with the majority of the scenes dimly lit (partly for effect, partly, I suspect, to obscure familiar filming locations) - and intriguing police fantasy fiction. Not a total success by any means, the plot is complicated and unclearly communicated and more effort seems to have gone into atmosphere than coherence. The acting wobbles a bit, mostly likely due to the direction than anything else, but concepts of perception, identity and belief are explored in thoughtful ways. It's perhaps overlong for what turns out to be a fairly predictable outcome, but there are plenty of effective scenes rich with real suspense. Requires patience and may reward repeated viewing more than a single go round, but it's an involving and worthwhile drama.

Two worlds who choose to ignore and avoid the other but are physically next door to each other as part of a greater metropolis city. Just to make things even more interesting, is there a third ancient city no one wants to admit exists?